Nicholas Britell

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Nicholas Britell
Britell at the 2013 Toronto International Film Festival
Britell at the 2013 Toronto International Film Festival
Background information
Born (1980-10-17) October 17, 1980 (age 40)
New York City, United States
GenresFilm score, classical music
Occupation(s)Composer, musician, songwriter, film producer
Associated actsAdam McKay, Barry Jenkins, Natalie Portman, Benjamin Millepied, Adam Leon, Damien Chazelle, Steve McQueen

Nicholas Britell (born October 17, 1980) is an American composer, pianist, and film producer based in New York City. He has scored both of Barry Jenkins' studio films, Moonlight (2016) and If Beale Street Could Talk (2018), both of which received nominations for Best Original Score at the Academy Awards. He has also worked with Adam McKay, scoring his two most recent films, The Big Short (2015) and Vice (2018). The HBO original series Succession (2018–present) marked Britell's entry into television. Britell scored every episode of the first and second season, earning the Emmy Award for Outstanding Original Main Title Theme Music[1] and the Hollywood Music in Media Award for Best Original Score – TV Show/Limited Series. His score for the second season of Succession was nominated in 2020 for the Emmy Award for Outstanding Music Composition for a Series. His score for The Underground Railroad is nominated for Outstanding Music Composition For A Limited Or Anthology Series, Movie Or Special (Original Dramatic Score) at the 73rd Primetime Emmy Awards, which will air in September 2021.

At the World Soundtrack Awards, Britell was awarded Film Composer of the Year in 2019 for his scores for Vice and If Beale Street Could Talk and Television Composer of the Year[2] in 2020 for Succession. His works, as described by Soraya McDonald of Film Comment, "seem to organically straddle accessibility and sophistication in a way that goes beyond the typical programming of a big-city pops orchestra...That might have something to do with the fact that Britell has long had one foot in the world of hip-hop and another in the world of classical music."[3]

Early life and education[]

Britell was raised in a Jewish family,[4] in New York City.[5] He graduated from the college preparatory school, Hopkins School, in 1999.[6] Britell is a graduate of the Juilliard School's Pre-College Division and a Phi Beta Kappa graduate of Harvard University[7][8] in 2003.[9] At school, he was a member of the instrumental hip-hop group, The Witness Protection Program, where he played keyboards and synthesizers.[5] Britell is part of an emerging generation of composers and artists who draw from an eclectic range of influences. His work is inspired by Rachmaninoff, Gershwin, Philip Glass, and Zbigniew Preisner as well as by producers Quincy Jones and Dr. Dre.[10]

Career[]

Early career[]

In 2008, Britell gained wide notice performing his own work "Forgotten Waltz No. 2" in Natalie Portman's directorial debut Eve.[10] He collaborated again with Portman, writing music for the film New York, I Love You.[11][12] In 2011, Britell performed on piano with violin virtuoso Tim Fain in "Portals."[13] The multimedia project also featured performances by Craig Black, Julia Eichten and Haylee Nichele and featured music by Philip Glass and Nico Muhly, poetry by Leonard Cohen and choreography by Benjamin Millepied.[14][15] Vogue Magazine called Britell among "...the most talented young artists at work..."[16]

As a film composer, Britell created the music for the movie Gimme the Loot directed by Adam Leon.[17] The film would go on to compete in the Un Certain Regard section at the 2012 Cannes Film Festival.[18][19] It won the Grand Jury Prize at the SXSW Film Festival in 2012.[20] The music for the film garnered special praise from New York Magazine[21] and Variety.[22] Britell's film composing career continued in 2012 with the scoring of Michele Mitchell's PBS documentary Haiti: Where Did the Money Go?[23] The film, which aired over 1,000 times in the United States on PBS stations and was screened at the Oakland Film Festival and the Bolder Life Film Festival in 2012, is the winner of the 2013 National Edward R. Murrow Award for Best News Documentary[24] and winner of a 2012 CINE Golden Eagle Award[25] and a CINE Special Jury Award for Best Investigative Documentary.[26]

2012–2015[]

