Meiji Memorial Picture Gallery
| Meiji Memorial Picture Gallery | |
|---|---|
聖徳記念絵画館 | |
 Aerial view of the gallery | |
 | |
| General information | |
| Address | 1-1 Kasumigaoka-machi |
| Town or city | Shinjuku, Tōkyō |
| Country | Japan |
| Coordinates | 35°40′44″N 139°43′04″E / 35.678778°N 139.717639°ECoordinates: 35°40′44″N 139°43′04″E / 35.678778°N 139.717639°E |
| Construction started | 3 October 1919[1] |
| Completed | 22 October 1926[2] |
| Opened | 23 October 1926[1] |
| Technical details | |
| Floor count | Single storey, plus basement[3] |
| Floor area | 2,348.52 square metres (25,279.3 sq ft)[3] |
| Design and construction | |
| Architect | Kobayashi Masatsugu (design amended by Meiji Jingū Construction Bureau (明治神宮造営局))[2] |
| Main contractor | Ōkura Doboku (大倉土木) (now Taisei Corporation)[4] |
| Website | |
| Official website | |
Meiji Memorial Picture Gallery (聖徳記念絵画館, Seitoku Kinen Kaigakan) is a gallery commemorating the "imperial virtues" of Japan's Meiji Emperor, installed on his funeral site in the Gaien or outer precinct of Meiji Shrine in Tōkyō. The gallery is one of the earliest museum buildings in Japan and itself an Important Cultural Property.
On display in the gallery are eighty large paintings, forty in "Japanese style" (Nihonga) and forty in "Western style" (Yōga), that depict, in chronological order, scenes from the Emperor's life and times. The gallery opened to the public in 1926, with the final paintings completed and installed ten years later. The selection and investigation of suitable topics for the paintings was overseen by Kaneko Kentarō, who also served as head of the editorial boards of Dai-Nihon Ishin Shiryō and , major contemporary historiographic undertakings respectively to document the Meiji Restoration (in 4,215 volumes) and the Meiji Emperor and his era (in 260 volumes);[5] as such, the gallery and its paintings may be viewed as a highly-visible historiographic project in its own right.[5][6]
Background[]
In his brief survey of pre-Meiji Japanese imperial portraiture, surviving exemplars of which are known at least from the Kamakura period, Donald Keene writes that these "reveal very little individuality", eschewing realism "instead to convey courtly elegance or Buddhist consecration".[8] A trend that lasted "well into" the nineteenth century, this was in part also an artefact of the artist typically not knowing what the emperor looked like.[8] The earliest, extant though unpublished, photograph of the Meiji Emperor was taken late in 1871 at the Yokosuka Naval Yard.[8] The next photographs were taken the following year, in response to a request by the Iwakura Mission, delegates having observed Western diplomats exchanging portraits of their respective heads of state.[8][9] When Itō Hirobumi and Ōkubo Toshimichi briefly returned to Tōkyō, they were instructed to return with an official portrait; though they did not take the 1872 photographs, of the young Emperor in court dress, with them when they set off again for the US, the following year two new photographs, this time of the Emperor of Japan in Western dress, were taken and sent on to the Mission with the earlier pair (selected from the seventy-two taken at the first session).[8][9] The final official photographs of the Emperor were taken later in 1873 after the return of the Mission, with the Emperor, his top-knot now cut off, in the Western military uniform that was to become his customary attire.