List of compositions by Franz Schubert (1819)

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Franz Schubert's compositions of 1819 are mostly in the Deutsch catalogue (D) range D 633–678,[1] and include:

Table[]

Legend[]

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
  • Series I: Church Music
  • Series II: Stage Works
  • Series III: Part Songs
  • Series IV: Lieder
  • Series V: Orchestral Works
  • Series VI: Chamber Music
    1. Octet and Nonet
    2. String Quintet
    3. String Quartets I
    4. String Quartets II
    5. String Quartets III
    6. String Trios
    7. Works for Piano and several instruments
    8. Works for Piano and one instrument
    9. Dances for several instruments
  • Series VII: Piano Music
    1. Works for Piano Four Hands
    2. Works for Piano Two Hands
  • Series VIII: Supplement, 2. Schubert's Studies
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List[]

Compositions by Franz Schubert listed in the Deutsch catalogue for 1819
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
633 633 57,1
(1826)
XX, 3
No. 179
IV, 3 Der Schmetterling Wie soll ich nicht tanzen 1819–1823? Text by Schlegel, F., from Abendröte I, 7
634 634 57,2
(1826)
XX, 3
No. 180
IV, 3 Die Berge Sieht uns der Blick gehoben 1819–1823? Text by Schlegel, F., from Abendröte I, 1
635 635 (1900)
(1906–
1907)
III, 4
No. 44
Leise, leise laßt uns singen, later also: Ruhe, and: (Nächtliches) Ständchen Leise, leise laßt uns singen, schlummre sanft (later also: Leise, leise laßt uns singen, still schon sieht der Mond) c. 1819 For ttbb; later text versions, from 1900, by Robert Graf and Anton Weiß
636 636 39
(1826)
(1895)
(1975)
XX, 6
No. 357
IV, 2a &
b No. 9
Sehnsucht, D 636 Ach, aus dieses Tales Gründen early
1821?
Text by Schiller (other setting: D 52); Three versions: 1st not in AGA – 3rd is Op. 39
637 637 87,2
(1827)
XX, 6
No. 358
IV, 4 (Die) Hoffnung, D 637 Es reden und träumen die Menschen viel c. 1819? Text by Schiller (other setting: )
638 638 87,3
(1827)
(1895)
XX, 6
No. 359
IV, 4 Der Jüngling am Bache, D 638 An der Quelle saß der Knabe April 1819 Text by Schiller (other settings: D 30 and 192); Two versions: 2nd is Op. 87 No. 3
639
949
639 (1820)
(1832)
XX, 9
No. 553
IV, 5 Widerschein Fischer harrt am Brückenbogen; Tom Lehnt harrend auf der Brücke 1820;
May/Sept.
1828
Text by  [de]; Two versions; 1st publ. 1820 – 2nd, in AGA with another text variant ("Harrt ein Fischer auf der Brücke"), was
641 598





See
642 642 (1937) III, 2a
No. 1
Viel tausend Sterne prangen Viel tausend Sterne prangen 1812? Text by Eberhard; For satb and piano
643 643 (1889) XII
No. 21
VII/2, 6 German Dance and Écossaise C minor (German dance)
D major (Écossaise)
1819 For piano
643A (1972) III, 2a
No. 11
Das Grab, D 643A Das Grab ist tief und stille 1819 Text by Salis-Seewis (other settings: , , and ); For satb
644 644 (1855)
(1887)
(1891)
(1975)
XV, 4
No. 7
II, 4 Die Zauberharfe (Incidental music)
Was belebt die schöne Welt? (Romanze from No. 9)Durch der Töne Zaubermacht (final choir)
Apr.–Aug.
1820[8]
Text by Georg von Hofmann; Music for tSATB and orchestra; Three acts: Overture (reused in D 797, publ. 1855) and Nos. 1–4 – Nos. 5–9 (Romanze from No.9, not in AGA, publ. 1887 with piano reduction and 1975 in concert version) – Overture and Nos. 10–13
645 645 IV, 12 Abend, D 645 Wie ist es denn, daß trüb und schwer early 1819 Text by Tieck; Fragment of a sketch
646 646 (1885) XX, 6
No. 350
IV, 12 Die Gebüsche Es wehet kühl und leise January
1819
Text by Schlegel, F., from Abendröte II, 9
647 647 (1872)
(1889)
XV, 3
No. 5
II, 5 Die Zwillingsbrüder (Singspiel) Oct. 1818–
1819[8]
For stbbbSATB and orchestra (piano reduction in 1872 edition); Overture and Nos. 1–10
648 648 (1886) II No. 7 V, 5 Overture, D 648 E minor February
1819
For orchestra
649 649 65,2
(1826)
XX, 6
No. 351
IV, 3 Der Wanderer, D 649 Wie deutlich des Mondes Licht zu mir spricht February
1819
Text by Schlegel, F., from Abendröte II, 1; Two versions: 2nd is Op. 65 No. 2
650 650 (1831) XX, 6
No. 352
IV, 12 Abendbilder Still beginnt's im Hain zu tauen February
1819
Text by  [wikisource:de]
651 651 (1831) XX, 6
No. 353
IV, 12 Himmelsfunken Der Odem Gottes weht February
1819
Text by  [wikisource:de]
652 652 (1842) XX, 6
No. 354
IV, 12 Das Mädchen, D 652 Wie so innig, möcht ich sagen February
1819
Text by Schlegel, F., from Abendröte II, 4; Two versions: 1st, in AGA, publ. 1842
653 653 (1842) XX, 6
No. 355
IV, 12 Bertas Lied in der Nacht Nacht umhüllt mit wehendem Flügel February
1819
Text by Grillparzer
654 654 (1842) XX, 6
No. 356
IV, 12 An die Freunde Im Wald, im Wald, da grabt mich ein March 1819 Text by Mayrhofer
655 655 (1897) XXI, 2
No. 13
VII/2, 2 Piano Sonata, D 655 C minor April 1819 Allegro; Fragment
656 656 (1867) XVI
No. 35
III, 4
No. 45
Sehnsucht, D 656 Nur wer die Sehnsucht kennt April 1819 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 481 and 877 Nos. 1 & 4); For ttbbb
657 657 (1871) XVI
No. 36
III, 4
No. 46
Ruhe, schönstes Glück der Erde Ruhe, schönstes Glück der Erde April 1819 For ttbb
658 658 (1895) XX, 6
No. 364
IV, 12 Marie Ich sehe dich in tausend Bildern May 1819? Text by Novalis, No. 15 from  [de]
659 659 (1872) XX, 6
No. 360
IV, 12 Hymn I Wenige wissen das Geheimnis der Liebe May 1819 Text by Novalis, No. 7 from  [de]
660 660 (1872) XX, 6
No. 361
IV, 12 Hymn II Wenn ich ihn nur habe May 1819 Text by Novalis, No. 5 from  [de]
661 661 (1872) XX, 6
No. 362
IV, 12 Hymn III Wenn alle untreu werden May 1819 Text by Novalis, No. 6 from  [de]
662 662 (1872) XX, 6
No. 363
IV, 12 Hymn IV Ich sag' es jedem, daß er lebt May 1819 Text by Novalis, No. 9 from  [de]
663 663 IV, 12 Psalm 13 (12) Ach Herr, wie lange willst du mein so ganz vergessen? June 1819 Text by Mendelssohn, M., translating Psalm 13; Fragment
664 664 120p
(1829)
X No. 10 VII/2, 2
No. 11
Piano Sonata, D 664 A major Summer 1819
or 1825
Allegro moderato – Andante – Allegro
665 609





