Academy Award for Best Original Score
Academy Award for Best Original Score | |
---|---|
Country | United States |
Presented by | Academy of Motion Picture Arts and Sciences |
First awarded | February 27, 1935 |
Most recent winner | Jon Batiste, Trent Reznor & Atticus Ross Soul (2020) |
Website | oscars |
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer.[1] Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2020 is established in 60% of the music, which is raised to 80% for sequels and franchise films.[2] Fifteen scores are shortlisted before nominations are announced.
History[]
The Academy began awarding movies for their scores in 1935. The category was originally called Best Scoring. At the time, winners and nominees were a mix of original scores and adaptations of pre-existing material. Following the controversial win of Charles Previn for One Hundred Men and a Girl in 1938, a film without a credited composer that featured pre-existing classical music, the Academy added a Best Original Score category in 1939.[3] In 1942, the distinction between the two Scoring categories changed slightly as they were renamed to Best Music Score of a Dramatic Picture and Best Scoring of a Musical Picture.[4] This marked the first time the category was split into separate genres, a distinction that technically still lasts today, although there haven't been enough submissions for the musical category to be activated since 1985. From 1942 to 1985, musical scores had their own category, with the exception of 1958, 1981, and 1982. During that time, both categories had many name changes:
1. Non-musical scores
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2. Musical scores
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Following the wins of four Walt Disney Feature Animation films in six years from 1990 to 1995 (The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King) during a period called the Disney Renaissance, it was decided to once again split the Best Original Score category by genres, this time by combining comedies and musicals together. As Alan Bergman, the chairman of the Academy's music branch said, "People were voting for the songs, not the underscores. We felt that Academy members outside the music branch didn't distinguish between the two. So when a score like The Lion King is competing against a drama like Forrest Gump, it's apples and oranges – not in the quality of the score, but in the way it functions in the movie. There's a big difference."[5] The category was therefore split into Best Original Dramatic Score and Best Original Musical or Comedy Score in 1996. This change proved unpopular in the other branches of the Academy as Charles Bernstein, chairman of the Academy's rules committee, noted that "no other Oscar category depended on a film's genre" and "the job of composing an underscore for a romantic comedy is not substantially different from working on a heavy drama."[5] This split was reverted in 2000.
In 2020, rules were changed to require that a film's score include a minimum of 60% original music. Franchise films and sequels must include a minimum of 80% new music.[6] In 2021, the rules were changed again, lowering the minimum percentage of original music from 60% to 35% of the total music in the film.[7]
Academy Award for Best Original Musical[]
The Academy Award for Best Original Musical is a category that was re-established in 2000 after the Best Original Musical or Comedy Score category was retired. It has never been awarded in its present form due to a prolonged drought of films meeting the sufficient eligibility requirements. The Music Branch Executive Committee of the Academy decides whether there are enough quality submissions to justify its activation.[8]
According to the rules, the Best Original Musical is defined as follows:
An original musical consists of not fewer than five original songs by the same writer or team of writers, either used as voiceovers or visually performed. Each of these songs must be substantively rendered, clearly audible, intelligible, and must further the storyline of the motion picture. An arbitrary group of songs unessential to the storyline will not be considered eligible.[8]
Winners and nominees[]
The following is the list of nominated composers organized by year, and listing both films and composers. The years shown in the following list of winners are the production years, thus a reference to 1967 means the Oscars presented in 1968 for films released in 1967.
1930s[]
Year | Film | Nominees |
---|---|---|
1934 (7th) [note 1] | ||
One Night of Love | Columbia Studio Music Department, Louis Silvers, head of department (Thematic music by Victor Schertzinger & Gus Kahn) | |
The Gay Divorcee | RKO Radio Studio Music Department, Max Steiner, head of department (Score by Kenneth Webb & Sam Hoffenstein) | |
The Lost Patrol | RKO Radio Studio Music Department, Steiner, head of department (Score by Steiner) | |
1935 (8th) | ||
The Informer | RKO Radio Studio Music Department, Max Steiner, head of department (Score by Steiner) | |
Captain Blood (Write-in)[note 2][9] | Warner Bros.-First National Studio Music Department, Leo F. Forbstein, head of department (Score by Erich Wolfgang Korngold) | |
Mutiny on the Bounty | Metro-Goldwyn-Mayer Studio Music Department, Nat W. Finston, head of department (Score by Herbert Stothart) | |
Peter Ibbetson | Paramount Studio Music Department, Irvin Talbot, head of department (Score by Ernst Toch) | |
1936 (9th) | ||
Anthony Adverse | Warner Bros. Studio Music Department, Leo F. Forbstein, head of department (Score by Erich Wolfgang Korngold) | |
The Charge of the Light Brigade | Warner Bros. Studio Music Department, Forbstein, head of department (Score by Max Steiner) | |
The Garden of Allah | Selznick International Pictures Music Department, Steiner, head of department (Score by Steiner) | |
The General Died at Dawn | Paramount Studio Music Department, Boris Morros, head of department (Score by Werner Janssen) | |
Winterset | RKO Radio Studio Music Department, Nathaniel Shilkret, head of department (Score by Shilkret) | |
1937 (10th) [note 3] | ||
One Hundred Men and a Girl | Universal Studio Music Department, Charles Previn, head of department (no composer credit) | |
The Hurricane | Samuel Goldwyn Studio Music Department, Alfred Newman, head of department (Score by Newman) | |
In Old Chicago | 20th Century-Fox Studio Music Department, Louis Silvers, head of department (no composer credit) | |
The Life of Emile Zola | Warner Bros. Studio Music Department, Leo F. Forbstein, head of department (Score by Max Steiner) | |
Lost Horizon | Columbia Studio Music Department, Morris Stoloff, head of department (Score by Dimitri Tiomkin) | |
Make a Wish | Principal Productions, Hugo Riesenfeld, head of department (Score by Riesenfeld) | |
Maytime | Metro-Goldwyn-Mayer Studio Music Department, Nat W. Finston, head of department (Score by Herbert Stothart) | |
Portia on Trial | Republic Studio Music Department, Alberto Colombo, head of department (Score by Colombo) | |
The Prisoner of Zenda | Selznick International Pictures Music Department, Alfred Newman, head of department (Score by Newman) | |
Quality Street | RKO Radio Studio Music Department, Roy Webb, head of department (Score by Webb) | |