[8] These photographs were not widely distributed: when in 1874 someone in Tōkyō began selling unauthorized copies, after debate in government about the propriety of selling such, such sale was prohibited.[8] Continuing to circulate nevertheless, the 16 April 1878 edition of the Yomiuri Shimbun featured a reported sighting of one hanging in a house of ill-repute in the Yoshiwara district, and it was not until 1898 that the official ban was lifted.[9] In the meantime, commissioned by Hijikata Hisamoto, Chiossone's 1888 goshin'ei (御真影) (pictured above) had come to be widely distributed in the form of reproductions, not least, though initially only upon request, to schools across the country, where it helped foster "patriotism and loyalty to the emperor".[8][9] Around a dozen incidents have been catalogued, between the mid-1890s and 1947, of teachers risking their lives to save this portrait from tsunami, fire, earthquake, air raid, even theft.[9] Such respect and reticence might be understood in the light of the Meiji Constitution, according to Article 3 of which "The Emperor is sacred and inviolable", as well as Itō Hirobumi's Commentaries on the Constitution, in which he observes that the Tennō should not be the subject of common talk.[10]
The gallery[]
The Naien or inner precinct of Meiji Jingū was constructed between 1912 and 1920, supported by central government funds.[5] In 1915, the Meiji Shrine Support Committee was established to raise funds for and plan the shrine's Gaien, or outer precinct.[5] After a public competition in 1918, Kobayashi Masatsugu's design was the following year selected from the one hundred and fifty-six submissions received, Furuichi Kōi and Itō Chūta numbering amongst the judges.[4][1] With some amendment by the shrine's building department, construction began in 1919 and ran until 1926, Ōkura Doboku, a legacy firm of what is now Taisei Corporation, starting their work in 1921.[4][12] This was temporarily suspended due to the Great Kantō earthquake, after which the scaffolding was taken down and temporary barracks built to shelter victims, some 6,400 of whom were accommodated on the site.[4] Construction resumed in May 1924.[1] Internal finishing works began in 1925 and the building phase was completed late the following year.[4][12] While Ōkura Doboku were responsible for most of the construction work and finishing, the materials were supplied by the government.[4] Gravel was sourced from a government-owned direct collection site along the Sagami River, Asano Cement, a legacy firm of today's Taiheiyō Cement, provided the cement, and steel was brought at a heavily discounted rate from the government-owned Yahata Steel Works, the connecting railways and steamships carrying the loads at half the usual freight rate as their contribution to this important national project.[4]