See
666 666 158p
(1849)
XIX
No. 3
III, 2a
No. 12
Kantate zum Geburtstag des Sängers Johann Michael Vogl Sänger, der von Herzen singet – Diese Berge sah'n dich blühen – Da saht ihr Oresten scheiden – Gott bewahr' dein teures Leben 10/08/1819 Text by  [scores]; For stb and piano; Publ. 1849, with different text, as Der Frühlingsmorgen
667 667 114p
(1829)
VII, 1
No. 1
VI, 7 No. 6 Trout Quintet A major 1819? Allegro vivace – Andante – Scherzo – Theme and variations – Allegro giusto; For violin, viola, cello, double bass and piano; Reuses music of D 550
668 668 (1897) XXI, 2
No. 6
VII/1, 5
No. 3
Overture, D 668 G minor October
1819
For piano duet
669 669 (1829) XX, 6
No. 365
IV, 12 Beim Winde Es traümen die Wolken October
1819
Text by Mayrhofer
670 670 165p,2
(1862)
XX, 6
No. 366
IV, 12 Die Sternennächte In monderhellten Nächten October
1819
Text by Mayrhofer; Two versions: 2nd is Op. posth. 165 No. 2
671 671 (1849) XX, 6
No. 367
IV, 12 Trost, D 671 Hörnerklänge rufen klagend October
1819
Text by Mayrhofer
672 672 36,2
(1825)
(1975)
XX, 6
No. 368
IV, 2a &
b No. 5
Nachtstück Wenn über Berge sich der Nebel breitet October
1819
Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 2
673 673 165p,1
(1832)
(1862)
XX, 6
No. 369
IV, 12 Die Liebende schreibt Ein Blick von deinen Augen October
1819
Text by Goethe; Two versions: 1st publ. in 1832 – 2nd is Op. posth. 165 No. 1
674 674 (1850) XX, 6
No. 370
IV, 12 Prometheus, D 674 Bedecke deinen Himmel, Zeus October
1819
Text by Goethe; For b and piano
675 675 34
(1825)
IX, 2
No. 8
VII/1, 5
No. 4
Overture, D 675 F major November
1819?
For piano duet
676 676 153p
(1845)
(1888)
XIV No. 3 I, 8 Salve Regina, D 676, a.k.a. Drittes Offertorium A major
Salve Regina
November
1819
Text: Salve Regina (other settings: D 27, 106, , and ); For s and orchestra; Shortened in 1st ed., Op. posth. 153
677 677 (1848)
(1895)
XX, 6
No. 371
IV, 12 Stanza from "Die Götter Griechenlands" Schöne Welt, wo bist du? November
1819
Text by Schiller; Two versions: 2nd publ. in 1848
678 678 (1875)
(1887)
XIII, 2
No. 5
I, 3 Mass No. 5 A major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
Nov. 1819–
Sept. 1822
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, and 950); For satbSATB and orchestra; Two versions: 1st publ. in 1875 – 2nd in AGA

References[]

Sources[]

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