Yuri Rydkin

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Yuri Rydkin
Юрий Рыдкин.jpg
BornYuri Anatolevich Rydkin
(1979-04-08) 8 April 1979 (age 42),
Gomel, Byelorussian Soviet Socialist Republic, Soviet Union
Occupationpoet, fotocollage maker, literary critic, translator
LanguageRussian, Belarusian
CitizenshipBelarus
Alma materFrancisk Skorina Gomel State University
Genrepoetry, prose, fotocollage
Literary movementpost-postmodernism, eclecticism, new media art, futures studies

Yuri Anatolyevich Rydkin (Russian: Ю́рий Анато́льевич Ры́дкин, IPA: [ˈjʉrʲɪj ɐnɐˈtolʲjɪvʲɪtɕ ˈrɨtkʲɪn]; born 8 April 1979) is a Russian and Belarusian poet, media artist,[1] a bot poetry (bot-non-fiction)[2][3][4] researcher.

Biography[]

The author studied at school No.3, Gomel (1986–1996).

He graduated from the Belarusian department of the Linguistic Faculty of Francisk Skorina Gomel State University in 2004.

6 October 1998 Yuri Rydkin attempted to commit a suicide jumping from a railway bridge in Gomel, as a result he got injured and disabled.[5][6]

Work[]

Rydkin explores the genre of conversation with bots in the most scrupulous way.[7][2][8][9][10][11] Explores the impact of new technologies on poetic text.[12] His works are screenshots of art-dialogues with virtual interlocutors, including Alice.[4] In a literary critic Galina Rymbu's opinion, «Bot Conversation» is written in the genre of found poetry.[13] Rydkin's dialogues with bots contain pragmatics and a behavioral study of contemporary poetry, critics call Belarusian[14] poet — a bot of Russian literature.[7][1][15]

The poet has had a artistic dialogue with COVID-19 on Facebook, the screenshots of his fb-posts are published under the title of «COVID-POETRY» in a literary almanac.[16]

Rydkin is the founder of cyberzaum[7][17] and hyperlink poetry,[18][19][20][21][11][22][7][23] the concept of which was expressed in his manifestation.[24] Critics see author's hypertext works as aesthetic indicators that are consistent with "writing degree zero" — a language free from the signs of ideology.[20]

Rydkin's stanza lyrics have a mark of futurology.[23][2][25] Doctor of Science Jana Kostincová writes that in multimodal poetry he uses artificial intelligence and develops intertext play.[11] The poem "Вверх тормашками стул рогат" is written in the genre of modern metarealism.[1] Author also writes prose.[26]

Rydkin has made a few photo collages which attracted the attention of a art critic Теймур Даими, a professor Елена Зейферт and a photo artist Василий Ломакин, who analyzes Rydkin's works based on Michel Foucault's book "The Order of Things".[27] When creating experimental photographs,[1][12] the author uses ACDSee, Microsoft Paint and FaceApp programs.

Rydkin is the author of literary critical articles on the prose of Margarita Meklina, Владимир Паперный, Вадим Месяц, Александр Уланов, the poetry of Мария Степанова, Алла Горбунова, Таня Скарынкина, Ирина Котова, Лида Юсупова, Виктор Лисин and others.

The author has translated the works[28] by Daniil Kharms, Eduard Limonov and a chapter "Ultima Thule"[29] from the last unfinished Russian novel by Vladimir Nabokov into Belarusian.

His works have been published in such paper and electronic editions as Novy Mir, Znamya, Волга, Цирк «Олимп», Топос, Сетевая словесность, Homo Legens, Полутона, Ф-письмо, Лиterraтура, Журнальный зал, Метажурнал, Post(non)fiction, on the website of the publishing house Новое литературное обозрение[30][31] and in other journals.

The poet's works were shown at the exhibition "Poetry by any means" — it was devoted to new readymade-technologies in poetry, created with the help of Internet search engines, various objects, newspaper articles and more.[32] The author's photographs are presented in virtual galleries of various media projects.[33][34][35]

Yuri Rydkin has been widely quoted by his contemporaries.[36][37][38][39][40][41] His works have attracted much attention from literary critics. According to their opinion, his works of art are close to the works by Fyodor Svarovsky,[23] Dmitri Prigov[7] and Lev Rubinstein.[7]

Recognition[]

Yuri Rydkin's publication "Between the living and the artificial. Merging digital technologies with human, writer and literature" was recognized by the professionals of the Журнальный зал as the best in August 2021.[42]

References[]