Of reinforced concrete, the gallery extends some 112 metres (367 ft) from east to west and 34 metres (112 ft) from north to south, rising to a height of 32 metres (105 ft) at the apex of the central dome, its two wings standing some 16 metres (52 ft) high.[12][13] The outer walls are faced with from Okayama Prefecture, copper sheeting covering much of the roof.[3][12] The interior takes the form of a spacious central hall, beneath the dome, clad in domestically-sourced marble (56% from Mino-Akasaka in Gifu Prefecture, the remainder from Ehime, Fukushima, Gunma, Okayama, Yamaguchi, &c) and with a marble and mosaic tiled floor; the two painting galleries open off to the sides, each with forty paintings, to the right the first forty nihonga, to the left the forty yōga.[3][14] One of the earliest museum buildings in the country, the architecture, in which straight lines are emphasized, is "memorable, solid, and stately", and in June 2011 the gallery was designated an Important Cultural Property, for its "excellence of design" and "superior construction techniques", in particular those used in the shell dome and for the lighting the painting galleries, which are naturally lit from above.[3][note 1][14]
Completed on 22 October 1926, the Gallery specially opened to the public for one day the following day, although at this point only five paintings had been dedicated, one nihonga, four yōga.[1] The same year also saw the dedication of the Gaien or Meiji Shrine's outer gardens, covering some 77 acres (31 ha).[6] From 1 October 1927 the Gallery was open on weekends and public holidays only.[1] 21 April 1936 saw a special commemorative ceremony on the completion of the paintings and exactly one year later the Gallery opened to the public on a full-time basis.[1][5] In December 1944 the Gallery closed due to the war situation.[1] With the US Occupation, the Gallery was requisitioned by occupying forces (cf., the Bayreuth Festspielhaus), a state of affairs that continued until 1952.[1] More recently, in 2005 2,200 glass plates from the time of construction were found in a gallery storeroom.[1]
Painting topics[]
Discussion of which topics should be selected for the paintings began at committee level at the beginning of 1916 and, two years later, eighty-five possible subjects were selected, those rejected including Commodore Perry's Arrival at Uruga.[5] Later in 1918 a panel of five began their research trips across Japan, to confirm suitability, document locations, and draft explanatory texts, amongst them , who prepared "provisional paintings".[1][5] In 1921 the final eighty were proposed, and these were approved the following year.[5]
A recent analysis of the subject matter of the paintings has highlighted their range of topic (11 showing palace scenes, 10 grand politics, 11 diplomacy, 18 military, 8 economy, 4 education, 3 health, 3 religion, 1 transport, 5 "love for the people", the remainder cultural pursuits and/or visits to prominent figures), geographic setting (15 in Kyōto, 37 in Tōkyō, also Hokkaidō, Tōhoku, Kantō, Kinki, Chūgoku, Kyūshū, Okinawa, also Taiwan, Manchuria, Korea, Karafuto, and the US, as well as domestic waters and the high seas), and how neither Emperor nor Empress appear in a quarter of the paintings, the Emperor hidden in a further thirteen (the remainder: 15 Emperor standing (including 1 with the Empress), 12 sitting (including 2 with the Empress), 5 riding, 1 in a carriage, 8 the Empress (standing), 1 the Empress (hidden)).[15]
The paintings[]
While there are eighty paintings, there are not quite eighty different artists, Kondō Shōsen and responsible for two, and for three.[6] The pictures each measure approximately 3 metres (9.8 ft) by 2.5 metres (8 ft 2 in) to 2.7 metres (8 ft 10 in); as such together they run almost 250 metres (820 ft) and, at this scale, are sometimes described as "murals" (壁画).[6][1] Tosa washi was selected as the official support for the paintings, although not all artists chose to use it.[5]