Britell's music featured prominently in director Steve McQueen's Oscar-winning film 12 Years a Slave, for which he composed and arranged the on-camera music including the spiritual songs, work songs, featured violin performances, and dances.[27] Billboard Magazine called Britell "...the secret weapon in the music of 12 Years a Slave".[27] "My Lord Sunshine", composed by Britell for 12 Years a Slave, was eligible for the 2014 Oscar's best song list.[28] The Los Angeles Times said of "My Lord Sunshine", "A work song, a spiritual, a blues lament, a communal statement – 'My Lord Sunshine (Sunrise)' is all of the above and more...[w]hat Britell accomplished is no easy feat, and it's a spiritual that feels and sounds of the era and deftly weaves in religious imagery with the daily horror of the slaves' lives."[29] Britell also notably reinterpreted "Roll Jordan Roll" for the film.[30][31] Britell's work received wide critical acclaim and he was profiled in the Wall Street Journal.[27]

As a film producer, Britell produced the short film Whiplash, directed by Damien Chazelle, which won the Jury Award for Best US Fiction Short at the 2013 Sundance Film Festival.[32] He subsequently helped produce the feature-film Whiplash, also directed by Chazelle and starring Miles Teller and J. K. Simmons.[33][34] The Whiplash feature won Sundance's 2014 Jury Prize and Audience Award, and went on to get 5 Oscar nominations (including Best Picture) and won 3 Oscar awards.[35][36] Britell also wrote and produced the track "Reaction," produced the track "When I Wake," and performed and produced "No Two Words" for the film's soundtrack.[37]

In 2015, Britell scored The Seventh Fire, a documentary directed by Jack Pettibone Riccobono and presented by Terrence Malick, which debuted to critical acclaim at the Berlin International Film Festival.[38]

Britell scored Natalie Portman's directorial debut feature film A Tale of Love and Darkness, which screened at the 2015 Cannes Film Festival.[39] Deadline called Britell's score for the film "riveting".[40]

Britell also scored the Oscar-winning The Big Short, directed by Adam McKay, starring Brad Pitt, Christian Bale, Ryan Gosling, and Steve Carell, based on the book The Big Short by Michael Lewis, and released by Paramount in December 2015.[41] In addition, Britell produced the soundtrack album for the film.[42]

2016–2019[]

In 2016, Britell scored director Gary Ross' civil-war era historical drama Free State of Jones, starring among others Matthew McConaughey and Mahershala Ali.[43] The soundtrack album, produced by Britell, was released June 24, 2016 on Sony Masterworks.[44]

Also in 2016, Britell wrote the original score for the critically acclaimed, Best Picture-winning film Moonlight, directed by Barry Jenkins and starring Mahershala Ali, Ashton Sanders, Trevante Rhodes, André Holland, and Naomie Harris, among others.[45][46] Britell's score received a 2017 Academy Award for Best Original Score nomination and it was nominated for a 2017 Golden Globe Award for Best Original Score in the Motion Picture category.[47] The New York Times' A.O. Scott, who called the film "...about as beautiful a movie as you are ever likely to see",[48] praised Britell's score as "...both surprising and perfect."[48] Britell's original score was described as "... an enthralling collection of music that will linger in your mind and in your heart in much the same way as the film",[49] and named one of the Ten Best Music Moments of 2016 by Brooklyn Magazine.[50] The film's soundtrack album, named one of the top 25 Soundtrack Albums of 2016 on iTunes,[51] was produced by Britell and released by Lakeshore Records, including a special vinyl collectors' edition.[52] Britell's "Middle of the World", from the soundtrack album, was named one of the top 25 Soundtrack Songs of 2016 on iTunes.[51]

Britell scored director Adam Leon's film Tramps in 2016,[53] with Netflix acquiring worldwide distribution rights to the film at the 2016 Toronto International Film Festival.[54]

He composed the title song from Christina Aguilera's eighth studio album Liberation (2018).[55][56]

Britell scored Fox Searchlight's tennis biopic Battle of the Sexes, directed by Jonathan Dayton and Valerie Faris, and released in 2017.[57]

His score for If Beale Street Could Talk has received wide critical acclaim and awards including a 2019 Academy Award nomination, a BAFTA nomination,[1] a Critics' Choice nomination,[1] and Best Original Score awards from each of the Los Angeles,[1] Boston,[1] Chicago,[1] Central Ohio,[1] Iowa,[1] Washington DC,[1] Phoenix,[1] LA Online,[1] NY Online,[1] and Online Film Critics Associations.[1]

Britell is the composer of the HBO series Succession, winning a Primetime Emmy Award for Outstanding Original Main Title Theme Music for the series. He will compose season 3 of Succession, set to air in fall 2021.[58]

2020–present[]

On February 6, 2019, Britell confirmed he is composing the score for Barry Jenkins' next project, The Underground Railroad, an original series on Amazon based on Colson Whitehead's Pulitzer Prize winning novel of the same name.[59] The show premiered on Amazon Video on May 14, 2021 to critical acclaim for both Jenkins and Britell. For his score, Britell received a Primetime Emmy Award nomination for Outstanding Music Composition For A Limited Or Anthology Series, Movie Or Special (Original Dramatic Score) at the 73rd Primetime Emmy Awards.