Snow White and the Seven Dwarfs | Walt Disney Studio Music Department, Leigh Harline, head of department (Score by Frank Churchill, Harline & Paul Smith) | |
Something to Sing About | Grand National Studio Music Department, Constantin Bakaleinikoff, head of department (Score by Victor Schertzinger) | |
Souls at Sea | Paramount Studio Music Department, Boris Morros, head of department (Score by W. Franke Harling & Milan Roder) | |
Way Out West | Hal Roach Studio Music Department, Marvin Hatley, head of department (Score by Hatley) | |
1938 (11th) | ||
Original Score | ||
The Adventures of Robin Hood | Erich Wolfgang Korngold | |
Army Girl | Victor Young | |
Block-Heads | Marvin Hatley | |
Blockade | Werner Janssen | |
Breaking the Ice | Young | |
The Cowboy and the Lady | Alfred Newman | |
If I Were King | Richard Hageman | |
Marie Antoinette | Herbert Stothart | |
Pacific Liner | Russell Bennett | |
Suez | Louis Silvers | |
The Young in Heart | Franz Waxman | |
Scoring | ||
Alexander's Ragtime Band | Newman | |
Carefree | Victor Baravalle | |
Girls' School | Morris Stoloff & Gregory Stone | |
The Goldwyn Follies | Newman | |
Jezebel | Max Steiner | |
Mad About Music | Charles Previn & Frank Skinner | |
Storm Over Bengal | Cy Feuer | |
Sweethearts | Herbert Stothart | |
There Goes My Heart | Marvin Hatley | |
Tropic Holiday | Boris Morros | |
The Young in Heart | Waxman | |
1939 (12th) | ||
Original Score | ||
The Wizard of Oz | Herbert Stothart | |
Dark Victory | Max Steiner | |
Eternally Yours | Werner Janssen | |
Golden Boy | Victor Young | |
Gone with the Wind | Steiner | |
Gulliver's Travels | Young | |
The Man in the Iron Mask | Lud Gluskin & Lucien Moraweck | |
Man of Conquest | Young | |
Nurse Edith Cavell | Anthony Collins | |
Of Mice and Men | Aaron Copland | |
The Rains Came | Alfred Newman | |
Wuthering Heights | ||
Scoring | ||
Stagecoach | Richard Hageman, W. Franke Harling, John Leipold & Leo Shuken | |
Babes in Arms | Roger Edens & Georgie Stoll | |
First Love | Charles Previn | |
The Great Victor Herbert | Phil Boutelje & Arthur Lange | |
The Hunchback of Notre Dame | Newman | |
Intermezzo | Lou Forbes | |
Mr. Smith Goes to Washington | Dimitri Tiomkin | |
Of Mice and Men | Aaron Copland | |
The Private Lives of Elizabeth and Essex | Erich Wolfgang Korngold | |
She Married a Cop | Cy Feuer | |
Swanee River | Louis Silvers | |
They Shall Have Music | Newman | |
Way Down South | Young |
1940s[]
Year | Film | Nominees |
---|---|---|
1940 (13th) | ||
Original Score | ||
Pinocchio | Leigh Harline, Paul Smith & Ned Washington | |
Arizona | Victor Young | |
Dark Command | ||
The Fight for Life | Louis Gruenberg | |
The Great Dictator | Meredith Willson | |
The House of the Seven Gables | Frank Skinner | |
The Howards of Virginia | Richard Hageman | |
The Letter | Max Steiner | |
The Long Voyage Home | Hageman | |
The Mark of Zorro | Alfred Newman | |
My Favorite Wife | Roy Webb | |
North West Mounted Police | Young | |
One Million B.C. | Werner Heymann | |
Our Town | Aaron Copland | |
Rebecca | Franz Waxman | |
The Thief of Bagdad | Miklós Rózsa | |
Waterloo Bridge | Herbert Stothart | |
Scoring | ||
Tin Pan Alley | Newman | |
Arise, My Love | Young | |
Hit Parade of 1941 | Cy Feuer | |
Irene | Anthony Collins | |
Our Town | Copland | |
The Sea Hawk | Erich Wolfgang Korngold | |
Second Chorus | Artie Shaw | |
Spring Parade | Charles Previn | |
Strike Up the Band | Roger Edens & Georgie Stoll | |
1941 (14th) | ||
Music Score of a Dramatic or Comedy Picture | ||
The Devil and Daniel Webster | Bernard Herrmann | |
Back Street | Frank Skinner | |
Ball of Fire | Alfred Newman | |
Cheers for Miss Bishop | Edward Ward | |
Citizen Kane | Herrmann | |
Dr. Jekyll and Mr. Hyde | Franz Waxman | |
Hold Back the Dawn | Victor Young | |
How Green Was My Valley | Newman | |
King of the Zombies | Edward Kay | |
Ladies in Retirement | Morris Stoloff & Ernst Toch | |
The Little Foxes | Meredith Willson | |
Lydia | Miklós Rózsa | |
Mercy Island | Cy Feuer & Walter Scharf | |
Sergeant York | Max Steiner | |
So Ends Our Night | Louis Gruenberg | |
Sundown | Rózsa | |
Suspicion | Waxman | |
Tanks a Million | Ward | |
That Uncertain Feeling | Werner Heymann | |
This Woman Is Mine | Richard Hageman | |
Scoring of a Musical Picture | ||
Dumbo | Frank Churchill & Oliver Wallace | |
All-American Co-Ed | Ward | |
Birth of the Blues | Robert E. Dolan | |
Buck Privates | Charles Previn | |
The Chocolate Soldier | Herbert Stothart & Bronisław Kaper | |
Ice-Capades | Cy Feuer | |
The Strawberry Blonde | Heinz Roemheld | |
Sun Valley Serenade | Emil Newman | |
Sunny | Anthony Collins | |
You'll Never Get Rich | Morris Stoloff | |
1942 (15th) | ||
Music Score of a Dramatic or Comedy Picture | ||
Now, Voyager | Max Steiner | |
Arabian Nights | Frank Skinner | |
Bambi | Frank Churchill (p.n.) & Edward Plumb | |
The Black Swan | Alfred Newman | |
The Corsican Brothers | Dimitri Tiomkin | |
Flying Tigers | Victor Young | |
The Gold Rush | Max Terr | |
I Married a Witch | Roy Webb | |
Joan of Paris | ||
Jungle Book | Miklós Rózsa | |
Klondike Fury | Edward Kay | |
The Pride of the Yankees | Leigh Harline | |
Random Harvest | Herbert Stothart | |
The Shanghai Gesture | Richard Hageman | |
Silver Queen | Victor Young | |
Take a Letter, Darling | ||
The Talk of the Town | Friedrich Hollaender & Morris Stoloff | |
To Be or Not to Be | Werner Heymann | |
Scoring of a Musical Picture | ||
Yankee Doodle Dandy | Ray Heindorf & Heinz Roemheld | |
Flying with Music | Edward Ward | |
For Me and My Gal | Roger Edens & Georgie Stoll | |
Holiday Inn | Robert E. Dolan | |
It Started with Eve | Hans J. Salter & Charles Previn | |
Johnny Doughboy | Walter Scharf | |
My Gal Sal | Alfred Newman | |
You Were Never Lovelier | Leigh Harline | |
1943 (16th) | ||
Music Score of a Dramatic or Comedy Picture | ||
The Song of Bernadette | Alfred Newman | |
The Amazing Mrs. Holliday | Frank Skinner & Hans J. Salter | |
Casablanca | Max Steiner | |
Commandos Strike at Dawn | Morris Stoloff & Louis Gruenberg | |
The Fallen Sparrow | Roy Webb & Constantin Bakaleinikoff | |
For Whom the Bell Tolls | Victor Young | |
Hangmen Also Die! | Hanns Eisler | |
Hi Diddle Diddle | Phil Boutelje | |
In Old Oklahoma | Walter Scharf | |
Johnny Come Lately | Leigh Harline | |
The Kansan | Gerard Carbonara | |
Lady of Burlesque | Arthur Lange | |
Madame Curie | Herbert Stothart | |
The Moon and Sixpence | Dimitri Tiomkin | |
The North Star | Aaron Copland | |
Victory Through Air Power | Edward Plumb, Paul Smith & Oliver Wallace | |
Scoring of a Musical Picture | ||
This Is the Army | Ray Heindorf | |
Coney Island | Alfred Newman | |
Hit Parade of 1943 | Walter Scharf | |
Phantom of the Opera | Edward Ward | |
Saludos Amigos | Plumb, Smith & Charles Wolcott | |
The Sky's the Limit | Leigh Harline | |
Something to Shout About | Morris Stoloff | |
Stage Door Canteen | Fred Rich | |
Star Spangled Rhythm | Robert E. Dolan | |
Thousands Cheer | Herbert P. Stothart | |
1944 (17th) | ||
Music Score of a Dramatic or Comedy Picture | ||
Since You Went Away | Max Steiner | |
Address Unknown | Morris Stoloff & Ernst Toch | |
The Adventures of Mark Twain | Steiner | |
The Bridge of San Luis Rey | Dimitri Tiomkin | |
Casanova Brown | Arthur Lange | |
Christmas Holiday | Hans J. Salter | |
Double Indemnity | Miklós Rózsa | |
The Fighting Seabees | Walter Scharf & Roy Webb | |
The Hairy Ape | Michel Michelet & Edward Paul | |
