List of compositions by Franz Schubert (1828)

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Franz Schubert's compositions of 1828 are mostly in the Deutsch catalogue (D) range D 936A–965B,[1] and include:

Table[]

Legend[]

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
  • Series I: Church Music
  • Series II: Stage Works
  • Series III: Part Songs
  • Series IV: Lieder
  • Series V: Orchestral Works
  • Series VI: Chamber Music
    1. Octet and Nonet
    2. String Quintet
    3. String Quartets I
    4. String Quartets II
    5. String Quartets III
    6. String Trios
    7. Works for Piano and several instruments
    8. Works for Piano and one instrument
    9. Dances for several instruments
  • Series VII: Piano Music
    1. Works for Piano Four Hands
    2. Works for Piano Two Hands
  • Series VIII: Supplement, 2. Schubert's Studies
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List[]

Compositions by Franz Schubert listed in the Deutsch catalogue for 1828
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
615 936A V, 6 No. 11
& Anh. 2
Symphony No. 10 D major spring–
summer
1828?
Sketches for [Allegro maestoso] (two versions) – Andante – Scherzo (two versions)
937 937 (1872) XX, 10
No. 602
IV, 14 Lebensmut, D 937 Fröhlicher Lebensmut summer
1828?
Text by Rellstab; Fragment
938 938 (1835) XX, 9
No. 551
IV, 14 Der Winterabend, D 938 Es ist so still, so heimlich um mich January
1828
Text by Leitner
939 939 96,1
(1828)
XX, 9
No. 552
IV, 5 Die Sterne, D 939 Wie blitzen die Sterne so hell durch die Nacht January
1828
Text by Leitner
940 940 103
(1829)
IX, 3
No. 24
VII/1, 3 No. 2 & Anh. No. 1 Fantasy, D 940 F minor January–
April 1828
For piano duet
941 948





See D 948, 1st version
942 942 136p
(1839)
XVII
No. 9
III, 2b
No. 18
Mirjams Siegesgesang Rührt die Zimbel, schlagt die Saiten – Aus ägypten vor dem Volke – Doch der Horizont erdunkelt – S'ist der Herr in seinem Grimme – Tauchst du auf, Pharao? – Drum mit Zimbeln und mit Saiten March 1828 Text by Grillparzer; For sSATB and piano
943 943 119p
(1829)
XX, 10
No. 568
IV, 14 Auf dem Strom Nimm die letzten Abschiedsküsse March 1828 Text by Rellstab; For voice, horn (or cello) and piano
944
849
944 (1840) I, 2
No. 7
V, 4
No. 8
Symphony No. 9, Great C major C major summer
1825?–
March 1828
Andante, Allegro ma non troppo – Andante con moto – Scherzo – Allegro vivace; Probably identical to Gmunden-Gastein Symphony, D 849[8]
944A 944A German Dance, D 944A 1/3/1828 For piano; Lost
945 945 (1895) XX, 10
No. 589
IV, 14 Herbst, D 945 Es rauschen die Winde April 1828 Text by Rellstab
946 946 (1868) XI No. 13 VII/2, 5 Three piano pieces, a.k.a. Impromptus, D 946 E minor – E major – C major May 1828 Allegro assai, Andante – Allegretto – Allegro
947 947 144p
(1840)
IX, 3
No. 23
VII/1,
3 No. 3
Allegro, D 947, a.k.a. Lebensstürme A minor May 1828 For piano duet
948
941
964
948 (1891)
154p
(1849)
XVI
No. 42
(1st v.)
& No. 2
(2nd v.)
I, 9
No. 15–16
& Anh. 3
Hymnus an den heiligen Geist Komm, heil'ger Geist, erhöre unser Flehen (1st v.); Herr, unser Gott! erhöre unser Flehen (2nd v.) May 1828 Text by  [de]; Two versions: 1st, for ttbbTTBB, was D 941 – 2nd, Op. posth. 154 for ttbbTTBB and winds, was D 964
949 639





