Duchess of Richmond's ball

The Duchess of Richmond's Ball by Robert Alexander Hillingford (1870s)

The Duchess of Richmond's ball was a ball hosted by Charlotte, Duchess of Richmond in Brussels on 15 June 1815, the night before the Battle of Quatre Bras. Charlotte's husband Charles Lennox, 4th Duke of Richmond, was in command of a reserve force in Brussels, which was protecting that city in case Napoleon Bonaparte invaded.

Elizabeth Longford described it as "the most famous ball in history".^[1] "The ball was certainly a brilliant affair",^[2] at which "with the exception of three generals, every officer high in [Wellington's] army was there to be seen".^[3]

The proceedings were interrupted soon after the arrival of the Duke of Wellington, when he was notified of Napoleon's unexpected advance on the nearby crossroads of Quatre Bras. This forced him to depart after ordering his officers to leave to join their regiments. Some of the officers would soon die in battle and the poignancy of the drama has provided an enduring theme for artists, novelists and poets.

The ball[]

According to Lady Georgiana (Lennox), a daughter of the Duchess,

My mother's now famous ball took place in a large room on the ground-floor on the left of the entrance, connected with the rest of the house by an ante-room. It had been used by the coach-builder, from whom the house was hired, to put carriages in, but it was papered before we came there; and I recollect the paper—a trellis pattern with roses. … At the ball supper I sat next to the Duke of Wellington, when he gave me an original miniature of himself painted by a Belgian artist. …

— Georgiana, Dowager Lady De Ros^[4]

Lady Louisa, another of the Duchess's daughters, recalled:

I well remember the Gordon Highlanders dancing reels at the ball. My mother thought it would interest foreigners to see them,^[a] which it did. I remember hearing that some of the poor men who danced in our house died at Waterloo. There was quite a crowd to look at the Scotch dancers.

— Lady Louisa^[2]

While the exact order of the dances at this ball is not known, there is a comment from a contemporary critical observer about the season in Brussels:

Whenever they get together the severest etiquette is present. The women on entering always salute on each side of the cheek; they then set [sic] down as stiff as waxworks. They begin a ball with a perfect froideur they go on with their dangerous waltz (in which all the Englishwomen join) and finish with the gallopade, a completely indecent and violent romp.

— Rev. George Griffin Stonestreet^[5][b]

Intelligence of the Battle of Ligny (1818) by William Heath, depicting a Prussian officer informing the Duke of Wellington that the French have crossed the border at Charleroi and that the Prussians would concentrate their army at Ligny

Arthur Wellesley, 1st Duke of Wellington with his intimate staff arrived some time between 11 pm. and midnight.^[c] Shortly before supper, which started around 1 am.,^[7] Henry Weber, an aide-de-camp to William, Prince of Orange, arrived with a message for the Prince. The Prince handed it to Wellington, who pocketed it unopened. A short time later Wellington read the message—written at around 10 pm., it reported that Prussian forces had been forced by the French to retreat from Fleurus. As Fleurus is north-east of Charleroi this meant that the French had crossed the river Sambre (although Wellington couldn't tell from this message in what strength)—Wellington requested the Prince to return to his headquarters immediately, and then after issuing a few more orders went into supper, where he sat between Lady Frances Webster and Lady Georgiana. To his surprise the Prince of Orange returned and in a whisper informed him of another dispatch, this one sent by Baron Rebecque to the Prince's headquarters at Braine-le-Comte, and dated 10:30 pm. It informed the Prince that the French had pushed up the main Charleroi to Brussels road nearly as far as Quatre Bras.^[d] After repeating to the Prince that he should return to his headquarters, Wellington continued to sit at the table and make small talk for 20 minutes more, before announcing that he would retire to bed. He rose from the supper-table and:^[8]

whispered to ask the Duke of Richmond if he had a good map. The Duke of Richmond said he had, and took Wellington into his dressing-room. Wellington shut the door and said, "Napoleon has humbugged me, by God; he has gained twenty-four hours' march on me. … I have ordered the army to concentrate at Quatre Bras; but we shall not stop him there, and if so I must fight him there" (passing his thumb-nail over the position of Waterloo). The conversation was repeated to me by the Duke of Richmond two minutes after it occurred.