| Painting[note 2][6] | Date of event | Painter | Dedication of painting | Comments | Image | Dedicator | |
|---|---|---|---|---|---|---|---|
| 1 | The Birth of Emperor Meiji 御降誕 Go-kōtan |
3 November 1852 | (高橋秋華) (1877–1953) |
July 1930 | depicted is the Lying-in Chamber (御産室), erected by the future emperor's maternal grandfather Nakayama Tadayasu in the grounds of Kyoto Imperial Palace |  |
Marquis (中山輔親) |
| 2 | The Rites of Growth 御深曾木 On-fukasogi |
6 May 1860 | (北野恒富) (1880–1947) |
November 1934 | ceremonial dressing of the hair, performed by Minister of the Left (一条忠香) in the Omima |  |
Baron (鴻池善右衛門) |
| 3 | Investiture of the Crown Prince 立親王宣下 Ritsu shinnō senge |
10 November 1860 | (橋本永邦) (1886–1944) |
June 1931 | Nijō Nariyuki presents the imperial proclamation at the Palace |  |
Mitsubishi Gōshi gaisha |
| 4 | Accession to the Throne 践祚 Senso |
13 February 1867 | (川崎小虎) (1886–1977) |
August 1930 | the Emperor, aged fifteen, appointed Nijō Nariyuki as regent in the Seiryōden on the day of his accession | (not public domain until 2047) | Marquis (池田宣政) |
| 5 | Resignation of the Last Shōgun 大政奉還 Taisei hōkan |
7 November 1867 | (邨田丹陵) (1872–1940) |
October 1935 | Tokugawa Yoshinobu informs officials of his decision at Nijō-jō |  |
Prince (徳川慶光) |
| 6 | Restoration of Imperial Rule 王政復古 Ōsei-fukko |
3 January 1868 | (島田墨仙) (1867–1943) |
March 1931 | the Emperor abolishes the offices of Sesshō, Kampaku, and Shōgun |  |
Marquis (松平康荘) |
| 7 | The Battles of Toba and Fushimi 伏見鳥羽戦 Fushimi-Toba-sen |
29 January 1868 | (松林桂月) (1876–1963) |
July 1933 |  |
Prince (毛利元昭) | |
| 8 | Attainment of Majority Ceremony 御元服 Go-genpuku |
8 February 1868 | (伊東紅雲) (1880–1939) |
November 1928 | held shortly after the Emperor turned 16; his hairstyle was changed, he donned the robes of manhood, and he was crowned by Prince Fushimi Kuniie |  |
Prince Konoe Fumimaro |
| 9 | The Emperor's Visit to the Dajōkan 二条城太政宮代行幸 Nijō-jō Dakōjan dai-gyōkō |
25 February 1868 | (小堀鞆音) (1864–1931) |
April 1933 | the Emperor was conveyed to Nijō-jō by palanquin |  |
Baron Mitsui Hachirōemon |
| 10 | The Imperial Army Leaves Kyōto 大総督熾仁親王京都進発 Dai-sōtoku Taruhito shinnō Kyōto shinpatsu |
8 March 1868 | (高取稚成) (1867–1935) |
September 1931 | Prince Arisugawa Taruhito salutes the Emperor in front of the Kenreimon before setting out for Edo |  |
Marquis (蜂須賀正韶) |
| 11 | The Emperor Receives Foreign Ministers 各国公使召見 Kakkoku kōshi shōken |
23 March 1868 | (広島晃甫) (1889–1951) |
November 1930 | the Emperor receives Dirk de Graeff van Polsbroek; to the left and right of the imperial dais are Prince Yamashina Akira and Iwakura Tomomi |  |
Marquis (伊達宗彰) |
| 12 | Proclamation of the Imperial Oath 五箇條御誓文 Gokajō no go-seimon |
6 April 1868 | (乾南陽) (1870–1940) |
April 1928 | Sanjō Sanetomi reads the Oath in Five Articles |  |
Marquis (山内豊景) |
| 13 | The Surrender of Yedo Castle 江戸開城談判 Edo kaijō danpan |
6 April 1868 | (結城素明) (1875–1957) |
December 1935 | Saigō Takamori and Katsu Kaishū negotiate the surrender without bloodshed of Edo Castle |  |
Marquis (西郷吉之助), Count (勝精) |
| 14 | The Emperor Reviewing Clan Warships 大阪行幸諸藩軍艦御覧 Ōsaka gyōkō shohan gunkan goran |
18 April 1868 | Okada Saburōsuke (1869–1939) |
