Hôtel Tassel

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Hôtel Tassel
Hôtel Tassel  (French) Hotel Tassel  (Dutch)
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General information
Architectural style	Art Nouveau
Location	City of Brussels, Brussels-Capital Region, Belgium
Coordinates	50°49′40″N 4°21′43.3″E / 50.82778°N 4.362028°E / 50.82778; 4.362028Coordinates: 50°49′40″N 4°21′43.3″E / 50.82778°N 4.362028°E / 50.82778; 4.362028
Construction started	1892
Completed	1893
Client	Emile Tassel
Design and construction
Architect	Victor Horta
UNESCO World Heritage Site
Official name	Major Town Houses of the Architect Victor Horta (Brussels)
Type	Cultural
Criteria	i, ii, iv
Designated	2000 (24th session)
Reference no.	1005
State Party	Belgium
Region	Europe and North America

The Hôtel Tassel (French: Hôtel Tassel, Dutch: Hotel Tassel) is a townhouse in Brussels, Belgium, designed by Victor Horta for the Belgian scientist and professor Emile Tassel and built from 1892–93.^[1] It is generally considered the first true Art Nouveau building, because of its highly innovative plan and its groundbreaking use of materials and decoration. It is located at 6, rue Paul-Emile Janson/Paul-Emile Jansonstraat.

Together with three other townhouses of Victor Horta, including Horta's own house and workshop, it was added to the UNESCO World Heritage list in 2000.^[2]

History[]

The first townhouse built by Victor Horta was the Maison Autrique. This dwelling was already innovative for its application of a novel Art Nouveau decorative scheme that did not include references to other historical styles. However the floor plan and spatial composition of the Maison Autrique remained rather traditional. On the deep and narrow building plot, the rooms were organised according to a traditional scheme used in most Belgian townhouses at the time. It had a suite of rooms on the left side of the building plot, flanked by a rather narrow entrance hall with stairs and a corridor that led to a small garden at the back. Of the three–room suite, only the first and the last had windows—so the middle room, used mostly as a dining room, was rather gloomy.

At the Hôtel Tassel, Horta definitively broke with this traditional scheme—in fact, he built a house consisting of three different parts. Two rather conventional buildings in brick and natural stone—one on the side of the street and one on the side of the garden—were linked by a steel structure covered with glass. It functions as the connective part in the spatial composition of the house and contains staircases and landings that connect the different rooms and floors. Through the glass roof, it functions as a light shaft that brings natural light into the centre of the building. In this part of the house, that could also be used for receiving guests, Horta made the maximum of his skills as an interior designer. He designed every single detail; door handles, woodwork, panels and windows in stained glass, mosaic flooring and the furnishing. Horta succeeded in integrating the lavish decoration without masking the general architectural structures.

The innovations made in the Hôtel Tassel would mark the style and approach for most of Horta's later townhouses, including the Hôtel van Eetvelde, the Hôtel Solvay and the architect's own house and workshop. These houses were expensive to construct and only affordable by the haute-bourgeoisie. For this reason the pure architectural innovations were not largely followed by other architects. Most other Art Nouveau dwellings in Belgium and other European countries were inspired by Horta's 'whiplash' decorative style which is mostly applied to a more traditional building.

The Hôtel Tassel had a decisive influence on the French Art Nouveau architect Hector Guimard, who later developed a personal interpretation of Horta's example.

As of 2017, the Hôtel Tassel was a private office.^[3]

Exterior design and facade[]

The exterior of the building, namely the facade is in itself an example of Art Nouveau. Horta implemented a number of different stylistic changes that distinguished the building from others at the time. These changes, however, all existed within the realm of Art Nouveau, and came from his selection of materials and the way that they all came together to form a building that exemplified the style as a whole.^[4] For example, the exterior of the building is designed to be smooth and have a sense of fluidity. Horta also diverged from typical architectural conventions by making the columns that dominate the front portion out of iron, as opposed to stone.^[4] These slender iron columns house a large bay window further Horta's stylistic goals by creating a sense of openness and lightness to the building. Exposed rivets and framing methods, such as large brackets around the doors and windows create a sense of unity within the architecture ^[5] The organic acanthus set against the riveted iron beams that house the windows display Horta's desire to fuse nature and industry.

Interior design[]

The interior of the building is similarly notable as it features Horta's innovative open floor plan and use of natural light. Rooms in the townhouse were built around a central hall, which was, at the time, fairly groundbreaking. Materials used on the inside are purposefully visible and conform to the Art Nouveau style by being modeled after organic forms. The whole interior retains a cohesive sense of fluidity thanks to Horta's insistence on designing all of the interior elements.^[4]

• 

  Stairway of the Hôtel Tassel

• 

  Floor of the Hôtel Tassel, with the characteristic Whiplash curving lines.

Awards[]

The UNESCO commission recognised the Hôtel Tassel as UNESCO World Heritage in 2000, as part of the listing 'Major Town Houses of the Architect Victor Horta':

The four major town houses—Hôtel Tassel, Hôtel Solvay, Hôtel van Eetvelde, and Maison & Atelier Horta—located in Brussels and designed by the architect Victor Horta, one of the earliest initiators of Art Nouveau, are some of the most remarkable pioneering works of architecture of the end of the 19th century. The stylistic revolution represented by these works is characterised by their open plan, the diffusion of light, and the brilliant joining of the curved lines of decoration with the structure of the building.^[2]

See also[]

• Victor Horta
• Hôtel van Eetvelde
• Hôtel Solvay
• Maison & Atelier Horta
• Art Nouveau in Brussels

References[]

Sources[]

• Musgrove, John (1987). Sir Banister Fletcher's a History of Architecture. London: Butterworths. p. 1199. ISBN 0-408-01587-X.
• Loyer, François; Delhaye, Jean (1986). Victor Horta — Hôtel Tassel 1893-1895 (in French). Brussels: Archives d'architecture moderne. ISBN 2-87143-088-8.
• Aubry, Françoise; Vandenbreeden, Jos (1996). Horta — Art Nouveau to Modernism. Ghent: Ludion Press. ISBN 0-8109-6333-7.
• Campbell, Gordon (2006). The Grove Encyclopedia of Decorative Arts. Oxford: Oxford University Press. p. 490. ISBN 0-19-518948-5.
• Sembach, Klaus-Jurgen (2002). Art Nouveau. Köln: Taschen. p. 47. ISBN 3-8228-2022-9.
• Cuito, Aurora (2003). Victor Horta. City: teNeues. ISBN 3-8238-5542-5.

External links[]

Wikimedia Commons has media related to Hotel Tassel.

• Article about the Hôtel Tassel at decortips.com