It Happened Tomorrow | Robert Stolz | |
Jack London | Fred Rich | |
Kismet | Herbert Stothart | |
None but the Lonely Heart | Constantin Bakaleinikoff & Hanns Eisler | |
The Princess and the Pirate | David Rose | |
Summer Storm | Karl Hajos | |
Three Russian Girls | Franke Harling | |
Up in Mabel's Room | Edward Paul | |
Voice in the Wind | Michel Michelet | |
Wilson | Alfred Newman | |
The Woman of the Town | Miklós Rózsa | |
Scoring of a Musical Picture | ||
Cover Girl | Morris Stoloff & Carmen Dragon | |
Brazil | Walter Scharf | |
Higher and Higher | Bakaleinikoff | |
Hollywood Canteen | Ray Heindorf | |
Irish Eyes Are Smiling | Newman | |
Knickerbocker Holiday | Werner Heymann & Kurt Weill | |
Lady in the Dark | Robert Emmett Dolan | |
Lady, Let's Dance | Edward Kay | |
Meet Me in St. Louis | Georgie Stoll | |
The Merry Monahans | Hans J. Salter | |
Minstrel Man | Ferde Grofé & Leo Erdody | |
Sensations of 1945 | Mahlon Merrick | |
Song of the Open Road | Charles Previn | |
Up in Arms | Louis Forbes & Ray Heindorf | |
1945 (18th) | ||
Music Score of a Dramatic or Comedy Picture | ||
Spellbound | Miklós Rózsa | |
The Bells of St. Mary's | Robert E. Dolan | |
Brewster's Millions | Louis Forbes | |
Captain Kidd | Werner Janssen | |
The Enchanted Cottage | Roy Webb | |
Flame of Barbary Coast | Morton Scott & Dale Butts | |
G. I. Honeymoon | Edward J. Kay | |
G. I. Joe | Louis Applebaum & Ann Ronell | |
Guest in the House | Janssen | |
Guest Wife | Daniele Amfitheatrof | |
The Keys of the Kingdom | Alfred Newman | |
The Lost Weekend | Miklós Rózsa | |
Love Letters | Victor Young | |
The Man Who Walked Alone | Karl Hajos | |
Objective, Burma! | Franz Waxman | |
Paris Underground | Alexandre Tansman | |
A Song to Remember | Rózsa & Morris Stoloff | |
The Southerner | Werner Janssen | |
This Love of Ours | Hans J. Salter | |
The Valley of Decision | Herbert Stothart | |
The Woman in the Window | Arthur Lange & Hugo Friedhofer | |
Scoring of a Musical Picture | ||
Anchors Aweigh | Georgie Stoll | |
Belle of the Yukon | Lange | |
Can't Help Singing | Jerome Kern (p.n.) & Salter | |
Hitchhike to Happiness | Morton Scott | |
Incendiary Blonde | Robert E. Dolan | |
Rhapsody in Blue | Ray Heindorf & Max Steiner | |
State Fair | Alfred Newman & Charles Henderson | |
Sunbonnet Sue | Edward J. Kay | |
The Three Caballeros | Edward Plumb, Paul Smith & Charles Wolcott | |
Tonight and Every Night | Marlin Skiles & Morris Stoloff | |
Why Girls Leave Home | Walter Greene | |
Wonder Man | Louis Forbes & Ray Heindorf | |
1946 (19th) | ||
Music Score of a Dramatic or Comedy Picture | ||
The Best Years of Our Lives | Hugo Friedhofer | |
Anna and the King of Siam | Bernard Herrmann | |
Henry V | William Walton | |
Humoresque | Franz Waxman | |
The Killers | Miklós Rózsa | |
Scoring of a Musical Picture | ||
The Jolson Story | Morris Stoloff | |
Blue Skies | Robert Emmett Dolan | |
Centennial Summer | Alfred Newman | |
The Harvey Girls | Lennie Hayton | |
Night and Day | Ray Heindorf & Max Steiner | |
1947 (20th) | ||
Music Score of a Dramatic or Comedy Picture | ||
A Double Life | Miklós Rózsa | |
The Bishop's Wife | Hugo Friedhofer | |
Captain from Castile | Alfred Newman | |
Forever Amber | David Raksin | |
Life with Father | Max Steiner | |
Scoring of a Musical Picture | ||
Mother Wore Tights | Alfred Newman | |
Fiesta | Johnny Green | |
My Wild Irish Rose | Ray Heindorf & Max Steiner | |
Road to Rio | Robert Emmett Dolan | |
Song of the South | Daniele Amfitheatrof, Paul Smith & Charles Wolcott | |
1948 (21st) | ||
Music Score of a Dramatic or Comedy Picture | ||
The Red Shoes | Brian Easdale | |
Hamlet | William Walton | |
Joan of Arc | Hugo Friedhofer | |
Johnny Belinda | Max Steiner | |
The Snake Pit | Alfred Newman | |
Scoring of a Musical Picture | ||
Easter Parade | Johnny Green & Roger Edens | |
The Emperor Waltz | Victor Young | |
The Pirate | Lennie Hayton | |
Romance on the High Seas | Ray Heindorf | |
When My Baby Smiles at Me | Alfred Newman | |
1949 (22nd) | ||
Music Score of a Dramatic or Comedy Picture | ||
The Heiress | Aaron Copland | |
Beyond the Forest | Max Steiner | |
Champion | Dimitri Tiomkin | |
Scoring of a Musical Picture | ||
On the Town | Roger Edens & Lennie Hayton | |
Jolson Sings Again | Morris Stoloff & George Duning | |
Look for the Silver Lining | Ray Heindorf |
1950s[]
Year | Film | Nominees |
---|---|---|
1950 (23rd) | ||
Music Score of a Dramatic or Comedy Picture | ||
Sunset Boulevard | Franz Waxman | |
All About Eve | Alfred Newman | |
The Flame and the Arrow | Max Steiner | |
No Sad Songs for Me | George Duning | |
Samson and Delilah | Victor Young | |
Scoring of a Musical Picture | ||
Annie Get Your Gun | Adolph Deutsch & Roger Edens | |
Cinderella | Paul Smith & Oliver Wallace | |
I'll Get By | Lionel Newman | |
Three Little Words | André Previn | |
The West Point Story | Ray Heindorf | |
1951 (24th) | ||
Music Score of a Dramatic or Comedy Picture | ||
A Place in the Sun | Franz Waxman | |
David and Bathsheba | Alfred Newman | |
Death of a Salesman | Alex North | |
Quo Vadis | Miklós Rózsa | |
A Streetcar Named Desire | North | |
Scoring of a Musical Picture | ||
An American in Paris | Saul Chaplin & Johnny Green | |
Alice in Wonderland | Oliver Wallace | |
The Great Caruso | Peter Herman Adler & Green | |
On the Riviera | Newman | |
Show Boat | Adolph Deutsch & Conrad Salinger | |
1952 (25th) | ||
Music Score of a Dramatic or Comedy Picture | ||
High Noon | Dimitri Tiomkin | |
Ivanhoe | Miklós Rózsa | |
The Miracle of Our Lady of Fatima | Max Steiner | |
The Thief | Herschel Burke Gilbert | |
Viva Zapata! | Alex North | |
Scoring of a Musical Picture | ||
With a Song in My Heart | Alfred Newman | |
Hans Christian Andersen | Walter Scharf | |
The Jazz Singer | Ray Heindorf & Steiner | |
The Medium | Gian Carlo Menotti | |
Singin' in the Rain | Lennie Hayton | |
1953 (26th) | ||
Music Score of a Dramatic or Comedy Picture | ||
Lili | Bronisław Kaper | |
Above and Beyond | Hugo Friedhofer | |
From Here to Eternity | George Duning & Morris Stoloff | |
Julius Caesar | Miklós Rózsa | |
This Is Cinerama | Louis Forbes | |
Scoring of a Musical Picture | ||
Call Me Madam | Alfred Newman | |
The 5,000 Fingers of Dr. T. | Friedrich Hollaender & Stoloff | |
The Band Wagon | Adolph Deutsch | |
Calamity Jane | Ray Heindorf | |
Kiss Me Kate | Saul Chaplin & André Previn | |
1954 (27th) | ||
Music Score of a Dramatic or Comedy Picture | ||
The High and the Mighty | Dimitri Tiomkin | |
The Caine Mutiny | Max Steiner | |
Genevieve | Larry Adler[note 4] | |
On the Waterfront | Leonard Bernstein | |
The Silver Chalice | Franz Waxman | |
Scoring of a Musical Picture | ||
Seven Brides for Seven Brothers | Saul Chaplin & Adolph Deutsch | |
Carmen Jones | Herschel Burke Gilbert | |
The Glenn Miller Story | Joseph Gershenson & Henry Mancini | |
A Star Is Born | Ray Heindorf | |
There's No Business Like Show Business | Alfred & Lionel Newman | |
1955 (28th) | ||
Music Score of a Dramatic or Comedy Picture | ||
Love Is a Many-Splendored Thing | Alfred Newman | |
Battle Cry | Max Steiner | |
The Man with the Golden Arm | Elmer Bernstein | |
Picnic | George Duning | |
The Rose Tattoo | Alex North | |
Scoring of a Musical Picture | ||
Oklahoma! | Robert Russell Bennett, Jay Blackton & Adolph Deutsch | |
Daddy Long Legs | Newman | |