April 1936 | in Ōsaka Bay |  |
Marquis (鍋島直映) |
| 15 | Enthronement of the Emperor 即位礼 Sokui no rei |
12 October 1868 | (猪飼嘯谷) (1881–1939) |
December 1934 | in the grounds of Kyōto Imperial Palace |  |
Kyōto City |
| 16 | The Emperor Viewing Rice Harvest 農民収穫御覧 Nōmin shūkaku goran |
11 November 1868 | (森村宜稲) (1872–1938) |
August 1930 | in Hatchōnowate (八丁畷), Owari Province, while en route to Tōkyō |  |
Marquis (徳川義親) |
| 17 | The Emperor Arriving in Tōkyō 東京御着輦 Tōkyō go-chakuren |
26 November 1868 | (小堀鞆音) (1864–1931) |
October 1934 | arrival at Edo Castle |  |
Tōkyō City |
| 18 | Installation of the Empress 皇后冊立 Kōgō no sakuritsu |
9 February 1869 | (菅楯彦) (1878–1963) |
December 1935 | Princess Haruko arrived at the Kyōto Imperial Palace in the traditional ox-cart |  |
Ōsaka City |
| 19 | The Emperor at the Grand Shrine of Ise 神宮親謁 Jingū shinetsu |
23 April 1869 | (松岡映丘) (1881–1938) |
April 1927 | the Emperor left Kyōto for Tōkyō for the second time on 8 April 1869, stopping en route at Ise Jingū |  |
Marquis (池田仲博) |
| 20 | The End of the Feudal Clans 廃藩置県 Haihan chiken |
29 August 1871 | (小堀鞆音) (1864–1931) |
September 1931 | Sanjō Sanetomi reads the edict |  |
Count (酒井忠正) |
| 21 | The Iwakura Mission to America and Europe 岩倉大使欧米派遣 Iwakura taishi Ōbei haken |
23 December 1871 | Yamaguchi Hōshun (1893–1971) |
December 1934 | the party board the steamship SS America in the Port of Yokohama | (not public domain until 2041) | Yokohama City |
| 22 | The Great Imperial Thanksgiving Rite 大嘗祭 Daijō-sai |
28 December 1871 | Maeda Seison (1885–1977) |
July 1933 | performed once by each emperor; the Emperor offers up newly harvested rice and sake | (not public domain until 2047) | Count (亀井茲常) |
| 23 | Imperial Tour of Chūgoku and Kyūshū (Entering Nagasaki Port) 中国西国巡幸（長崎御入港） Chūgoku Saikoku junkō (Nagasaki go-nyūkō) |
19 July 1872 | (山本森之助) (1877–1928) |
December 1928 | aboard the ironclad Ryūjō |  |
Nagasaki City |
| 24 | Imperial Tour of Chūgoku and Kyūshū (The Emperor in Kagoshima) 中国西国巡幸（鹿児島着御） Chūgoku Saikoku junkō (Kagoshima chakugyo) |
27 July 1872 | (山内多門) (1878–1932) |
November 1930 | the imperial entourage enters the Shimazu residence, where the Emperor stayed nine days |  |
Kagoshima City |
| 25 | Opening of the Tokyo-Yokohama Railway 京浜鉄道開業式行幸 Keihin tetsudō kaigyō-shiki gyōkō |
14 October 1872 | (小村大雲) (1883–1938) |
June 1935 | the Emperor arrives at Shimbashi Station by carriage before proceeding to Yokohama Station by train |  |
Ministry of Railways |
| 26 | Establishment of the Ryūkyū Clan 琉球藩設置 Ryūkyū-han setchi |
3 March 1873 | (山田真山) (1885–1977) |
December 1928 | in 1872 Shō Tai, last king of the Ryūkyū Kingdom, sent an envoy to Tōkyō; the ship is shown returning to Naha | (not public domain until 2047) | Shuri City |
| 27 | The Emperor Reviewing Military Manoeuvres 習志野之原演習行幸 Narashino-no-hara enshū gyōkō |
30 April 1873 | (小山栄達) (1880–1945) |
September 1929 | on the Narashino Plain in Chiba Prefecture |  |
Marquis (西郷従徳) |
| 28 | The Empress at a Silk Factory 富岡製糸場行啓 Tomioka seishijō gyōkei |
24 June 1873 | Arai Kampō (1878–1945) |
February 1933 | Empress Shōken and Empress Dowager Eishō visit Tomioka Silk Mill |  |
Dainichi Silkworm Society (大日蚕糸会) |
| 29 | The Emperor Drilling Soldiers 御練兵 Go-renbei |
1874 | (町田曲江) (1879–1967) |
November 1928 | on the grounds of the Akasaka Temporary Palace |  |
(十五銀行) |
