Love & Destroy

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Love & Destroy
LoveAndDestroyCover.png
Developer(s)Arc Entertainment
Inti Creates
Publisher(s)Sony Computer Entertainment
Director(s)Makoto Yamaguchi
Producer(s)Ryoji Agakawa
Akira Sato
Designer(s)Yoshihisa Tsuda
Artist(s)Masakazu Katsura
Composer(s)Ippo Yamada
Platform(s)PlayStation
Release
  • JP: December 16, 1999
Genre(s)Third-person shooter, dating sim
Mode(s)Single-player

Love & Destroy[a] is a third-person shooter video game with dating sim elements co-developed by Arc Entertainment and Inti Creates. It was released by Sony Computer Entertainment, Inc. (SCEI) for the PlayStation exclusively in Japan in 1999. Set in the near future, the plot depicts an alien invasion which nearly brings about human extinction. To save humanity, a scientist sends three remaining mechs and their robotic, female navigators back in time where they recruit the unnamed, male protagonist as a mech pilot to stamp out the invasion. Bringing out the full, offensive potential of a mech requires a positive, emotional link between the human pilot and navigator.

Part of the gameplay in Love & Destroy is made up of 3D shooter missions, where the player battles enemies after choosing one of three navigators and her respective mech, each equipped with a unique set of weapons. These action segments alternate with romantic interactions between the player character and the navigators. The story unfolds differently depending on the player's use of navigator, on-screen choices, and performance during missions.

Staff members for SCEI subsidiary Arc Entertainment were previously known for their work on the Arc the Lad series of role-playing games, while Love & Destroy marked new developer Inti Creates' second overall release. Love & Destroy features character designs by manga artist Masakazu Katsura and animated cutscenes by the studio Production I.G. The game sold poorly and critical reception has been mixed.

Gameplay[]

The player battles an enemy using the K-Silhouette. The player's health and remaining time are displayed top-right, while the selected weapon is on the bottom right.

Love & Destroy is a third-person shooter consisting of a series of missions where the player uses a Battle Pod mech to eliminate either a single, large boss or a group of smaller enemies.[1] These battles have a five-minute time limit and take place in large, 3D cityscapes through which the player can freely maneuver. The environments are highly destructible, allowing the player to demolish any building.[2] The game supports DualShock controller functionality with the analog sticks mapped to movement and aiming.[3] The player can choose one of three mechs and its respective Q-Tron navigator for any mission. All of them come equipped with a basic vulcan cannon for targeting and firing at enemies from a distance, though each Battle Pod varies in speed and has a unique set of weapons. ViVi's "V-Silhouette" is the fastest but uses mostly weak, short-ranged melee attacks; LuLu's "L-Silhouette" is the slowest but uses mostly powerful, long-ranged projectiles; and KiKi's "K-Silhouette" has balanced speed and uses medium-ranged lasers that deal intermediate damage.[4] One Battle Pod may present more of an advantage over another depending on the situation. Performing well increases the player's score and unlocks more powerful upgrades.[1] If the player's health gauge depletes, the mission is a failure though it will not result in a game over. The storyline will progress regardless of whether a player accomplishes or fails a mission.

The game features dating sim mechanics between missions, which are shown as animated full motion videos (FMVs) depicting social and romantic interactions between the player character and the Q-Trons. During these sequences, the player can be presented with a choice of whether or not they like a particular Q-Tron. The plot unfolds differently and its outcome changes depending on the use of Q-Tron, on-screen choices, and mission success.[1] Doing well in each mission and using the same Q-Tron repeatedly will foster the protagonist's relationship with her and result in a better ending for the characters. The player can also collect up to 100 voice clips from each Q-Tron.[3] Some hidden clips break the fourth wall and require actions such as opening the PlayStation's disc lid.[1]

Plot[]

The story of Love & Destroy opens in the near future when an extraterrestrial entity known as "Germ"[b] descended from the sky and began feeding off human stress, quickly spreading across Earth and leaving mass destruction in its wake. After a few decades, humanity developed measures to counter the invasion with "Battle Pod"[c] technology. These weaponized mechs were equipped with "S.E.E.D."[d] (Synchronized Energy of Emotive Dynamics), a system relying on positive, sympathetic emotions to effectively utilize their offensive capabilities. This would be best accomplished when each human pilot established a romantic connection with a robotic, female navigator called a "Q-Tron."[e] After years of fighting, the plan ultimately proved unsuccessful and humanity was nearly wiped out. In a final attempt to salvage the planet's future, a scientist sends three Q-Trons, their Battle Pods, and an instructor back in time to present day Japan, just before the appearance of the Germ.[5] It is there that they across the unnamed player character, a male highschooler whom they rescue when the Germ initiates its attack. He then joins them in defending the world against the alien threat.[1][6]