— Captain Bowles^[9][e]

The atmosphere in the room changed when news circulated among the guests that the French were crossing the border:

When the duke [of Wellington] arrived, rather late, at the ball, I was dancing, but at once went up to him to ask about the rumours. He said very gravely, "Yes, they are true; we are off to-morrow." This terrible news was circulated directly, and while some of the officers hurried away, others remained at the ball, and actually had not time to change their clothes, but fought in evening costume. I went with my eldest brother (A.D.C. to the Prince of Orange) to his house, which stood in our garden, to help him to pack up, after which we returned to the ballroom, where we found some energetic and heartless young ladies still dancing. I heard afterwards that it had been said that "the Ladies Lennox were fine, and did not do the honours of the ball well". … It was a dreadful evening, taking leave of friends and acquaintances, many never to be seen again. The Duke of Brunswick, as he took leave of me in the ante-room adjoining the ball-room, made me a civil speech as to the Brunswickers being sure to distinguish themselves after "the honour" done them by my having accompanied the Duke of Wellington to their review! I remember being quite provoked with poor Lord Hay, a dashing merry youth, full of military ardour, whom I knew very well for his delight at the idea of going into action, and of all the honours he was to gain; and the first news we had on the 16th was that he and the Duke of Brunswick were killed. …

— Georgiana, Dowager Lady De Ros^[10]

Before Waterloo (1868), by Henry O'Neil, depicting officers departing from the Duchess of Richmond's ball

Katherine Arden, daughter of Richard Arden, 1st Lord Alvanley, described the events towards the end of the ball and the rest of the night:

… on our arrival at the ball we were told that the troops had orders to march at three in the morning, and that every officer must join his regiment by that time, as the French were advancing, you cannot possibly picture to yourself the dismay and consternation that appeared on every face. Those who had brothers and sons to be engaged openly gave way to their grief, as the last parting of many took place at this most terrible ball; others (and, thank Heaven, we ranked amongst that number, for in the midst of my greatest fears I still felt thankfulness was my prominent feeling that my beloved Dick was not here) who had no near relation yet felt that amongst the many friends we all had there it was impossible that all should escape, and that the next time we might hear of them they might be numbered with the dead; in fact, my dear aunt, I cannot describe to you mingled feelings; you will, however, I am sure, understand them, and I feel quite inadequate to express them. We stayed at this ball as short a time as we could, but long enough to see express after express arrive to the Duke of Wellington, to hear of aides-de-camp arriving breathless with news, and to see, what was more extraordinary than all, the Duke's equanimity a little discomposed. We took a mournful farewell of some of our best friends, and returned home to anything but repose. The morning dawned most lovelily [sic], and before seven o'clock, we had seen 12,000 Brunswickers, Scotch and English pass before our windows, of whom one-third before the night were mingled with the dust. Mama took a farewell of Duke [of Wellington] as he passed by, but Fanny and myself, at last wearied out, had before he went, retired to bed. …

— Katherine Arden^[3]

Ballroom[]

Floor plan by William, brother of Lady de Ros

At the time of the ball no accurate record was kept of the location of the ballroom. In 1887 a plan of the house was published by Lady De Ros (daughter of the Duchess of Richmond), provided by her brother, who were both resident in the house. It was later reprinted in "Reminiscences of Lady de Ros" by the Honourable Mrs J. R. Swinton, her daughter.^[11]

The coach house, proposed by Sir William Fraser in 1888 as the likely location of the ball

Sir William Fraser examined the site and concluded that the room proposed as the ballroom by Lady de Ros was too small a space for the number of people who attended the ball.^[12] A short time after his visit, he wrote a letter to The Times which was published on 25 August 1888. He reported that he had likely discovered the room and that it was not part of the principal property that the Duke of Richmond had rented on the Rue des Cendres, but was a coach house that backed onto the property and had an address in the next street, the Rue de la Blanchisserie. The room had dimensions of 120 feet (37 m) long, 54 feet (16 m) broad, and about 13 feet (4.0 m) high (the low ceiling was a case where reality impinged on one meaning of Lord Byron's artistic allusion to "that high hall").^[13][14]

Research by lawyer P. Duvivier and published by Fleischman and Aerts in their 1956 book Bruxelles pendant la bataille de Waterloo put forward an alternative theory. It proposes that, unknown to Fraser, the coach house used as a ballroom had been demolished by the time of his investigations and that the building he assumed was the ballroom was not built until after 1815.^[15]

List of invitations[]

The following were sent invitations to the ball:^[f][g]

Cultural influences[]

The Black Brunswicker by Millais

The ball inspired a number of writers and artists in the nineteenth century.^[26] Sir Walter Scott mentioned it in passing in Paul's Letters to his Kinsfolk.^[27] It was described by William Makepeace Thackeray in Vanity Fair and by Lord Byron in Childe Harold's Pilgrimage. Byron emphasises the contrast between the glamour of the ball and the horror of battle, concentrating on the emotional partings,

:Ah! then and there was hurrying to and fro,

And gathering tears, and tremblings of distress,

And cheeks all pale, which but an hour ago

Blushed at the praise of their own loveliness;

And there were sudden partings, such as press

The life from out young hearts, and choking sighs

Which ne’er might be repeated; who could guess

If ever more should meet those mutual eyes,

Since upon night so sweet such awful morn could rise!