Britell is also composing the music for Adam McKay's upcoming film Don't Look Up, expected to be released in 2021. Britell also scored Disney's One Hundred and One Dalmatians live-action spin-off Cruella, released in 2021.[60][61]

Other endeavors[]

Britell is a Steinway Artist[62] and a Creative Associate of the Juilliard School.[63] In December 2018, it was announced that Britell would be a part of Esa-Pekka Salonen's newly formed creative collective "brain trust" as Salonen takes the reins as music director of the San Francisco Symphony.[64]

Personal life[]

He is married to cellist Caitlin Sullivan.[65]

Filmography[]

As performer[]

Year Title Director
2008 Eve Directed by Natalie Portman

As composer[]

Year Title Director
2008 New York, I Love You Natalie Portman
2012 Haiti: Where Did the Money Go Michele Mitchell
Gimme the Loot Adam Leon
2013 12 Years a Slave (additional music by) Steve McQueen
2015 The Seventh Fire Jack Pettibone Riccobono
A Tale of Love and Darkness Natalie Portman
The Big Short Adam McKay
2016 Free State of Jones Gary Ross
Moonlight Barry Jenkins
Tramps Adam Leon
2017 Battle of the Sexes Jonathan Dayton and Valerie Faris
2018–present Succession Various
2018 If Beale Street Could Talk Barry Jenkins
Vice Adam McKay
2019 The King David Michôd
2021 The Underground Railroad Barry Jenkins
Cruella Craig Gillespie
Italian Studies Adam Leon
Don't Look Up Adam McKay
TBA Carmen Benjamin Millepied

As producer[]

Year Title Director
2013 Whiplash (short) (producer) Damien Chazelle
2014 Whiplash (feature) (co-producer) Damien Chazelle

Awards[]