Guys and Dolls | Blackton & Cyril J. Mockridge | |
It's Always Fair Weather | André Previn | |
Love Me or Leave Me | Percy Faith & Georgie Stoll | |
1956 (29th) | ||
Music Score of a Dramatic or Comedy Picture | ||
Around the World in 80 Days | Victor Young (p.r.) | |
Anastasia | Alfred Newman | |
Between Heaven and Hell | Hugo Friedhofer | |
Giant | Dimitri Tiomkin | |
The Rainmaker | Alex North | |
Scoring of a Musical Picture | ||
The King and I | Ken Darby & Newman | |
The Best Things in Life Are Free | Lionel Newman | |
The Eddy Duchin Story | George Duning & Morris Stoloff | |
High Society | Saul Chaplin & Johnny Green | |
Meet Me in Las Vegas | Green & Georgie Stoll | |
1957 (30th) [note 5] [10] | ||
The Bridge on the River Kwai | Malcolm Arnold | |
An Affair to Remember | Hugo Friedhofer | |
Boy on a Dolphin | ||
Perri | Paul Smith | |
Raintree County | Johnny Green | |
1958 (31st) | ||
Music Score of a Dramatic or Comedy Picture | ||
The Old Man and the Sea | Dimitri Tiomkin | |
The Big Country | Jerome Moross | |
Separate Tables | David Raksin | |
White Wilderness | Oliver Wallace | |
The Young Lions | Hugo Friedhofer | |
Scoring of a Musical Picture | ||
Gigi | André Previn | |
The Bolshoi Ballet | Yuri Fayer & Gennady Rozhdestvensky | |
Damn Yankees | Ray Heindorf | |
Mardi Gras | Lionel Newman | |
South Pacific | Ken Darby & Alfred Newman | |
1959 (32nd) | ||
Music Score of a Dramatic or Comedy Picture | ||
Ben-Hur | Miklós Rózsa | |
The Diary of Anne Frank | Alfred Newman | |
The Nun's Story | Franz Waxman | |
On the Beach | Ernest Gold | |
Pillow Talk | De Vol | |
Scoring of a Musical Picture | ||
Porgy and Bess | Ken Darby & André Previn | |
The Five Pennies | Leith Stevens | |
Li'l Abner | Joseph J. Lilley & Nelson Riddle | |
Say One for Me | Lionel Newman | |
Sleeping Beauty | George Bruns |
1960s[]
Year | Film | Nominees |
---|---|---|
1960 (33rd) | ||
Music Score of a Dramatic or Comedy Picture | ||
Exodus | Ernest Gold | |
The Alamo | Dimitri Tiomkin | |
Elmer Gantry | André Previn | |
The Magnificent Seven | Elmer Bernstein | |
Spartacus | Alex North | |
Scoring of a Musical Picture | ||
Song Without End | Morris Stoloff & Harry Sukman | |
Bells Are Ringing | André Previn | |
Can-Can | Nelson Riddle | |
Let's Make Love | Earle Hagen & Lionel Newman | |
Pepe | Johnny Green | |
1961 (34th) | ||
Music Score of a Dramatic or Comedy Picture | ||
Breakfast at Tiffany's | Henry Mancini | |
El Cid | Miklós Rózsa | |
Fanny | Morris Stoloff & Harry Sukman | |
The Guns of Navarone | Dimitri Tiomkin | |
Summer and Smoke | Elmer Bernstein | |
Scoring of a Musical Picture | ||
West Side Story | Saul Chaplin, Johnny Green, Irwin Kostal & Sid Ramin | |
Babes in Toyland | George Bruns | |
Flower Drum Song | Ken Darby & Alfred Newman | |
Khovanshchina | Dmitri Shostakovich | |
Paris Blues | Duke Ellington | |
1962 (35th) | ||
Music Score — Substantially Original | ||
Lawrence of Arabia | Maurice Jarre | |
Freud | Jerry Goldsmith | |
Mutiny on the Bounty | Bronisław Kaper | |
Taras Bulba | Franz Waxman | |
To Kill a Mockingbird | Elmer Bernstein | |
Scoring of Music — Adaptation or Treatment | ||
The Music Man | Ray Heindorf | |
Billy Rose's Jumbo | Georgie Stoll | |
Gigot | Michel Magne | |
Gypsy | Frank Perkins | |
The Wonderful World of the Brothers Grimm | Leigh Harline | |
1963 (36th) | ||
Music Score — Substantially Original | ||
Tom Jones | John Addison | |
55 Days at Peking | Dimitri Tiomkin | |
Cleopatra | Alex North | |
How the West Was Won | Ken Darby & Alfred Newman | |
It's a Mad, Mad, Mad, Mad World | Ernest Gold | |
Scoring of Music — Adaptation or Treatment | ||
Irma la Douce | André Previn | |
Bye Bye Birdie | Johnny Green | |
A New Kind of Love | Leith Stevens | |
Sundays and Cybele | Maurice Jarre | |
The Sword in the Stone | George Bruns | |
1964 (37th) | ||
Music Score — Substantially Original | ||
Mary Poppins | Sherman Brothers | |
Becket | Laurence Rosenthal | |
The Fall of the Roman Empire | Dimitri Tiomkin | |
Hush...Hush, Sweet Charlotte | De Vol | |
The Pink Panther | Henry Mancini | |
Scoring of Music — Adaptation or Treatment | ||
My Fair Lady | André Previn | |
A Hard Day's Night | George Martin | |
Mary Poppins | Irwin Kostal | |
Robin and the 7 Hoods | Nelson Riddle | |
The Unsinkable Molly Brown | Robert Armbruster, Leo Arnaud, Jack Elliott, Jack Hayes, Calvin Jackson & Leo Shuken | |
1965 (38th) | ||
Music Score — Substantially Original | ||
Doctor Zhivago | Maurice Jarre | |
The Agony and the Ecstasy | Alex North | |
The Greatest Story Ever Told | Alfred Newman | |
A Patch of Blue | Jerry Goldsmith | |
The Umbrellas of Cherbourg | Jacques Demy & Michel Legrand | |
Scoring of Music — Adaptation or Treatment | ||
The Sound of Music | Irwin Kostal | |
Cat Ballou | De Vol | |
The Pleasure Seekers | Sandy Courage & Lionel Newman | |
A Thousand Clowns | Don Walker | |
The Umbrellas of Cherbourg | Legrand | |
1966 (39th) | ||
Original Music Score | ||
Born Free | John Barry | |
The Bible: In the Beginning... | Toshiro Mayuzumi | |
Hawaii | Elmer Bernstein | |
The Sand Pebbles | Jerry Goldsmith | |
Who's Afraid of Virginia Woolf? | Alex North | |
Scoring of Music — Adaptation or Treatment | ||
A Funny Thing Happened on the Way to the Forum | Ken Thorne | |
The Gospel According to St. Matthew | Luis Bacalov | |
Return of the Seven | Bernstein | |
The Singing Nun | Harry Sukman | |
Stop the World – I Want to Get Off | Al Ham | |
1967 (40th) | ||
Original Music Score | ||
Thoroughly Modern Millie | Elmer Bernstein | |
Cool Hand Luke | Lalo Schifrin | |
Doctor Dolittle | Leslie Bricusse | |
Far from the Madding Crowd | Richard Rodney Bennett | |
In Cold Blood | Quincy Jones | |
Scoring of Music — Adaptation or Treatment | ||
Camelot | Ken Darby & Alfred Newman | |
Doctor Dolittle | Sandy Courage & Lionel Newman | |
Guess Who's Coming to Dinner | De Vol | |
Thoroughly Modern Millie | Joseph Gershenson & André Previn | |
Valley of the Dolls | John Williams | |
1968 (41st) | ||
Original Score — For a Motion Picture (Not a Musical) | ||
The Lion in Winter | John Barry | |
The Fox | Lalo Schifrin | |
Planet of the Apes | Jerry Goldsmith | |
The Shoes of the Fisherman | Alex North | |
The Thomas Crown Affair | Michel Legrand | |
Scoring of a Musical Picture — Original or Adaptation | ||
Oliver! | Johnny Green (adaptation score) | |
Finian's Rainbow | Ray Heindorf (adaptation score) | |
Funny Girl | Walter Scharf (adaptation score) | |
Star! | Lennie Hayton (adaptation score) | |
The Young Girls of Rochefort | Legrand (music & adaptation score) & Jacques Demy (lyrics) | |
1969 (42nd) | ||
Original Score — For a Motion Picture (Not a Musical) | ||
Butch Cassidy and the Sundance Kid | Burt Bacharach | |
Anne of the Thousand Days | Georges Delerue | |
The Reivers | John Williams | |
The Secret of Santa Vittoria | Ernest Gold | |
The Wild Bunch | Jerry Fielding | |
Scoring of a Musical Picture — Original or Adaptation | ||
Hello, Dolly! | Lennie Hayton & Lionel Newman (adaptation score) | |
Goodbye, Mr. Chips | Leslie Bricusse (music & lyrics) & John Williams (adaptation score) | |
Paint Your Wagon | Nelson Riddle (adaptation score) | |
Sweet Charity | Cy Coleman (adaptation score) | |
They Shoot Horses, Don't They? | Johnny Green & Albert Woodbury (adaptation score) |
1970s[]
Year | Film | Nominees |
---|---|---|
1970 (43rd) | ||
Original Score | ||