Characters[]

  • ViVi[f]: Voiced by Mao Motomura.[3] The second model of Q-Tron produced. Feisty, rebellious, and obstinate, she is highly confident in her fighting ability and hates to lose. She is skilled in mechanics and weapons maintenance.
  • LuLu[g]: Voiced by Natsumi Yanase.[3] The prototype model of Q-Tron and leader of the group due to the vast amount of information she has accumulated. Calm and quiet with a sad disposition, she feels responsible for the deaths of many pilots during the war over the years. She is a machine operations and control specialist.
  • KiKi[h]: Voiced by Kozue Yoshizumi.[3] The newest model of Q-Tron produced. Sweet, cheerful, and curious, she strives to gain more experience as a navigator. Data management and program engineering are her area of expertise.
  • Egg[i]: Voiced by Wataru Takagi.[3] A robot instructor in the form of an anthropomorphic egg with wings. It coordinates the missions with the pilots and Q-Trons.

Development and release[]

Love & Destroy was co-developed by Arc Entertainment and Inti Creates. Arc Entertainment was a division of publisher SCEI that was formed in 1997 and led by Ryoji Agakawa and Akira Sato.[7] Prior to this, the subsidiary's staff was responsible for the Arc the Lad series of PlayStation role-playing games. The producer of those games, Agakawa, would serve the same role for Love & Destroy.[8] Love & Destroy is the second game by Inti Creates, which was founded in 1996 by a group of former Capcom employees. It was designed by Yoshihisa Tsuda, the lead designer of the company's debut title Speed Power Gunbike.[9][10] Love & Destroy was directed by Makoto Yamaguchi, who stated that the most difficult aspect of its development was his seclusion from his workers due to himself rarely bathing during long work hours.[3] The game features character designs by manga artist Masakazu Katsura, known for love stories such as Video Girl Ai, DNA², and I"s.[1][2][6] The FMV cutscenes were animated by the studio Production I.G., which had provided animation for SCEI's Yurodora series of romance visual novels for the PlayStation.[11] Inti Creates' sole music composer at the time, Ippo Yamada, was responsible for creating the soundtrack and sound effects in Love & Destroy, as well other duties such as casting voice actors and booking recording studios.[12] The game's ending features the vocal track, "My Glory Days," performed by Haruna Kawagoe.[13]

Love & Destroy was released in Japan on December 16, 1999.[14] A guidebook was issued by Shueisha the same day. Shueisha also published a light novel adaptation of the game on April 24, 2000, written by Tatsuya Hamasaki and featuring illustrations of Katsura's character designs by Takayuki Goto.[13] The game was a commercial failure.[9][10][15] SCEI restructed its game development process shortly thereafter, dissolving Arc Entertainment.[16] Inti Creates, having also lost publisher Sony Music Entertainment Japan to the corporation's reorganization in 1998, once again found itself without funding and would not gain a foothold in the industry until a partnership with Capcom to develop the Mega Man Zero series a few years later.[9]

Reception[]

Critical reception for Love & Destroy has been mixed. It received a score of 19 out of 40 by the Japanese gaming publication Weekly Famitsu.[14] USgamer journalist Jeremy Parish stated, "It basically feels like everything about 'cool '90s Japan' rolled into a single video game [...] Like some sort of harem anime meets Neon Genesis Evangelion meets Omega Boost."[10] GameSpot contributor James Mielke also compared its concept to Evangelion, equated its shooter gameplay to Armored Core, was impressed by its sense of scale, and described the game as "an impressive piece of software that, while not perfect, offers up some hectic fighting action."[2] Bruno Sol of the Spanish magazine Superjuegos was less fond of the graphics and control in the battle portion, mentioning they did not live up Arc Entertainment's previous game The Granstream Saga. He admired the animation during the cutscenes and thought that the dating segments were the game's more interesting aspect, likening them to Tokimeki Memorial: Forever With You and the Yarudora series. Sol felt that Katsura's character designs did not meet the mangaka's standards, but speculated that they would be appreciated by the artist's fans nonetheless.[6] Hardcore Gaming 101's Kurt Kulata summarized Love & Destroy as "unique and interesting" with a presentation resembling Hudson Soft's Bulk Slash for the Sega Saturn. However, he found it difficult to follow the action with the "occasionally claustrophobic camera and intense destruction" and doubted a player could develop a bond with the girls given the game's overall short length.[1]

Notes[]

  1. ^ Japanese: ラブアンドデストロイ, Hepburn: Rabu ando Desutoroi
  2. ^ Japanese: ジャム, Hepburn: Jam
  3. ^ Japanese: バトルポット, Hepburn: Batorupotto
  4. ^ Japanese: シード, Hepburn: Shīdo
  5. ^ Japanese: キュートロン, Hepburn: Kyūtoron
  6. ^ Japanese: ビビ, Hepburn: Bibi
  7. ^ Japanese: ルル, Hepburn: Lulu
  8. ^ Japanese: キキ, Hepburn: Kiki
  9. ^ Japanese: エッグ, Hepburn: Eggu