Main article: List of awards and nominations received by Nicholas Britell
Association Year Work Category Result Ref.
Academy Awards 2017 Moonlight Best Original Score Nominated
2019 If Beale Street Could Talk Nominated
Primetime Emmy Awards 2019 Succession Outstanding Original Main Title Theme Music Won
2020 Outstanding Music Composition for a Series (Original Dramatic Score) Nominated
2021 The Underground Railroad Outstanding Music Composition For A Limited Or Anthology Series, Movie Or Special (Original Dramatic Score) Pending
Golden Globe Awards 2017 Moonlight Best Original Score Nominated
British Academy Film Awards 2019 If Beale Street Could Talk Best Film Music Nominated
ASCAP Film and Television Music Awards 2017 Moonlight Film Score of the Year Nominated
2019 Succession Television Composer of the Year Nominated
If Beale Street Could Talk Film Score of the Year Nominated
Austin Film Critics Association 2019 If Beale Street Could Talk Best Score Nominated
Awards Circuit Community Awards 2016 Moonlight Best Original Score Nominated
2019 If Beale Street Could Talk Best Original Score Nominated
Black Reel Awards 2017 Moonlight Outstanding Score Won
2019 If Beale Street Could Talk Outstanding Score Won
Boston Society of Film Critics Awards 2018 If Beale Street Could Talk Best Original Score Won
Broadcast Film Critics Association 2016 Moonlight Best Score Nominated
2019 If Beale Street Could Talk Best Score Nominated
Central Ohio Film Critics 2017 Moonlight Best Score Nominated
Chicago Film Critics Association 2016 Moonlight Best Original Score Nominated
2018 If Beale Street Could Talk Best Original Score Won
Columbus Film Critics Association 2019 If Beale Street Could Talk Best Score Won
Denver Film Critics Society 2017 Moonlight Best Original Score Nominated
Florida Film Critics Circle Awards 2016 Moonlight Best Score Nominated
2018 If Beale Street Could Talk Best Score Nominated
Georgia Film Critics Association 2017 Moonlight Best Original Score Nominated
2019 If Beale Street Could Talk Best Original Score Nominated
Gold Derby Awards 2017 Moonlight Best Original Score Nominated
2019 If Beale Street Could Talk Best Original Score Nominated
2020 If Beale Street Could Talk Original Score of the Decade Nominated
Hollywood Music In Media Awards (HMMA) 2016 Moonlight Best Original Score - Feature Film Won
2017 Battle of the Sexes Best Original Song Nominated
Battle of the Sexes Best Original Score - Feature Film Nominated
2018 If Beale Street Could Talk Best Original Score - Feature Film Nominated
Succession Best Original Score - TV Show/Limited Series Won
2019 The King Best Original Score - Feature Film Nominated
Succession Best Original Score - TV Show/Limited Series Nominated
Hawaii Film Critics Society 2017 Moonlight Best Original Score Nominated
Houston Film Critics Society Awards 2017 Moonlight Best Original Score Nominated
2019 If Beale Street Could Talk Best Original Score Won
International Cinephile Society Awards 2019 If Beale Street Could Talk Best Original Score Won
International Film Music Critics Award (IFMCA) 2017 Moonlight Best Original Score for a Drama Film Nominated
2019 Vice Best Original Score for a Drama Film Nominated
If Beale Street Could Talk Best Original Score for a Drama Film Nominated
Vice and If Beale Street Could Talk Film Composer of the Year Nominated
International Online Cinema Awards (INOCA) 2017 Moonlight Best Original Score Nominated
2019 If Beale Street Could Talk Best Original Score Won
Iowa Film Critics Awards 2019 If Beale Street Could Talk Best Original Score Won
2017 Moonlight Best Original Score Nominated
Latino Entertainment Journalists Association Film Awards 2019 If Beale Street Could Talk Best Music Won
London Critics Circle Film Awards 2019 If Beale Street Could Talk Technical Achievement of the Year Nominated
Los Angeles Film Critics Association Awards 2018 If Beale Street Could Talk Best Music Won
Los Angeles Online Film Critics Society Awards 2018 If Beale Street Could Talk Best Score Won
Music City Film Critics' Association Awards 2019 If Beale Street Could Talk Best Score Nominated
New York Film Critics, Online 2018 If Beale Street Could Talk Best Use of Music Won
North Carolina Film Critics Association 2019 If Beale Street Could Talk Best Music Nominated
Online Film & Television Association 2019 If Beale Street Could Talk Best Music, Original Score Won
Online Film Critics Society Awards 2019 If Beale Street Could Talk Best Original Score Won
Phoenix Critics Circle 2016 Moonlight Best Original Score Nominated
2018 If Beale Street Could Talk Best Original Score Won
San Francisco Film Critics Circle 2016 Moonlight Best Original Score Nominated
2018 If Beale Street Could Talk Best Original Score Nominated
Satellite Awards 2019 If Beale Street Could Talk Best Original Score Nominated
Society of Composers and Lyricists Awards 2020 Succession Outstanding Original Score for a Television or Streaming Production Nominated
St. Louis Film Critics Association, US 2016 Moonlight Best Original Score Nominated
2018 If Beale Street Could Talk Best Original Score Nominated
Utah Film Critics Association Awards 2018 If Beale Street Could Talk Best Original Score Nominated
Washington DC Area Film Critics Association Awards 2016 Moonlight Best Original Score Nominated
2018 If Beale Street Could Talk Best Original Score Won
World Soundtrack Awards 2016 The Big Short Discovery of the Year Nominated
2017 Moonlight Film Composer of the Year Nominated
Moonlight Discovery of the Year Won
2019 If Beale Street Could Talk Film Composer of the Year Won
2020 Succession Television Composer of the Year Won

References[]

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  2. ^ Awards, World Soundtrack. "Television Composer of the Year - Awards". World Soundtrack Awards. Retrieved November 3, 2020.
  3. ^ "New American Songbook". Film Comment. Retrieved May 6, 2021.
  4. ^ Jewish Weekly: "The tribe goes to the Oscars" by Nate Bloom. February 13, 2017
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  6. ^ "Distinguished Alumni/ae and Fellows | Hopkins School". www.hopkins.edu. Archived from the original on March 31, 2019. Retrieved November 26, 2015.
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  8. ^ "Phi Beta Kappa elects 92 seniors to Harvard chapter". Harvard University Gazette. Retrieved August 26, 2013.
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  11. ^ "Review: "New York, I Love You"". Variety. September 30, 2009. Retrieved August 25, 2013.
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  13. ^ Kozinn, Allan (September 26, 2011). "Framing Works With Dance, Words, Screens and Web Browsers". The New York Times. Retrieved August 25, 2013.
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  64. ^ "Esa-Pekka Salonen bringing brain trust to SF Symphony — who are they?". The Mercury News. December 11, 2018. Retrieved February 18, 2021.
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