Love Story | Francis Lai | |
Airport | Alfred Newman (p.n.) | |
Cromwell | Frank Cordell | |
Patton | Jerry Goldsmith | |
Sunflower | Henry Mancini | |
Original Song Score | ||
Let It Be | The Beatles (music & lyrics) | |
The Baby Maker | Fred Karlin (music) & Tylwyth Kymry (lyrics) | |
A Boy Named Charlie Brown | Rod McKuen (music & lyrics), John Scott Trotter (music), Bill Melendez, Al Shean (lyrics), Vince Guaraldi (adaptation score) | |
Darling Lili | Henry Mancini (music) & Johnny Mercer (lyrics) | |
Scrooge | Leslie Bricusse (music & lyrics), Ian Fraser & Herbert W. Spencer (adaptation score) | |
1971 (44th) | ||
Original Dramatic Score | ||
Summer of '42 | Michel Legrand | |
Mary, Queen of Scots | John Barry | |
Nicholas and Alexandra | Richard Rodney Bennett | |
Shaft | Isaac Hayes | |
Straw Dogs | Jerry Fielding | |
Scoring: Adaptation and Original Song Score | ||
Fiddler on the Roof | John Williams (adaptation score) | |
Bedknobs and Broomsticks | Sherman Brothers (song score) & Irwin Kostal (adaptation score) | |
The Boy Friend | Peter Maxwell Davies & Peter Greenwell (adaptation score) | |
Tchaikovsky | Dimitri Tiomkin (adaptation score) | |
Willy Wonka & the Chocolate Factory | Leslie Bricusse & Anthony Newley (song score) & Walter Scharf (adaptation score) | |
1972 (45th) | ||
Original Dramatic Score | ||
Limelight [note 6] | Charlie Chaplin, Raymond Rasch (p.r.) & Larry Russell (p.r.) | |
Nino Rota | ||
Images | John Williams | |
Napoleon and Samantha | Buddy Baker | |
The Poseidon Adventure | John Williams | |
Sleuth | John Addison | |
Scoring: Adaptation and Original Song Score | ||
Cabaret | Ralph Burns (adaptation score) | |
Lady Sings the Blues | Gil Askey (adaptation score) | |
Man of La Mancha | Laurence Rosenthal (adaptation score) | |
1973 (46th) | ||
Original Dramatic Score | ||
The Way We Were | Marvin Hamlisch | |
Cinderella Liberty | John Williams | |
The Day of the Dolphin | Georges Delerue | |
Papillon | Jerry Goldsmith | |
A Touch of Class | John Cameron | |
Scoring: Original Song Score and Adaptation or Scoring: Adaptation | ||
The Sting | Marvin Hamlisch (adaptation score) | |
Jesus Christ Superstar | André Previn, Herbert W. Spencer & Andrew Lloyd Webber (adaptation score) | |
Tom Sawyer | Sherman Brothers (song score) & Williams (adaptation score) | |
1974 (47th) | ||
Original Dramatic Score | ||
The Godfather Part II | Nino Rota & Carmine Coppola | |
Chinatown | Jerry Goldsmith | |
Murder on the Orient Express | Richard Rodney Bennett | |
Shanks | Alex North | |
The Towering Inferno | John Williams | |
Scoring: Original Song Score and Adaptation or Scoring: Adaptation | ||
The Great Gatsby | Nelson Riddle (adaptation score) | |
The Little Prince | Alan Jay Lerner & Frederick Loewe (song score), Douglas Gamley & Angela Morley (adaptation score) | |
Phantom of the Paradise | Paul Williams (song & adaptation score) & George Tipton (adaptation score) | |
1975 (48th) | ||
Original Score | ||
Jaws | John Williams | |
Birds Do It, Bees Do It | Gerald Fried | |
Bite the Bullet | Alex North | |
One Flew Over the Cuckoo's Nest | Jack Nitzsche | |
The Wind and the Lion | Jerry Goldsmith | |
Scoring: Original Song Score and Adaptation or Scoring: Adaptation | ||
Barry Lyndon | Leonard Rosenman (adaptation score) | |
Funny Lady | Peter Matz (adaptation score) | |
Tommy | Pete Townshend (adaptation score) | |
1976 (49th) | ||
Original Score | ||
The Omen | Jerry Goldsmith | |
Obsession | Bernard Herrmann (p.n.) | |
The Outlaw Josey Wales | Jerry Fielding | |
Taxi Driver | Bernard Herrmann (p.n.) | |
Voyage of the Damned | Lalo Schifrin | |
Original Song Score and Its Adaptation or Adaptation Score | ||
Bound for Glory | Leonard Rosenman (adaptation score) | |
Bugsy Malone | Paul Williams (song & adaptation score) | |
A Star Is Born | Roger Kellaway (adaptation score) | |
1977 (50th) | ||
Original Score | ||
Star Wars | John Williams | |
Close Encounters of the Third Kind | John Williams | |
Julia | Georges Delerue | |
Mohammad, Messenger of God | Maurice Jarre | |
The Spy Who Loved Me | Marvin Hamlisch | |
Original Song Score and Its Adaptation or Adaptation Score | ||
A Little Night Music | Jonathan Tunick (adaptation score) | |
Pete's Dragon | Joel Hirschhorn & Al Kasha (song score) & Irwin Kostal (adaptation score) | |
The Slipper and the Rose | Sherman Brothers (song score) & Angela Morley (adaptation score) | |
1978 (51st) | ||
Original Score | ||
Midnight Express | Giorgio Moroder | |
The Boys from Brazil | Jerry Goldsmith | |
Days of Heaven | Ennio Morricone | |
Heaven Can Wait | Dave Grusin | |
Superman | John Williams | |
Adaptation Score | ||
The Buddy Holly Story | Joe Renzetti | |
Pretty Baby | Jerry Wexler | |
The Wiz | Quincy Jones | |
1979 (52nd) | ||
Original Score | ||
A Little Romance | Georges Delerue | |
10 | Henry Mancini | |
The Amityville Horror | Lalo Schifrin | |
The Champ | Dave Grusin | |
Star Trek: The Motion Picture | Jerry Goldsmith | |
Original Song Score and Its Adaptation or Adaptation Score | ||
All That Jazz | Ralph Burns (adaptation score) | |
Breaking Away | Patrick Williams (adaptation score) | |
The Muppet Movie | Paul Williams (song & adaptation score) & Kenny Ascher (song score) |
1980s[]
Year | Film | Nominees |
---|---|---|
1980 (53rd) | ||
Fame | Michael Gore | |
Altered States | John Corigliano | |
The Elephant Man | John Morris | |
The Empire Strikes Back | John Williams | |
Tess | Philippe Sarde | |
1981 (54th) | ||
Chariots of Fire | Vangelis | |
Dragonslayer | Alex North | |
On Golden Pond | Dave Grusin | |
Ragtime | Randy Newman | |
Raiders of the Lost Ark | John Williams | |
1982 (55th) | ||
Original Score | ||
E.T. the Extra-Terrestrial | John Williams | |
Gandhi | George Fenton & Ravi Shankar | |
An Officer and a Gentleman | Jack Nitzsche | |
Poltergeist | Jerry Goldsmith | |
Sophie's Choice | Marvin Hamlisch | |
Original Song Score and Its Adaptation or Adaptation Score | ||
Victor/Victoria | Henry Mancini (song & adaptation score) & Leslie Bricusse (song score) | |
Annie | Ralph Burns (adaptation score) | |
One from the Heart | Tom Waits (song score) | |
1983 (56th) | ||
Original Score | ||
The Right Stuff | Bill Conti | |
Cross Creek | Leonard Rosenman | |
Return of the Jedi | John Williams | |
Terms of Endearment | Michael Gore | |
Under Fire | Jerry Goldsmith | |
Original Song Score and Its Adaptation or Adaptation Score | ||
Yentl | Michel Legrand (song & adaptation score) & Alan & Marilyn Bergman (song score) | |
The Sting II | Lalo Schifrin (adaptation score) | |
Trading Places | Elmer Bernstein (adaptation score) | |
1984 (57th) | ||
Original Score | ||
A Passage to India | Maurice Jarre | |
Indiana Jones and the Temple of Doom | John Williams | |
The Natural | Randy Newman | |
The River | John Williams | |
Under the Volcano | Alex North | |
Original Song Score | ||
Purple Rain | Prince | |
The Muppets Take Manhattan | Jeff Moss | |
Songwriter | Kris Kristofferson | |
1985 (58th) | ||
Out of Africa | John Barry | |
Agnes of God | Georges Delerue | |
The Color Purple | Chris Boardman, Jorge Calandrelli, Andraé Crouch, Jack Hayes, Jerry Hey, Quincy Jones, Randy Kerber, Jeremy Lubbock, Joel Rosenbaum, Caiphus Semenya, Fred Steiner & Rod Temperton | |
Silverado | Bruce Broughton | |
Witness | Maurice Jarre | |
1986 (59th) | ||
Round Midnight | Herbie Hancock | |
Aliens | James Horner | |