References[]

  1. ^ Jump up to: a b c d e f g Kulata, Kurt (March 24, 2018). "Love and Destroy". Hardcore Gaming 101. Archived from the original on July 22, 2018. Retrieved April 26, 2019.
  2. ^ Jump up to: a b c Mielke, James (February 1, 2005). "Hands-on: Love & Destroy". GameSpot. CBS Interactive. Archived from the original on April 25, 2019. Retrieved April 25, 2019.
  3. ^ Jump up to: a b c d e f g Arc Entertainment staff (1999). "Q and A" (in Japanese). Arc Entertainment. Archived from the original on October 29, 2000. Retrieved April 28, 2019.
  4. ^ Arc Entertainment staff (1999). バトルポット [Battle Pod] (in Japanese). Arc Entertainment. Archived from the original on February 19, 2001. Retrieved April 28, 2019.
  5. ^ Arc Entertainment staff (1999). ストーリー [Story] (in Japanese). Arc Entertainment. Archived from the original on February 19, 2001. Retrieved April 28, 2019.
  6. ^ Jump up to: a b c Sol, Bruno (May 2000). "Manga Zone". Superjuegos (in Spanish). No. 97. Grupo Zeta. pp. 148–9.
  7. ^ SCEI staff (October 14, 1997). デジタル・エンタテインメント・ソフト制作会社を3社設立 [Digital entertainment and software production companies founded] (PDF) (in Japanese). Sony Computer Entertainment, Inc. Archived from the original (PDF) on August 22, 2016. Retrieved April 24, 2019.
  8. ^ Dengeki Online staff (November 15, 2016). 『アーク ザ ラッド』分割の思わぬメリットとは？ 伝説の登山ゲー『蒼天の白き神の座』の話も【闘会議2015】 [What are the unexpected benefits of the Arc the Lad division? The story of legendary climbing game Souten no Shiroki Kami no Za: Great Peak [Fighting Conference 2015]]. Dengeki Online (in Japanese). ASCII Media Works. Archived from the original on February 5, 2019. Retrieved April 24, 2019.
  9. ^ Jump up to: a b c Quadra Entertainment / Takase (May 28, 2016). 創業20周年を迎えたインティ・クリエイツに，創業当時の苦労話や2Dアクションゲームへのこだわりなどについて聞いてきた（ゲーム開発会社探訪 第1回） [We asked the Inti Creators who celebrated the 20th anniversary of their founding about their struggle stories at the time of their founding and their commitment to 2D action games etc.] (in Japanese). 4Gamer. Archived from the original on March 21, 2019. Retrieved April 14, 2019.
  10. ^ Jump up to: a b c Parish, Jeremy (December 24, 2015). "Companions Through Life and Death: The Story of Inti Creates and Mega Man". USgamer. Gamer Network. Archived from the original on April 11, 2019. Retrieved April 14, 2019.
  11. ^ "Work List". Production I.G. Archived from the original on April 14, 2019. Retrieved April 26, 2019.
  12. ^ Yamada, Ippo; Kawakami, Ryo; Isogai, Hiroki (May 2010). "Interview with Ippo Yamada, Ryo Kawakami, and Hiroki Isogai". Square Enix Music Online (Interview). Interviewed by Greening, Chris. Translated by Shota Nakama; Marc Friedman. Archived from the original on November 22, 2018. Retrieved April 18, 2019.
  13. ^ Jump up to: a b Inti Creates staff (July 30, 2000). 会社概要 [Company Profile] (in Japanese). Inti Creates. Archived from the original on August 5, 2003. Retrieved April 20, 2019.
  14. ^ Jump up to: a b Famitsu staff (December 24, 1999). クロスレビュー [Cross Review]. Famitsu (in Japanese). No. 575. ASCII Corporation. Archived from the original on April 25, 2019. Retrieved March 16, 2019.
  15. ^ Excite staff (May 26, 2015). "【インタビュー】インティ・クリエイツ社長が語るクラウドファンディング開発…『Bloodstained』の今後も" [[Interview] Inti Creates president talks about crowdfunding development ... The future of Bloodstained] (in Japanese). Excite. Archived from the original on April 17, 2019. Retrieved April 17, 2019.
  16. ^ SCEI staff (August 1, 2000). 人事・機構改革のお知らせ [Notification of Personnel and Institutional Reform] (PDF) (in Japanese). Sony Computer Entertainment, Inc. Archived from the original (PDF) on August 22, 2016. Retrieved April 24, 2019.

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