Cliff Martinez
Cliff Martinez | |
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Background information | |
Born | The Bronx, New York City, New York, United States | February 5, 1954
Genres | Film score, punk rock, funk rock, experimental rock, synthwave, industrial, ambient |
Occupation(s) | Musician, songwriter |
Instruments | Drums, percussion, cristal baschet, keyboards |
Years active | 1983–present |
Labels | EMI |
Associated acts | Red Hot Chili Peppers, The Dickies, Captain Beefheart, Lydia Lunch, The Weirdos |
Website | cliff-martinez |
Cliff Martinez (born February 5, 1954) is an American musician and composer. Early in his career, Martinez was known as a drummer notably with the Red Hot Chili Peppers and Captain Beefheart.[1] Since the 1990s, he has worked primarily as a film score composer, writing music for Spring Breakers, The Foreigner, and multiple films by Steven Soderbergh (Sex, Lies, and Videotape, Solaris, Contagion, and Traffic[2]) and Nicolas Winding Refn (Drive,[1] Only God Forgives,[1] The Neon Demon and the miniseries Too Old to Die Young).
On April 14, 2012, Martinez was inducted into the Rock and Roll Hall of Fame as a member of the Red Hot Chili Peppers.[2]
Early life[]
Martinez was born in the Bronx, New York. Raised in Columbus, Ohio, his first job composing was for the popular television show Pee Wee's Playhouse.[3] At the time, however, he was more interested in rock bands, and played drums in a variety of them, mostly in a temporary capacity.
Red Hot Chili Peppers (1983–1986)[]
After several years drumming for such acts as Captain Beefheart, The Dickies, Lydia Lunch and The Weirdos, in late 1983, he and Jack Sherman were drafted in to join the Red Hot Chili Peppers for the recording of their eponymous first album after Jack Irons and Hillel Slovak left the band to concentrate on their other project at the time, What Is This? Martinez again played on the recording of the band's second album Freaky Styley and its subsequent tour.
In 2012 Martinez was inducted into the Rock and Roll Hall of Fame as a member of the Red Hot Chili Peppers.[4] Martinez performed with the band for the first time in 26 years when he joined them along with former drummer Jack Irons on their song, "Give It Away" during the ceremony.[5]
Film composing[]
Eventually, Martinez' interests shifted and he focused his attention toward film scoring. A tape Martinez had put together using new technologies made its rounds, leading him to score an episode of Pee-Wee's Playhouse. The same recording also ended up in Steven Soderbergh's hands and Martinez was hired to score the famed director's first theatrical release, 1989's Sex, Lies, and Videotape.[citation needed] Martinez's longstanding relationship with Soderbergh has continued through the years and they have worked together on ten theatrical releases including Kafka, The Limey, Traffic, Solaris and 2011's Contagion, as well the Cinemax series The Knick.
Perhaps it is because of his time in the punk scene that Martinez's approach to scoring is nontraditional.[citation needed] His scores tend towards being stark and sparse, utilizing a modern tonal palette to paint the backdrop for films that are often dark, psychological stories like Pump Up the Volume (1990), The Limey (1999) Wonderland (2003), Wicker Park (2004) and Drive (2011).[citation needed] Martinez has been nominated for a Grammy Award (Steven Soderbergh's Traffic), a Cesar Award (Xavier Giannoli's À L'origine), and a Broadcast Film Critics Award (Drive). He earned a Robert Award (Danish Academy Award) for his work on Only God Forgives.[6]
Martinez's use of audio manipulations, particularly for percussive sounds, has been evolving through the years and is evident[citation needed] by the hammered dulcimer of Kafka (1991), the gray-areas between sound design and score for Traffic (2000), the steel drums and textures of Solaris (2002), what Martinez called "rhythmi-tizing pitched, ambient textures" of Narc (2002), and "using percussion performances to trigger and shape the rhythmic and tonal characteristics of those ambient textures," as he described his score for 2011's The Lincoln Lawyer.[citation needed]
Martinez served as a juror for the 2012 Sundance Film Festival and served on the International Feature nominating committee for 2011 Film Independent Spirit Awards. Martinez's recent films include Robert Redford's The Company You Keep, Nicholas Jarecki's Arbitrage, Harmony Korine's Spring Breakers (co-composed with Skrillex), and Nicolas Winding Refn's Only God Forgives[7] and The Neon Demon.[8]
Video game composing[]
Martinez composed the main menu titled "Galaxy Theme" for Spore with Brian Eno in 2008. In 2014, Martinez also composed the title score for Far Cry 4.