— Lord Byron, Childe Harold's Pilgrimage^[28]

Thackeray's dramatic use of the ball in Vanity Fair inspired, in turn, a number of screen depictions. One notable example comes from the 1935 RKO production Becky Sharp, the first full-length Technicolor film released after perfection of the full-color three-strip method,^[29][30] which makes the Duchess of Richmond's Ball the first historical set-piece ever staged in a full-colour feature film.^[31] Critics of the day were not kind to the picture itself, but the sequence in which the officers hurry to leave the ball – the red of their coats suddenly and emotionally filling the frame – was widely praised as showing great promise for the dramatic use of colour on-screen.^[32]

The ball also inspired artists, including John Everett Millais, who painted The Black Brunswicker in 1860, Henry Nelson O'Neil who painted Before Waterloo in 1868 and Robert Hillingford who painted The Duchess of Richmond's Ball.^[16]

The ball was a scene in the third act of a melodrama called In the Days of the Duke written by Charles Haddon Chambers and J. Comyns Carr, it was displayed sumptuously in the 1897 production, with a backdrop by William Harford showing the hall and staircase inside the Duchess's house.^[33]

Several characters attend the ball in Georgette Heyer's 1937 novel An Infamous Army, and also in her novelisation of the life of Sir Harry Smith, 1st Baronet, The Spanish Bride.

Summoned to Waterloo: Brussels, dawn of June 16, 1815 by Robert Alexander Hillingford

The ball was used by Sergei Bondarchuk in his 1970 film Waterloo for dramatic effect. Bondarchuk contrasted an army at peace with the impending battle and in particular as a dramatic backdrop to show how completely Napoleon managed to "humbug" Wellington.

In the novel Sharpe's Waterloo (1990), Bernard Cornwell uses the ball in a similar way to Bondarchuk, placing his character Richard Sharpe in the role of the aide who brings the catastrophic news to Wellington, but includes a sub-plot where Sharpe brawls with Lord John Rossendale, Sharpe's wife's lover and a man who owes Sharpe money.

A fictional account is given of the Duchess of Richmond's ball in The Campaigners, Volume 14 of The Morland Dynasty, a series of historical novels by author Cynthia Harrod-Eagles. Some of the fictional Morland family and other characters attend the ball and the events that unfold are seen and experienced through their eyes.

The ball serves as the backdrop for the first chapter of Julian Fellowes's 2016 novel, Belgravia. The chapter is titled, "Dancing into Battle," and portrays a potential mésalliance that is avoided the next day by a battlefield fatality at Quatre Bras. Fellowes incorporates into his book real events that occurred during the ball, and inserts his fictional characters into them.

Descendants of guests at the original ball, participating in the Bicentennial Ball in 2015

On 15 June 1965 the British Ambassador in Brussels held a ball to commemorate the 150th anniversary of the Battle of Waterloo and the Duchess of Richmond's ball. 540 guests attended the function of whom the majority were Belgians.^[34] This commemoration ball has now become an annual event with the money raised going to support several charities.^[35]

Notes[]

References[]

