List of compositions by Franz Schubert (1824)

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Franz Schubert's compositions of 1824 are mostly in the Deutsch catalogue (D) range D 799–822,[1] and include:

Table[]

Legend[]

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
  • Series I: Church Music
  • Series II: Stage Works
  • Series III: Part Songs
  • Series IV: Lieder
  • Series V: Orchestral Works
  • Series VI: Chamber Music
    1. Octet and Nonet
    2. String Quintet
    3. String Quartets I
    4. String Quartets II
    5. String Quartets III
    6. String Trios
    7. Works for Piano and several instruments
    8. Works for Piano and one instrument
    9. Dances for several instruments
  • Series VII: Piano Music
    1. Works for Piano Four Hands
    2. Works for Piano Two Hands
  • Series VIII: Supplement, 2. Schubert's Studies
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List[]

Compositions by Franz Schubert listed in the Deutsch catalogue for 1824
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
799 799 (1832) XX, 8
No. 463
IV, 13 Im Abendrot, D 799 Oh, wie schön ist deine Welt 1824 or
Feb. 1825
Text by  [de]
800 800 41
(1825)
(1827)
XX, 8
No. 465
IV, 2a Der Einsame Wann meine Grillen schwirren early 1825 Text by  [de]; Two near-identical versions: 2nd publ. as Op. 41 in 1827
801 801 60,2
(1826)
XX, 8
No. 457
IV, 3 Dithyrambe, D 801 Nimmer, das glaubt mir, erscheinen die Götter before
10/6/1826
Text by Schiller (other setting: D 47); For b and piano
802 802 160p
(1850)
VIII
No. 7
VI, 8 No. 5
& anh. 2
Variations on "Trockne Blumen" E minor January
1824
For flute and piano; Introduction, Theme (D 795 No. 18) and 7 Variations
803 803 166p
(1851)
(1898)
III No. 1 VI, 1 No. 3 Octet, D 803 F major February–
1/3/1824
For clarinet, bassoon, horn, string quartet and double bass; Movements 4 and 5 missing in 1st publ.
804 804 29
(1824)
V No. 13 VI, 5
No. 14
String Quartet No. 13 Rosamunde A minor Feb.–early
March 1824
Allegro ma non troppo – Andante (after D 797 No. 5) – Minuet – Allegro moderato
805 805 (1833) XX, 8
No. 458
IV, 13 Der Sieg O unbewölktes Leben early March
1824
Text by Mayrhofer; For b and piano
806 806 (1833) XX, 8
No. 459
IV, 13 Abendstern Was weilst du einsam an dem Himmel early March
1824
Text by Mayrhofer
807 807 (1842) XX, 8
No. 460
IV, 13 Auflösung Verbirg dich, Sonne March 1824 Text by Mayrhofer
808 808 (1872) XX, 8
No. 461
IV, 13 Gondelfahrer, D 808 Es tanzen Mond und Sterne early March
1824
Text by Mayrhofer (other setting: )
809 809 28
(1824)
XVI
No. 9
III, 3 No. 32 Gondelfahrer, D 809 Es tanzen Mond und Sterne March 1824 Text by Mayrhofer (other setting: ); For ttbb and piano
810 810 (1831) V No. 14 VI, 5
No. 15
String Quartet No. 14 Death and the Maiden D minor March 1824 Allegro – Andante con moto (after D 531) – Scherzo – Presto
811 811 149p
(1850)
XIV No. 19 I, 9
No. 14
Salve Regina, D 811 C major
Salve Regina
April 1824 Text: Salve Regina (other settings: D 27, 106, , and ); For ttbb
812 812 140p
(1837)
IX, 2
No. 12
VII/1,
2 No. 1
Sonata, D 812, a.k.a. Grand Duo C major June 1824 For piano duet; Allegro moderato – Andante – Scherzo – Allegro vivace
813 813 35
(1825)
IX, 2
No. 16
VII/1,
2 No. 2
Eight Variations on an original theme A major late May–mid
July 1824
For piano duet
814 814 (1869) IX, 3
No. 27
VII/1, 4 Four Ländler, D 814 Various keys July 1824 For piano duet; No. 1 also as Allemande No. 17
815 815 139pI
(1840)
XVII
No. 10
III, 2a
No. 14
Gebet, D 815 Du Urquell aller Güte September
1824
Text by Motte Fouqué; For satb and piano
816 816 (1956) VII/2, 6 Three Écossaises Various keys September
1824
For piano
817 817 (1928) VII/2, 5 Ungarische Melodie B minor 2/9/1824 For piano; Reappears in
818 818 54
(1826)
IX, 3
No. 19
VII/1,
2 No. 3
Divertissement à l'hongroise G minor autumn
1824?
For piano duet; Partly based on
819 819 40
(1825)
IX, 1
No. 2
VII/1, 4 Six Grandes Marches Various keys 1818 or
1824
For piano duet
820 820 (1931) VII/2, 6 Six German Dances, D 820 Various keys October
1824
For piano
821 821 (1871) VIII
No. 8
VI, 8 No. 6 Arpeggione Sonata A minor November
1824
Allegro moderato – Adagio – Allegretto
822 822 (1842) XX, 8
No. 464
III, 3 Anh. II No. 6 Lied eines Kriegers Des stolzen Männerlebens schönste Zeichen 31/12/1824 For b, unison men's choir and piano

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