| 30 | His Majesty at Lecture 侍講進講 Jikō shinkō |
1874 | Dōmoto Inshō (1891–1975) |
October 1934 | (元田永孚) lectures to the Emperor | (not public domain until 2045) | Bank of Taiwan |
| 31 | The Emperor on a Personal Visit 徳川邸行幸 Tokugawa-tei gyōkō |
4 April 1875 | Kimura Buzan (1876–1942) |
December 1930 | while viewing cherry blossoms at the residence of Tokugawa Akitake, the Emperor composed a tanka in honour of the loyalty of his host's forebears Tokugawa Mitsukuni and Tokugawa Nariaki |  |
Prince Kuniyuki Tokugawa |
| 32 | The Empress Viewing Rice-Planting 皇后宮田植御覧 Kōgō-miya taue goran |
18 June 1875 | (近藤樵仙) (c.1866–1951) |
December 1927 | in the grounds of the Akasaka Temporary Palace |  |
Prince (一条実孝) |
| 33 | The First Conference of Governors 地方官会議臨御 Chihōkan kaigi ringyo |
20 June 1875 | (磯田長秋) (1880–1947) |
January 1928 |  |
Marquis Kido Kōichi | |
| 34 | The Empress at a School for Girls 女子師範学校行啓 Joshi shihan gakkō gyōkei |
29 November 1875 | (矢沢弦月) (1886–1952) |
April 1934 | the Empress attends the opening ceremony of Tokyo Normal School for Girls |  |
group Ōinkai (桜蔭会) |
| 35 | The Emperor Inspecting Horses 奥羽巡幸馬匹御覧 Ōu junkō bahitsu goran |
7 July 1876 | (根上富治) (1895–1981) |
October 1934 | at Morioka Hachimangū | (not public domain until 2051) | (日本勧業銀行) |
| 36 | The Imperial Mausoleum at Unebi 畝傍陵親謁 Unebi-ryō shinetsu |
11 February 1877 | (吉田秋光) (1887–1946) |
January 1932 | the Emperor worships at the mausoleum of Emperor Jimmu at Unebi |  |
Baron (住友吉左衛門) |
| 37 | The Siege of Kumamoto Castle 西南役熊本籠城 Seinan-eki Kumamoto rōjō |
March 1877 | (近藤樵仙) (c.1866–1951) |
October 1926 | rebels under Saigō Takamori shell Kumamoto Castle during the Satsuma Rebellion |  |
Marquis (細川護立) |
| 38 | Attending an Industrial Exhibit 内国勧業博覧会行幸啓 Naikoku kangyō hakurankai gyōkō kei |
21 August 1877 | (結城素明) (1875–1957) |
April 1936 | The Emperor and Empress attend the First National Industrial Exhibition in Ueno Park |  |
Marquis (大久保利和) |
| 39 | The Emperor and Empress Dowager at a Noh Play 能楽御覧 Nōgaku goran |
5 July 1878 | (木島桜谷) (1877–1938) |
December 1934 | at the Aoyama Palace |  |
Baron (藤田平太郎) |
| 40 | The Empress Composing a Poem 初雁の御歌 Hatsu-gan no o-uta |
26 September 1878 | Kaburagi Kiyotaka (1878–1972) |
February 1932 | Empress Shōken composed over thirty thousand poems, including one linking the flight of the wild geese she saw at the Akasaka Temporary Palace with the absent Emperor; her ladies-in-waiting subsequently sent the poem to the Emperor | (not public domain until 2042) | Meiji Jingū Hōsankai (明治神宮奉賛会) |
| 41 | The Emperor Meeting General U. S. Grant グラント将軍と御対話 Guranto shōgun to o-taiwa |
10 August 1879 | (大久保作次郎) (1890–1973) |
July 1930 | the Emperor and Grant met at the Hama-rikyū Detached Palace, Yoshida Kiyonari serving as interpreter | (not public domain until 2043) | Viscount Shibusawa Eiichi |
| 42 | The Emperor in Hokkaidō 北海道巡幸屯田兵御覧 Hokkaidō junkō tondenhei goran |
1 September 1881 | (高村真夫) (1876–1955) |
August 1928 | the Emperor visits a tondenhei community in the village of Yamana (山鼻村), now Sapporo |  |
Government of Hokkaidō Agency (北海道庁) |
| 43 | Visiting a Silver Mine 山形秋田巡幸鉱山御覧 Yamagata Akita junkō kōzan o |
21 September 1881 | (五味清吉) (1886–1954) |
October 1926 | at (院内銀山) in Akita Prefecture |  |
Baron (古河虎之助) |
| 44 | Establishment of the Monetary Conversion System 兌換制度御治定 Dakan seido go-jijō |