Hoosiers | Jerry Goldsmith | |
The Mission | Ennio Morricone | |
Star Trek IV: The Voyage Home | Leonard Rosenman | |
1987 (60th) | ||
The Last Emperor | Ryuichi Sakamoto, David Byrne & Cong Su | |
Cry Freedom | George Fenton & Jonas Gwangwa | |
Empire of the Sun | John Williams | |
The Untouchables | Ennio Morricone | |
The Witches of Eastwick | John Williams | |
1988 (61st) | ||
The Milagro Beanfield War | Dave Grusin | |
The Accidental Tourist | John Williams | |
Dangerous Liaisons | George Fenton | |
Gorillas in the Mist | Maurice Jarre | |
Rain Man | Hans Zimmer | |
1989 (62nd) | ||
The Little Mermaid | Alan Menken | |
Born on the Fourth of July | John Williams | |
The Fabulous Baker Boys | Dave Grusin | |
Field of Dreams | James Horner | |
Indiana Jones and the Last Crusade | John Williams |
1990s[]
Year | Film | Nominees |
---|---|---|
1990 (63rd) | ||
Dances with Wolves | John Barry | |
Avalon | Randy Newman | |
Ghost | Maurice Jarre | |
Havana | Dave Grusin | |
Home Alone | John Williams | |
1991 (64th) | ||
Beauty and the Beast | Alan Menken | |
Bugsy | Ennio Morricone | |
The Fisher King | George Fenton | |
JFK | John Williams | |
The Prince of Tides | James Newton Howard | |
1992 (65th) | ||
Aladdin | Alan Menken | |
Basic Instinct | Jerry Goldsmith | |
Chaplin | John Barry | |
Howards End | Richard Robbins | |
A River Runs Through It | Mark Isham | |
1993 (66th) | ||
Schindler's List | John Williams | |
The Age of Innocence | Elmer Bernstein | |
The Firm | Dave Grusin | |
The Fugitive | James Newton Howard | |
The Remains of the Day | Richard Robbins | |
1994 (67th) | ||
The Lion King | Hans Zimmer | |
Forrest Gump | Alan Silvestri | |
Interview with the Vampire | Elliot Goldenthal | |
Little Women | Thomas Newman | |
The Shawshank Redemption | ||
1995 (68th) [note 8] | ||
Original Dramatic Score | ||
The Postman | Luis Bacalov | |
Apollo 13 | James Horner | |
Braveheart | ||
Nixon | John Williams | |
Sense and Sensibility | Patrick Doyle | |
Original Musical or Comedy Score | ||
Pocahontas | Alan Menken (music & orchestral score) & Stephen Schwartz (lyrics) | |
The American President | Marc Shaiman | |
Sabrina | John Williams | |
Toy Story | Randy Newman | |
Unstrung Heroes | Thomas Newman | |
1996 (69th) | ||
Original Dramatic Score | ||
The English Patient | Gabriel Yared | |
Hamlet | Patrick Doyle | |
Michael Collins | Elliot Goldenthal | |
Shine | David Hirschfelder | |
Sleepers | John Williams | |
Original Musical or Comedy Score | ||
Emma | Rachel Portman | |
The First Wives Club | Marc Shaiman | |
The Hunchback of Notre Dame | Alan Menken (music & orchestral score) & Stephen Schwartz (lyrics) | |
James and the Giant Peach | Randy Newman | |
The Preacher's Wife | Hans Zimmer | |
1997 (70th) | ||
Original Dramatic Score | ||
Titanic | James Horner | |
Amistad | John Williams | |
Good Will Hunting | Danny Elfman | |
Kundun | Philip Glass | |
L.A. Confidential | Jerry Goldsmith | |
Original Musical or Comedy Score | ||
The Full Monty | Anne Dudley | |
Anastasia | Stephen Flaherty (music), Lynn Ahrens (lyrics) & David Newman (orchestral score) | |
As Good as It Gets | Hans Zimmer | |
Men in Black | Danny Elfman | |
My Best Friend's Wedding | James Newton Howard | |
1998 (71st) | ||
Original Dramatic Score | ||
Life Is Beautiful | Nicola Piovani | |
Elizabeth | David Hirschfelder | |
Pleasantville | Randy Newman | |
Saving Private Ryan | John Williams | |
The Thin Red Line | Hans Zimmer | |
Original Musical or Comedy Score | ||
Shakespeare in Love | Stephen Warbeck | |
A Bug's Life | Randy Newman | |
Mulan | Matthew Wilder (music), David Zippel (lyrics) & Jerry Goldsmith (orchestral score) | |
Patch Adams | Marc Shaiman | |
The Prince of Egypt | Stephen Schwartz (music & lyrics) & Hans Zimmer (orchestral score) | |
1999 (72nd) | ||
The Red Violin | John Corigliano | |
American Beauty | Thomas Newman | |
Angela's Ashes | John Williams | |
The Cider House Rules | Rachel Portman | |
The Talented Mr. Ripley | Gabriel Yared |
2000s[]
Year | Film | Nominees |
---|---|---|
2000 (73rd) | ||
Crouching Tiger, Hidden Dragon | Tan Dun | |
Chocolat | Rachel Portman | |
Gladiator | Hans Zimmer[note 9] | |
Malèna | Ennio Morricone | |
The Patriot | John Williams | |
2001 (74th) | ||
The Lord of the Rings: The Fellowship of the Ring | Howard Shore | |
A.I. Artificial Intelligence | John Williams | |
A Beautiful Mind | James Horner | |
Harry Potter and the Sorcerer's Stone | John Williams | |
Monsters, Inc. | Randy Newman | |
2002 (75th) | ||
Frida | Elliot Goldenthal | |
Catch Me If You Can | John Williams | |
Far from Heaven | Elmer Bernstein | |
The Hours | Philip Glass | |
Road to Perdition | Thomas Newman | |
2003 (76th) | ||
The Lord of the Rings: The Return of the King | Howard Shore | |
Big Fish | Danny Elfman | |
Cold Mountain | Gabriel Yared | |
Finding Nemo | Thomas Newman | |
House of Sand and Fog | James Horner | |
2004 (77th) | ||
Finding Neverland | Jan A. P. Kaczmarek | |
Harry Potter and the Prisoner of Azkaban | John Williams | |
Lemony Snicket's A Series of Unfortunate Events | Thomas Newman | |
The Passion of the Christ | John Debney | |
The Village | James Newton Howard | |
2005 (78th) | ||
Brokeback Mountain | Gustavo Santaolalla | |
The Constant Gardener | Alberto Iglesias | |
Memoirs of a Geisha | John Williams | |
Munich | ||
Pride & Prejudice | Dario Marianelli | |
2006 (79th) | ||
Babel | Gustavo Santaolalla | |
The Good German | Thomas Newman | |
Notes on a Scandal | Philip Glass | |
Pan's Labyrinth | Javier Navarrete | |
The Queen | Alexandre Desplat | |
2007 (80th) | ||
Atonement | Dario Marianelli | |
3:10 to Yuma | Marco Beltrami | |
The Kite Runner | Alberto Iglesias | |
Michael Clayton | James Newton Howard | |
Ratatouille | Michael Giacchino | |
2008 (81st) | ||
Slumdog Millionaire | A. R. Rahman | |
The Curious Case of Benjamin Button | Alexandre Desplat | |
Defiance | James Newton Howard | |
Milk | Danny Elfman | |
WALL-E | Thomas Newman | |
2009 (82nd) | ||
Up | Michael Giacchino | |
Avatar | James Horner | |
Fantastic Mr. Fox | Alexandre Desplat | |
The Hurt Locker | Marco Beltrami & Buck Sanders | |
Sherlock Holmes | Hans Zimmer |
2010s[]
Year | Film | Nominees |
---|---|---|
2010 (83rd) | ||
The Social Network | Trent Reznor & Atticus Ross | |
127 Hours | A. R. Rahman | |
How to Train Your Dragon | John Powell | |
Inception | Hans Zimmer | |
The King's Speech | Alexandre Desplat | |
2011 (84th) | ||
The Artist | Ludovic Bource | |
The Adventures of Tintin | John Williams | |
Hugo | Howard Shore | |
Tinker Tailor Soldier Spy | Alberto Iglesias | |
War Horse | John Williams | |
2012 (85th) | ||
Life of Pi | Mychael Danna | |
Anna Karenina | Dario Marianelli | |
Argo | Alexandre Desplat | |
Lincoln | John Williams | |
Skyfall | Thomas Newman | |
2013 (86th) | ||
Gravity | Steven Price | |
The Book Thief | John Williams | |
Her | Will Butler & Owen Pallett | |
Philomena | Alexandre Desplat | |
Saving Mr. Banks | Thomas Newman | |
2014 (87th) | ||
The Grand Budapest Hotel | Alexandre Desplat | |
The Imitation Game | Alexandre Desplat | |
Interstellar | Hans Zimmer | |
Mr. Turner | Gary Yershon | |
The Theory of Everything | Jóhann Jóhannsson | |
2015 (88th) | ||
The Hateful Eight | Ennio Morricone | |
Bridge of Spies | Thomas Newman | |
Carol | Carter Burwell | |
Sicario | Jóhann Jóhannsson | |