See
950 950 (1865) XIII, 2
No. 6
I, 4 Mass No. 6 E major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
started
June 1828
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and ); For satbSATB and orchestra
951 951 107
(1829)
IX, 2
No. 13
VII/1, 3 No. 4
& Anh. No. 2
Rondo, D 951, a.k.a. Grand Rondeau A major June 1828 For piano duet
952 952 152p
(1848)
IX, 3
No. 28
VII/1,
3 No. 5
Fugue, D 952 E minor 3/6/1828 For organ duet or piano duet
953 953 (1841) XVII
No. 19
III, 2b
No. 19
Psalm 92 (91) tôw l'hôdôs ladônoj July 1828 Text: Psalm 92; For baritone and satbSATB
954 954 (1828) XVII
No. 5
III, 2b
No. 20
Glaube, Hoffnung und Liebe, D 954 Gott, laß die Glocke glücklich steigen before
2/9/1828
Text by  [de]; For ttbbSATB acc. by winds or piano
955 955 97
(1828)
XX, 8
No. 462
IV, 5 Glaube, Hoffnung und Liebe, D 955 Glaube, hoffe, liebe! August
1828
Text by  [de]
956 956 163p
(1853)
IV No. 1 VI, 2 No. 2 String Quintet C major September
1828?
Allegro ma non troppo – Adagio – Presto – Allegretto; For two violins, viola and two cellos
957
Nos.
1–13
957 (1829) XX, 9
Nos.
554–
566
IV, 14 Schwanengesang, D 957, a.k.a. 13 Lieder nach Gedichten von Rellstab und Heine:
—Rellstab—
1. Liebesbotschaft – 2. Kriegers Ahnung – 3. Frühlingssehnsucht – 4. Ständchen – 5. Aufenhalt – 6. In der Ferne – 7. Abschied
—Heine—
8. Der Atlas – 9. Ihr Bild – 11. Die Stadt – 12. Am Meer – 13. Der Doppelgänger
1. Rauschendes Bächlein, so silber und hell – 2. In tiefer Ruh liegt um mich her – 3. Säuselnde Lüfte wehen so mild – 4. Leise flehen meine Lieder – 5. Rauschender Strom, brausender Wald – 6. Wehe dem Fliehenden – 7. Ade! du muntre, du fröhliche Stadt – 8. Ich unglückselger Atlas – 9. Ich stand in dunkeln Träumen – 10. Das Fischermädchen – 11. Am fernen Horizonte – 12. Das Meer erglänzte weit hinaus – 13. Still ist die Nacht, es ruhen die Gassen August–
September?
1828
Text by Rellstab (Nos. 1–7) and Heine, H. (Nos. 8–13); D 965A was No. 14; Early versions for Nos. 1 and 3; Variant for No. 4
958 958 (1839) X No. 13 VII/2, 3
No. 17
Piano Sonata, D 958 C minor September
1828
Allegro – Adagio – Minuet – Allegro
959 959 (1839) X No. 14 VII/2, 3
No. 18
Piano Sonata, D 959 A major September
1828
Allegro – Andantino – Scherzo – Allegretto (partly based on 2nd movement of )
960 960 (1839) X No. 15 VII/2, 3
No. 19
Piano Sonata, D 960 B major September
1828
Molto moderato – Andante sostenuto – Scherzo – Allegro ma non troppo
961 452





See D 452
962 962 (1890) XXI, 4
No. 32
I, 9
No. 10
& Anh. 4
Tantum ergo, D 962 E major October
1828
Text by Aquinas (other settings: , , , , and ); For satbSATB and orchestra; Sketch in AGA XIV No. 22
963 963 (1890) XXI, 4
No. 33
I, 8 Intende voci, a.k.a. Offertory, D 963, or Aria for tenor with choir B major October
1828
Text: Psalm 5:34a, offertory for the Friday after Oculi Sunday; For tSATB and orchestra
964 948 154p
(1849)
XVI
No. 2


Herr, unser Gott! erhöre unser Flehen
See D 948, 2nd version
965 965 129p
(1830)
XX, 10
No. 569
IV, 14 Der Hirt auf dem Felsen Wenn auf dem höchsten Fels ich steh October
1828
Text by Müller, W., and Varnhagen von Ense; For voice, clarinet and piano
957
No.
14
965A (1829) XX, 9
No. 567
IV, 14 Die Taubenpost Ich hab' eine Brieftaub in meinem Sold October
1828
Text by Seidl; Was D 957 No. 14
965B VIII, 2
Nos. 15–16
Fugal exercises, D 965B November
1828
Partly similar to

References[]

Sources[]

Multi-volume editions, websites and catalogues

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