• Arden, Katherine (1898), Smith, George; Thackeray, William Makepeace (eds.), "Letter", The Cornhill Magazine, Smith, Elder and company, 77: 72, and also: Making of America Project (1898), The Living Age …, vol. 216
• Bulloch, John Malcolm (September 1902), Gordon book; published for the Bazaar of the Fochabers Reading Room, Aberdeen: Rosemount Press, pp. 42–43
• The Duchess of Richmond's Ball – Brussels, Committee of the Duchess of Richmond Ball, 10 December 2013, retrieved 5 September 2018
• Clayton, Tim (2014), Waterloo: Four Days that Changed Europe's Destiny, Little, Brown Book Group, pp. 76–77, ISBN 978-0-7481-3412-0
• Dowager Lady De Ros, Georgina (1889), "Personal Recollections of the Great Duke of Wellington", Murray's Magazine, Part I (January or February): 39–43
• Adelphi Theatre 1806–1900, Eastern Michigan University, archived from the original on 16 April 2009
• Ducal and princely families of Belgium: House of Beaufort-Spontin, Eupedia, 14 April 2013, retrieved 5 September 2018
• FM Staff (October 1934), "What? Color in the Movies Again?", Fortune Magazine – reproduced on the website of The American WideScreen Museum
• Forbes, Archibald (June 1896), "The inner history of the Waterloo Campaign", Camps, Quarters, and Casual Places (Project Gutenberg ed.), London
• Fraser, William Augustus (1902), Words on Wellington; the duke – Waterloo – the ball, London: John C. Nimmo, pp. 256–312
• Gray, Nancy (1966), "Dumaresq, William John (1793–1868)", Australian Dictionary of Biography, vol. 1, MUP
• Glover, Michael Glover (August 1968), "An Excellent Young Man: the Reverend Samuel Briscall 1788-1848", History Today, 18 (8)
• "Brussels (Waterloo Ball) – HC Deb 02 July 1965 vol 715 cc138-9W", Hansard, 2 July 1965
• Hastings, Max (1986), "Anecdote 194", The Oxford Book of Military Anecdotes, Oxford University Press US, pp. 230–234, ISBN 978-0-19-520528-2
• Hart, Martin B. (11 August 2010), Technicolor: Early Live Action Films: All singing, All dancing, All Color!], The American WideScreen Museum, retrieved 23 February 2010
• Higgins, Scot (2007), "Chapter 3: A Feature-Length Demonstration: Becky Sharp", Harnessing the Technicolor rainbow: color design in the 1930s, University of Texas Press, pp. 48, ff, ISBN 978-0-292-71628-5
• Hofschröer, Peter (2006), Did the Duke of Wellington deceive his Prussian Allies in the Campaign of 1815?, website of A. W. Cockerill, p. 2, archived from the original on 30 August 2007
• Miller, David (2005), The Duchess of Richmond's Ball: 15 June 1815, Spellmount, ISBN 978-1-86227-229-3
• "'In the Days of the Duke'; Successful Presentation of the New Melodrama in London" (PDF), The New York Times, p. 7, 10 September 1897
• Mount, Harry (3 August 2015), "The fancy party ruined by Napoleon: Goodwood House exhibition", The Telegraph, London
• Robinson, Frances (10 June 2011), "Real Time Brussels Friday History Club: Champagne, Frocks and Warfare", Wall Street Journal blog, Insight and analysis from The Wall Street Journal and Dow Jones team in Brussels
• "Dancing into battle: The Duchess of Richmond's Ball", Royal Armouries, 15 June 2015, retrieved 5 September 2018
• Rust, Frances (2013), Dance in Society Ils 85, Routledge, p. 69, ISBN 978-1-134-55407-2
• Scott, Sir Walter (1841), Paul's Letters to His Kinsfolk, R. Cadell, p. 16
• Swinton, Georgiana (1893), A Sketch of the Life of Georgiana, Lady de Ros: With Some Reminiscences of her friends, including the Duke of Wellington, London: John Murry
• Summerville, Christopher J. (2007), "Alava", Who was who at Waterloo: A Biography of the Battle, Longman, p. 4, ISBN 978-0-582-78405-5
• Urban, Sylvanuss, ed. (July–December 1838), The Gentleman's Magazine, New, London: William Pickering, and others, p. 443
• Wit, Pierre de (19 May 2014), Het onderzoek naar de plaats waar het bal van Richmond heeft plaatsgevonden (The Ball of Richmond) (PDF), waterloo-campaign.nl Endnotes:
  • Cf. Fonds Duvivier. Ce que devint l’hotel de la rue de la Blanchisserie. In: LMB. Archieffonds Franse periode Vol.III Box 25 I.3 Chapter 5 pp. 53–57
  • Fleischman, Théo; Aerts, Winand (1956), Bruxelles pendant la bataille de Waterloo, Brussels: Renaissance du Livre, pp. 234–237

Further reading[]

• "Dresses worn at the Duchess of Richmond's Ball". Waterloo 200. 19 June 2016. Retrieved 25 June 2016.
• Eveleig, Lisa (2 July 2015). Beauty and Chivalry: The Duchess of Richmond's Ball, Brussels 1815. ISBN 9781514746677.
• Bradford, Isabella (15 June 2014). "The Duchess of Richmond's Ball, 1815". – Commenting on the paintings "First off, of course, the dresses and hairstyles of the women are much more fashionable for the 1860s-70s than 1815. The grandly appointed settings are at odds with Lady de Ros's description of the ball taking place …"
• Hibbert, Christopher (1998). Waterloo: Napoleon's last campaign. Wordsworth. ISBN 1-85326-687-6. pp. 154–156
• Josh (16 April 2016). "The most famous Ball in History". Adventures in Historyland. – contains a timeline on the most notable events
• contemporary location, Google Map. compare with the diagram on page 307, of Fraser's book (cited in the References section above).
• Wit, Pierre de (25 March 2006). The guest-list of the ball of Richmond (PDF). waterloo-campaign.nl. Cites Cf. Dalton, Ch. "The Waterloo roll call".

External links[]

• Media related to Duchess of Richmond's ball at Wikimedia Commons

Coordinates: 50°51′13″N 4°21′33″E / 50.8535°N 4.3592°E / 50.8535; 4.3592