Advertising[]
In 2013, Martinez scored the "Fly Beyond" Grey Goose vodka commercial.[9] Martinez also composed two songs, "Vibe" and "Kotopulse", for the 2014 Lincoln Motor Company advertising campaign featuring Matthew McConaughey.[10]
Discography[]
The Weirdos[]
- Weird World (compilation)
Lydia Lunch[]
- 13.13 (1982)
- Stinkfist (1986)
Captain Beefheart[]
- Ice Cream for Crow (1982)
Red Hot Chili Peppers[]
- The Red Hot Chili Peppers (1984)
- Freaky Styley (1985)
- The Abbey Road E.P. – (1988)
- What Hits!? – (1992)
- Out in L.A. – (1994)
- Under the Covers: Essential Red Hot Chili Peppers – (1998)
The Dickies[]
- Killer Klowns From Outer Space (1988)
- (1989)
- (1991)
- Idjit Savant (1994)
As composer[]
Film[]
Year | Title | Director | Studio(s) | Notes |
---|---|---|---|---|
1989 | Sex, Lies, and Videotape | Steven Soderbergh | Miramax Films | N/A |
1990 | Pump Up the Volume | Allan Moyle | New Line Cinema | N/A |
1991 | Kafka | Steven Soderbergh | Miramax Films | N/A |
1992 | Black Magic | Daniel Taplitz | N/A | N/A |
1993 | King of the Hill | Steven Soderbergh | Gramercy Pictures | N/A |
1995 | The Underneath | Steven Soderbergh | Gramercy Pictures | N/A |
1996 | Gray's Anatomy | Steven Soderbergh | N/A | N/A |
1996 | Schizopolis | Steven Soderbergh | N/A | Uncredited |
1998 | Wicked | Michael Steinberg | N/A | N/A |
1999 | The Limey | Steven Soderbergh | Artisan Entertainment | N/A |
2000 | Traffic | Steven Soderbergh | USA Films | N/A |
2002 | Narc | Joe Carnahan | Paramount Pictures Lionsgate |
N/A |
2002 | Solaris | Steven Soderbergh | 20th Century Fox | N/A |
2003 | Wonderland | James Cox | Lionsgate | N/A |
2004 | Wicker Park | Paul McGuigan | Metro-Goldwyn-Mayer | N/A |
2005 | Havoc | Barbara Kopple | New Line Cinema | N/A |
2006 | First Snow | Mark Fergus | Freestyle Releasing | N/A |
2008 | Stiletto | Nick Vallelonga | First Look International | N/A |
2008 | Vice | Raul Inglis | N/A | N/A |
2009 | Espion(s) | Nicolas Saada | N/A | N/A |
2009 | Severe Clear | Kristian Fraga | N/A | Documentary |
2009 | In the Beginning | Xavier Giannoli | EuropaCorp | N/A |
2011 | The Lincoln Lawyer | Brad Furman | Lionsgate | N/A |
2011 | Drive | Nicolas Winding Refn | FilmDistrict | N/A |
2011 | Contagion | Steven Soderbergh | Warner Bros. Pictures | Additional music provided by & |
2012 | Arbitrage | Nicholas Jarecki | Lionsgate | Additional music provided by Mac Quayle & Gregory Tripi |
2012 | The Company You Keep | Robert Redford | Sony Pictures Classics | Additional music provided by Mac Quayle & Gregory Tripi |
2013 | Spring Breakers | Harmony Korine | A24 | Composed with Skrillex. Additional music provided by Mac Quayle & Gregory Tripi |
2013 | Golem | Patrick McCue Tobias Wiesner |
N/A | Short film |
2013 | Only God Forgives | Nicolas Winding Refn | RADiUS-TWC | N/A |
2014 | Mea Culpa | Fred Cavayé | Gaumont | N/A |
2014 | My Life Directed by Nicolas Winding Refn | Liv Corfixen | N/A | Documentary |
2014 | The Normal Heart | Ryan Murphy | 20th Century Fox Television | Television film |
2016 | The Neon Demon | Nicolas Winding Refn | Gaumont | Additional music provided by Peter G. Adams & Gregory Tripi |
2016 | War Dogs | Todd Phillips | Warner Bros. Pictures | Additional music provided by Peter G. Adams & Gregory Tripi |
2017 | The Foreigner[11] | Martin Campbell | STX Entertainment | Additional music provided by Peter G. Adams, Thor Lawae & Gregory Tripi |
2018 | Den of Thieves | Christian Gudegast | STX Entertainment | Additional Music by Peter G. Adams, Thor Lawae & Gregory Tripi |
2018 | Game Night | John Francis Daley Jonathan Goldstein |
Warner Bros. Pictures | Additional music by Peter G. Adams & Thor Lawae |
2018 | Hotel Artemis | Drew Pearce | Global Road Entertainment | additional music by Thor Lawae & Gregory Tripi |
Television[]
Year | Title | Notes |
---|---|---|
2014–2017 | The Knick | N/A |
2019 | Too Old to Die Young | additional music by Peter G. Adams & Thor Lawae |
2020 | The Wilds | N/A |
Video games[]
Year | Title | Developer(s) | Publisher(s) | Notes |
---|---|---|---|---|
2008 | Spore | Maxis | Electronic Arts | Galaxy Main Theme and other unspecified compositions Composed with Brian Eno |
2014 | Far Cry 4 | Ubisoft Montreal | Ubisoft | N/A |
References[]
- ^ Jump up to: a b c Ezell, Brice (September 4, 2013). "Getting Good at Getting Dark: An Interview with Cliff Martinez". PopMatters.
- ^ Jump up to: a b Romero, Angie (July 22, 2013). "10 Questions With Cliff Martinez". BMI.
- ^ "Composer for Film TV and Multimedia | Official Website". Cliff Martinez. Retrieved August 24, 2011.
- ^ Futurerocklegends.com
- ^ Drummagazine.com Archived September 28, 2013, at the Wayback Machine
- ^ http://www.screendaily.com/news/the-hunt-sweeps-danish-robert-awards/5065834.article
- ^ "Official Bio". Retrieved December 30, 2013.
- ^ "Elle Fanning Sees Nicolas Winding Refn's Neon Demon". Retrieved December 30, 2013.
- ^ 'Only God Forgives' director Nicolas Winding Refn's next projects: Commercial, horror
- ^ LincolnMotorCompany on Twitter
- ^ "Cliff Martinez to Score Martin Campbell's The Foreigner". March 21, 2016. Retrieved March 22, 2016.
External links[]
- Official website
- Cliff Martinez at IMDb
- 1954 births
- American film score composers
- American rock drummers
- BAFTA winners (people)
- Living people
- American male film score composers
- Red Hot Chili Peppers members
- The Magic Band members
- Video game composers
- 20th-century American drummers
- American male drummers
- American people of Latin American descent