Wu Bin (painter)

Detail of landscape by Wu Bin, ink and color on paper, 1610; Honolulu Museum of Art

Wu Bin (simplified Chinese: 吴彬; traditional Chinese: 吳彬; pinyin: Wú Bīn; Wade–Giles: Wu Pin) was a Ming dynasty Chinese landscape painter during the reign of the Wanli Emperor (r. 1573-1620). His courtesy name was "Wenzhong" and his art name "Zhiyin Toutuo" means "Mendicant monk at the temple hidden by tree branches". His specific dates of birth and death are not known. Wu was born in Putian in the Fujian province. The local relation linked him to Ōbaku Buddhism sect. He painted a large Nirvana scene painting for them.

He was educated as one of the literati and skilled as a painter. He worked mainly in Nanjing about 1590-1610. He became a devout follower of Buddhism and lived and worked in a Buddhist temple. In Nanjing, he often depicted Buddhist arhats behaving as magicians, performing superstitious rituals and healing practices to satisfy requests made by religious men and women. These are colorful portraits where irony and sarcasm prevail. He produced 500 arhat hanging scrolls in Qixia Temple in Nanjing in about 1601. Some of these hanging scrolls have survived. It is uncertain whether he worked for the vice imperial government in Nanjing. Mi Wanzong (1570－1628), a high ranking government officer, calligrapher, and painter, was his patron from about ACE1600. Wu Bin moved to Beijing with Mi Wanzong's support in about 1610. He produced several masterpieces for Mi Wanzong in Beijing. The landscape of Mi's Garden in Beijing, Ten portraits of A marvelous rock which Mi had and appreciated., and some extravagant landscape paintings.

The Beijing imperial court assigned him the status for a professional technocrat as painter. There are no records of him after 1626. Some sources indicate that the powerful and notorious eunuch Wei Zhongxian purged Wu Bin.^[1]

Works[]

Landscape San Francisco

• Asian Art Museum, San Francisco
  • "Pine Lodge amid Tall Mountains"
• Cleveland Museum of Art
  • Greeting the Spring (Landscape Handscroll) in 1600.
  • Five Hundred arhat handscroll
• Metropolitan Museum
  • Sixteen Arhats Handscroll in 1591 "The 16 Luohans"
• Honolulu Museum Of Art
  • Landscape Handscroll
• Shanghai Museum
  • Journey in San Yin, handscroll, Ink and color on Paper
• Palace Museum, Beijing
  • Arhats

500 arhats Cleveland

Notes[]

References[]

• Chen Yunru, Fantasic and Extraordinary The Realm of Wu bin's Painting. (Chinese and English text) National Palace Museum, Taipei, Taiwan, 2013
• Howard Rogers and Sherman Lee, Masterworks of Ming and Qing Paintings from the Forbidden city, International Art Council, USA, 1988
• James Cahill, Wu Pin and His Landscape Painting." Paper for International Conference on Chinese Painting, Palace Museum, Taipei, 1970
• James Cahill: Fantastic and Eccentrics in Chinese Painting, New York, 1972.

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