Star Wars: The Force Awakens | John Williams | |
2016 (89th) [12] | ||
La La Land | Justin Hurwitz | |
Jackie | Micachu | |
Lion | Hauschka & Dustin O'Halloran | |
Moonlight | Nicholas Britell | |
Passengers | Thomas Newman | |
2017 (90th) | ||
The Shape of Water | Alexandre Desplat | |
Dunkirk | Hans Zimmer | |
Phantom Thread | Jonny Greenwood | |
Star Wars: The Last Jedi | John Williams | |
Three Billboards Outside Ebbing, Missouri | Carter Burwell | |
2018 (91st) | ||
Black Panther | Ludwig Göransson | |
BlacKkKlansman | Terence Blanchard | |
If Beale Street Could Talk | Nicholas Britell | |
Isle of Dogs | Alexandre Desplat | |
Mary Poppins Returns | Marc Shaiman | |
2019 (92nd) | ||
Joker | Hildur Guðnadóttir | |
Little Women | Alexandre Desplat | |
Marriage Story | Randy Newman | |
1917 | Thomas Newman | |
Star Wars: The Rise of Skywalker | John Williams |
2020s[]
Year | Film | Nominees |
---|---|---|
2020/21[note 10] (93rd) | ||
Soul | Trent Reznor, Atticus Ross and Jon Batiste | |
Da 5 Bloods | Terence Blanchard | |
Mank | Trent Reznor & Atticus Ross | |
Minari | Emile Mosseri | |
News of the World | James Newton Howard |
Notes[]
- ^ From 1934 until 1937, nominated films were represented by the head of the film studio's music department rather than the composer. Each film's actual composer(s) are listed in parentheses.
- ^ Captain Blood was not officially nominated for this award, but appears in Academy records because it placed third in voting as a write-in candidate in 1935.
- ^ From 1937 until 1945, film studios could submit one eligible film of their choosing, guaranteeing it a nomination.
- ^ Blacklisted composer Larry Adler's name was removed from American prints of the British-made Genevieve. The film's arranger and orchestrator Muir Mathieson was credited instead and received an Oscar nomination. In 1986, the Academy's Board of Governors removed Mathieson's name from the nomination and gave it to Adler.
- ^ In 1957, dramatic and comedy films competed with musicals in a combined category called Music – Scoring. Fifteen scores were shortlisted with ten from dramatic and comedy films and five from musicals. Voting resulted in no musical nominees.
- ^ Limelight was originally released in 1952, but had never screened theatrically in Los Angeles until 1972, at which point it became eligible for Oscar consideration.
- ^ Nino Rota was nominated for The Godfather in 1972, but the nomination was revoked after it was discovered Rota had reused music from the 1958 Italian film Fortunella. The Academy's entire music branch revoted for a fifth nominee. They could renominate Rota for The Godfather or select one of the five other shortlisted scores: Ben by Walter Scharf, Fellini's Roma by Rota, The Life and Times of Judge Roy Bean by Maurice Jarre, The Other by Jerry Goldsmith, or Sleuth by John Addison. Sleuth received the most votes and became the fifth nominee.
- ^ From 1995 until 1998, Best Original Score was split into Original Dramatic Score and Original Musical or Comedy Score. For musicals and comedies, songwriters and lyricists along with orchestral underscore composers were eligible for nomination.
- ^ Lisa Gerrard and Klaus Badelt also received screen credit for the Gladiator score, but only Zimmer was deemed eligible for the nomination.
- ^ The eligibility period for the 93rd ceremony was exceptionally extended through to February 28, 2021, due to the impact of the COVID-19 pandemic.
Superlatives[]
These are only for nominations in the Scoring categories. Nominations in other categories, such as the Original Song category, are not included.
Category | Name | Superlative | Notes |
---|---|---|---|
Most Awards | Alfred Newman | 9 awards | Awards resulted from 41 nominations |
Most Nominations | John Williams | 47 nominations | Nominations resulted in 5 awards |
Most Nominations without an Award | Thomas Newman / Alex North | 14 nominations |
Only one composer has won two Scoring Oscars the same year: in 1973, Marvin Hamlisch won Original Dramatic Score for The Way We Were and Best Adaptation Score, for The Sting. Hamlisch also won Best Song that year for The Way We Were, making him the only composer to win three music Oscars in the same year.
Only one composer has won Oscars three years in a row: Roger Edens won for Easter Parade (1948), On the Town (1949) and Annie Get Your Gun (1950).
Eight composers have won Oscars two years in a row:
- Ray Heindorf won for Yankee Doodle Dandy (1942) and This Is the Army (1943).
- Franz Waxman won for Sunset Boulevard (1950) and A Place in the Sun (1951).
- Alfred Newman won for With a Song in My Heart (1952) and Call Me Madam (1953). He won again two years in a row for Love Is a Many-Splendored Thing (1955) and The King and I (1956).
- Adolph Deutsch won for Seven Brides for Seven Brothers (1954) and Oklahoma! (1955).
- André Previn won for Gigi (1958) and Porgy and Bess (1959). He won again two years in a row for Irma la Douce (1963) and My Fair Lady (1964).
- Leonard Rosenman won for Barry Lyndon (1975) and Bound for Glory (1976).
- Alan Menken won for Beauty and The Beast (1991) and Aladdin (1992).
- Gustavo Santaolalla won for Brokeback Mountain (2005) and Babel (2006).
Female nominees[]
As of 2020, only nine women have been nominated in Music Score categories: Ann Ronell, Tylwyth Kymry aka Meg Karlin, Angela Morley, Marilyn Bergman, Rachel Portman, Anne Dudley, Lynn Ahrens, Mica Levi, and Hildur Guðnadóttir. Kymry, Bergman, and Ahrens were nominated for their contribution as lyricists.
Four women have won in the scoring categories. Three are composers: Rachel Portman, who won for Emma (1996); Anne Dudley, who won for The Full Monty (1997); and Hildur Guðnadóttir, who won for Joker (2019). The fourth is lyricist Marilyn Bergman, who won for Yentl (1983) in the Original Song Score category, sharing the award with co-lyricist Alan Bergman (her husband) and composer Michel Legrand. Hildur Guðnadóttir is the only woman to win the award under no qualifications; Bergman won for Best Song Score while Portman and Dudley won for Best Musical or Comedy Score.
The female composers nominated for multiple Scoring Oscars are Rachel Portman, who was nominated for Emma (1996) (for which she won for Best Musical or Comedy Score), The Cider House Rules (1999), and Chocolat (2000); and Angela Morley, who was nominated twice in the Original Song Score or Adaptation Score category for The Little Prince (1974) and The Slipper and the Rose (1976).
Notable nominees[]
Dmitri Shostakovich and Duke Ellington were both nominated the same year but lost to the arrangers of West Side Story.
The scores of Midnight Express by Giorgio Moroder in 1979, Slumdog Millionaire by A. R. Rahman in 2009, and The Social Network by Trent Reznor and Atticus Ross in 2011 are the only scores with electronic-based music ever to win the award. In addition, the electronic-based scores of Witness by Maurice Jarre in 1986, Rain Man by Hans Zimmer in 1989, and Her by William Butler, and Owen Pallett in 2014 have also been nominated.
Noted nominated composers known for their music mostly outside the film world include: Aaron Copland, Kurt Weill, Gian-Carlo Menotti, Philip Glass, John Corigliano, Peter Maxwell Davies, Randy Newman, Richard Rodney Bennett, Stephen Schwartz, Andrew Lloyd Webber, Artie Shaw, Trent Reznor, Quincy Jones, Herbie Hancock, and Jonny Greenwood.