  1. ^ a b c d Podlubnova J. "Review of the work of Yuri Rydkin". Metajournal. Retrieved 1 November 2021.
  2. ^ a b c Malinovskaya M. "Man and Death". Volga. Retrieved 30 May 2020.
  3. ^ Oborin L. "The best on the literary Internet". Gorky. Retrieved 30 May 2020.
  4. ^ a b Rydkin Y. "Between the living and the artificial. Merging digital technologies with human, writer and literature in the periodicals of the first half of 2021". Znamya. Retrieved 1 November 2021.
  5. ^ "The interview". Takie dela. Retrieved 30 May 2020.
  6. ^ "Fb posts compilation by Yuri Rydkin. Anti-anniversary (the 20th anniversary of my death). 06. 10. 2018". Sygma. Retrieved 30 May 2020.
  7. ^ a b c d e f Konakov A. "Russian poetry in the times of bot-to-bot communication". Colta. Retrieved 30 May 2020.
  8. ^ Korkunov V. "Discussuon. New literary generation: does it really exist?". Znamya. Retrieved 30 May 2020.
  9. ^ Oborin L. "What literary movements have appeared in the 21st century? Making a list for the nearest future". Yandex. Retrieved 30 May 2020.
  10. ^ Bonch-Osmolovskaya T. "Review on "Bot Conversation"". Articulyatsia. Retrieved 30 May 2020.
  11. ^ a b c Kostintsova Y. "Media poetry and bio-cyber art. Algorithm like instrument or (co)author? (2019, p.13-14)". Masaryk University / ResearchGate. Retrieved 1 November 2021.
  12. ^ a b Dunchenko T., Ochirov A. "Non-free microphone. Desktop. Puffing Creakles (timecode: Yuri Rydkin)". YouTube. Retrieved 20 December 2021.
  13. ^ Rymbu G. "Eight poetic online publications (March 2019)". Year of Literature. Retrieved 30 May 2020.
  14. ^ Podlubnova J. "Literature 2020. Literary results of the year". Colta. Retrieved 4 January 2021.
  15. ^ Podlubnova J. "Triumph of Trauma". Articulyatsia. Retrieved 30 May 2020.
  16. ^ Rydkin Y. "COVID-POETRY". Articulyatsia. Retrieved 30 May 2020.
  17. ^ Rydkin Y. "Cyberzaum". Polutona. Retrieved 9 January 2021.
  18. ^ Abrosimova C. "Modern hypertextual poetry (aspects of interaction of authentic texts and internet media), 2020, No.8". Scientific dialogue / CyberLeninka. Retrieved 1 November 2021.
  19. ^ Abrosimova C. "Typology of intermedial relationships in a modern poetical discourse (a systematic review) // Linguistic sciences, Theory and practice matters. 2020. Volume 13, issue 7, p.122". Gramota / CyberLeninka. Retrieved 1 November 2021.
  20. ^ a b Abrosimova C., Kulamikhina I. "Hyperlink Phenomenon In The Modern Internet Poetry (2020, p.553)". European Proceedings. Retrieved 1 November 2021.
  21. ^ Rits E. "Review on hyperlink poetry". Polutona. Retrieved 30 May 2020.
  22. ^ Rydkin Y. "Getting out of order: Other sweet, or Poetical botoholism". Olymp Circus. Retrieved 30 May 2020.
  23. ^ a b c Famitsky A. "Review on the poem "Soft"". Topos. Retrieved 30 May 2020.
  24. ^ Rydkin Y. "Hyperlink poetry manifestation". Sygma. Retrieved 30 May 2020.
  25. ^ Podlubnova J. "Review on the cyberpoem "Bot Being"". Kastopravda. Retrieved 30 May 2020.
  26. ^ Seifert E. "Review on the story "Repressed Knock"". Polutona. Retrieved 30 May 2020.
  27. ^ Lomakin V., Daimi T., Seifert E. "Reviews on Yuri Rydkin's photo collages". Sygma. Retrieved 30 May 2020.
  28. ^ "Kharms D. Obstacle, Limonov E. Ship under the Red Flag / Translated by Yuri Rydkin". Textura. Retrieved 30 May 2020.
  29. ^ "A chapter from the last unfinished Russian novel by Vladimir Nabokov / Translated by Yuri Rydkin". Textura. Retrieved 30 May 2020.
  30. ^ Republishing
  31. ^ Republishing
  32. ^ "On December 25, the Victoria Gallery summed up the results of its annual award in the field of Samara contemporary art". ART Uzel. Retrieved 1 November 2021.
  33. ^ Rydkin Y. "Digital dreams". Greza. Retrieved 20 December 2021.
  34. ^ Rydkin Y. "Affected subjects". Articulyatsia. Retrieved 20 December 2021.
  35. ^ Rydkin Y. "Merging the opposite". Discourse. Retrieved 20 December 2021.
  36. ^ Seifert E. "Intelligence as benevolence (experience of meaning interpretation) // Series «Intelligentsia and modern life». Edition XX. Moscow, 2019, p.65-66" (PDF). Russian State University for the Humanities. Retrieved 1 November 2021.
  37. ^ Khrushcheva N. Metamodern in music and around it. М.: Ripol-classic, 2020, p.150, ISBN 978-5-386-13540-9.
  38. ^ Oborin L. "Digest of the most important materials in the book Internet". Gorky. Retrieved 30 May 2020.
  39. ^ Davydov D. "Literary review". Literratura. Retrieved 30 May 2020.
  40. ^ Krichevsky P. "An escape from a living fiber of the language". Articulyatsia. Retrieved 4 January 2021.
  41. ^ Chemberzhi D. "Installation as a visual-communication practice of creating a contemporary art space (2020, p.183 - Rydkin Y. МЕТАmodernism: internal and external echoes)" (PDF). National Academy of Arts of Ukraine. Retrieved 1 November 2021.
  42. ^ "Magazine Hall Ranking for August 2021. The choice of professionals". Magazine Hall. Retrieved 20 December 2021.
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