Rock musicians and pop stars are most often nominated in the songwriting category. A handful that were nominated in the Scoring categories includes: The Beatles, Prince, Pete Townshend, Rod McKuen, Isaac Hayes, Kris Kristofferson, Quincy Jones, Randy Newman, Anthony Newley, Paul Williams, Tom Waits, David Byrne, Ryuichi Sakamoto, Trent Reznor, and Matthew Wilder.
Record producers George Martin (The Beatles) and Jerry Wexler (Atlantic Records) also received nominations in the Scoring categories.
At the age of 87, Ennio Morricone became the oldest winner in Oscar history at the time for a competitive award.[13][14]
Multiple nominations[]
The following is a list of composers nominated more than once and winning at least one Academy Award (in this category). This list is sorted by number of awards, with the number of total nominations listed in parentheses. These do not include nominations (or awards) in the Best Original Song category.
- 9: Alfred Newman (43)
- 5: John Williams (47) Also received 5 nominations for Best Original Song, which brings his total to 52 - the most nominated person in all of the music categories combined, and the most nominated living individual in any Oscars category.
- 4: Johnny Green (12)
- 4: André Previn (11)
- 4: John Barry (6)
- 4: Alan Menken (5)
- 3: Max Steiner (24)
- 3: Ray Heindorf (17)
- 3: Morris Stoloff (17)
- 3: Miklós Rózsa (16)
- 3: Dimitri Tiomkin (14)
- 3: Maurice Jarre (8)
- 3: Ken Darby (6)
- 3: Roger Edens (6)
- 3: Saul Chaplin (5)
- 3: Adolph Deutsch (5)
- 2: Alexandre Desplat (11)
- 2: Franz Waxman (11)
- 2: Henry Mancini (7)
- 2: Lennie Hayton (6)
- 2: Michel Legrand (6)
- 2: Irwin Kostal (5)
- 2: Marvin Hamlisch (4)
- 2: Leonard Rosenman (4)
- 2: Ralph Burns (3)
- 2: Howard Shore (3)
- 2: Gustavo Santaolalla (2)
- 2: Trent Reznor (3)
- 2: Atticus Ross (3)
- 1: Jerry Goldsmith (17)
- 1: Victor Young (17)
- 1: Herbert Stothart (11)
- 1: Hans Zimmer (11)
- 1: Elmer Bernstein (10)
- 1: Hugo Friedhofer (9)
- 1: Lionel Newman (9)
- 1: Georgie Stoll (9)
- 1: James Horner (8)
- 1: Leigh Harline (7)
- 1: Charles Previn (7)
- 1: Paul Smith (7)
- 1: Dave Grusin (6)
- 1: Ennio Morricone (6) Also received an Academy Honorary Award.
- 1: Leslie Bricusse (5)
- 1: Georges Delerue (5)
- 1: Richard Hageman (5)
- 1: Bernard Herrmann (5)
- 1: Nelson Riddle (5)
- 1: Oliver Wallace (5)
- 1: Aaron Copland (4)
- 1: Ernest Gold (4)
- 1: Leo F. Forbstein (4)
- 1: Richard M. Sherman (4)
- 1: Robert B. Sherman (4)
- 1: Louis Silvers (4)
- 1: Frank Churchill (3)
- 1: Elliot Goldenthal (3)
- 1: Erich Wolfgang Korngold (3)
- 1: Bronisław Kaper (3)
- 1: Dario Marianelli (3)
- 1: Rachel Portman (3)
- 1: Stephen Schwartz (3)
- 1: Harry Sukman (3)
- 1: Gabriel Yared (3)
- 1: John Addison (2)
- 1: Luis Bacalov (2)
- 1: Robert Russell Bennett (2)
- 1: Jay Blackton (2)
- 1: John Corigliano (2)
- 1: Michael Giacchino (2)
- 1: Michael Gore (2)
- 1: W. Franke Harling (2)
- 1: A. R. Rahman (2)
- 1: Heinz Roemheld (2)
- 1: Nino Rota (2)
- 1: Leo Shuken (2)
The following composers have been nominated for a Best Original Score Oscar more than once but have yet to garner one. The number of nominations is listed in parentheses. These do not include nominations (or awards) in the Best Original Song category.
Deceased:
- Alex North (14) Received an Academy Honorary Award.
- Walter Scharf (9)
- Roy Webb (7)
- Werner Janssen (6)
- George Duning (5)
- Edward Ward (5)
- Edward H. Plumb (4)
- Frank De Vol (4)
- Frank Skinner (4)
- George Bruns (3)
- Richard Rodney Bennett (3)
- Louis Gruenberg (3)
- Marvin Hatley (3)
- Ernst Toch (3)
- Charles Wolcott (3)
- Daniele Amfitheatrof (2)
- Jóhann Jóhannsson (2)
- Jack Nitzsche (2) Has won 1 Oscar Award for Original Song.
- Richard Robbins (2)
- Victor Schertzinger (2)
- Meredith Willson (2)
Living:
- Thomas Newman (14)
- Randy Newman (9) Has won 2 Oscar Awards for Original Song.
- James Newton Howard (7)
- Lalo Schifrin (5) Received an Academy Honorary Award.
- Danny Elfman (4)
- George Fenton (4)
- Marc Shaiman (4)
- Philip Glass (3)
- Alberto Iglesias (3)
- Quincy Jones (3) Has won the Jean Hersholt Humanitarian Award, a special Academy Award.
- Marco Beltrami (2)
- Terence Blanchard (2)
- Nicholas Britell (2)
- Carter Burwell (2)
- Patrick Doyle (2)
- David Hirschfelder (2)
See also[]
- Academy Award for Best Original Song
- BAFTA Award for Best Film Music
- Critics' Choice Movie Award for Best Score
- Golden Globe Award for Best Original Score
- Grammy Award for Best Instrumental Composition
- Grammy Award for Best Pop Instrumental Performance
- Grammy Award for Best Score Soundtrack for Visual Media
- Grammy Award for Best Compilation Soundtrack for Visual Media
- Grammy Award for Best Arrangement, Instrumental or A Cappella
- Saturn Award for Best Music
References[]
- ^ "Rule Sixteen: Special Rules for the Best Picture of the Year Award | Rules for the 85th Academy Awards | Academy of Motion Picture Arts & Sciences". Oscars.org. 2012-08-24. Archived from the original on 2013-12-11. Retrieved 2014-05-15.
- ^ Buchanan, Kyle (28 April 2020). "Oscars Rule to Allow Films to Skip a Theatrical Release This Year". The New York Times.
- ^ Lochner, Jim (18 May 2010). "1934: The Year Oscar Scored". filmscoreclicktrack.com. Archived from the original on 2017-11-24.
- ^ "1944". Oscars.org. Retrieved 2020-01-28.
- ^ a b Elias, Justine (12 March 2000). "OSCAR FILMS/OSCAR FILMS/THE RULES; Squeezing Music Into Pigeonholes" – via NYTimes.com.
- ^ Hammond, Pete (April 28, 2020). "Oscars Keeping Show Date But Make Big News As Academy Lightens Eligibility Rules, Combines Sound Categories, Ends DVD Screeners and More". Deadline Hollywood.
- ^ "Award rules and campaign regulations approved for 94th Oscars". oscars.org. 30 June 2021.
- ^ a b "Rules & Eligibility". Oscars.org - Academy of Motion Picture Arts and Sciences. 28 July 2014.
- ^ "The Official Academy Awards Database". Academy of Motion Picture Arts and Sciences. Archived from the original on February 27, 2009. Retrieved January 11, 2018.
- ^ "1957 Academy Award Voting Rules". Academy of Motion Picture Arts and Sciences. 1957. Retrieved January 10, 2018.
- ^ "Vote Settles Oscar Tunes". Billboard. March 17, 1973. Retrieved December 31, 2017.
- ^ "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.
- ^ "Oscar win at 87 may make Ennio Morricone the oldest winner ever". David Ng. Los Angeles Times. February 28, 2016. Retrieved March 2, 2016.
- ^ "Italy, Hollywood Celebrate Ennio Morricone's First Competitive Win". Ariston Anderson. Los Angeles Times. February 28, 2016. Retrieved March 2, 2016.
External links[]
- Oscars.org (official Academy site)
- The Academy Awards Database (official site)
- Oscar.com (official ceremony promotional site)
- Academy Awards
- Best Original Music Score Academy Award winners
- Film awards for best score
- Awards established in 1935