14 October 1881 | Matsuoka Hisashi (1862–1944) |
February 1928 | Minister of the Treasury Matsukata Masayoshi explains the currency conversion system to the Emperor |  |
Bank of Japan |
| 45 | Imperial Mandate for the Army and Navy 軍人勅諭下賜 Gunjin chokuyu kashi |
4 January 1882 | (寺崎武男) (1883–1967) |
October 1926 | the Emperor hands the mandate to Army Minister Ōyama Iwao |  |
Prince Yamagata Isaburō |
| 46 | Conference on the Revision of Treaties 条約改正会議 Jōyaku kaisei kaigi |
5 April 1882 | (上野広一) (1886–1964) |
January 1931 | Minister of Foreign Affairs Inoue Kaoru delivers a speech |  |
Marquis Inoue Katsunosuke |
| 47 | The Emperor Visiting a Sick Iwakura 岩倉邸行幸 Iwakura-tei gyōkō |
19 July 1883 | (北蓮蔵) (1877–1953) |
January 1927 | Iwakura Tomomi died the following day |  |
Federation of Chambers of Commerce (商業会議所連合会) |
| 48 | The Empress at the Peeress' School 華族女学校行啓 Kazoku jogakkō gyōkei |
3 November 1885 | (跡見泰) (1884–1953) |
November 1927 | Empress Shōken listens to the Principal reading a congratulatory message to the assembled students and teachers |  |
Tokiwakai (常磐会) |
| 49 | Patroness of the Tokyo Charity Hospital 東京慈恵医院行啓 Tōkyō jikei iin gyōkei |
9 May 1887 | Mitsutani Kunishirō (1874–1936) |
May 1927 | Empress Shōken donated annually to the hospital and visited regularly |  |
Tōkyō Jikeikai (東京慈恵会) |
| 50 | Conference on Drafting a Constitution 枢密院憲法会議 Sūmitsuin kenpō kaigi |
18 June 1888 | (五姓田芳柳) (1864–1943) |
October 1926 | Itō Hirobumi explains the draft of the Meiji Constitution to the Emperor and the Privy Council |  |
Prince (伊藤博邦) |
| 51 | Promulgation of the Constitution 憲法発布式 Kenpō happu shiki |
11 February 1889 | Wada Eisaku (1874–1959) |
April 1936 | the Emperor hands the Meiji Constitution to Prime Minister Kuroda Kiyotaka at a ceremony in the Imperial Palace |  |
Prince Shimazu Tadashige |
| 52 | Grand Parade to Celebrate the Constitution 憲法発布観兵式行幸啓 Kenpō happu kanpei shiki gyōkō kei |
11 February 1889 | (片多徳郎) (1889–1934) |
February 1928 | after promulgation of the Meiji Constitution, the Emperor and Empress leave the Imperial Palace on their way to the Aoyama Parade Grounds (青山練兵場) for a military review |  |
Industrial Bank of Japan |
| 53 | Poetry Party at the Imperial Palace 歌御会始 Uta-gokai hajime |
18 January 1890 | Yamashita Shintarō (1881–1966) |
December 1927 | held in the Phoenix Hall at the Imperial Palace, with poems composed on the topic of the celebration of national prosperity |  |
Ministry of the Imperial Household |
| 54 | The Emperor at Joint Military Manoeuvres 陸海軍大演習御統監 Rikukaigun dai-enshū go-tōkan |
31 March 1890 | (長原孝太郎) (1864–1930) |
May 1931 | the Emperor watches from a hill near Nagoya during a rain storm |  |
Nagoya City |
| 55 | The Imperial Rescript on Education 教育勅語下賜 Kyōiku chokugo kashi |
30 October 1890 | (安宅安五郎) (1883–1960) |
November 1930 | Prime Minister Yamagata Aritomo (in front) and Minister of Education Yoshikawa Akimasa (behind) leave the Imperial Palace with the Rescript |  |
Meikeikai (茗渓会) |
| 56 | Inauguration of the First Imperial Diet 帝国議会開院式臨御 Teikoku Gikai kaiin shiki ringyo |
29 November 1890 | (小杉未醒) (1881–1964) |
September 1928 | Itō Hirobumi, Speaker of the House of Peers, receives the Emperor's message, while Speaker of the House of Representatives (中島信行) stands below |  |
House of Peers, House of Representatives |
| 57 | Silver Wedding Anniversary of the Emperor 大婚二十五年祝典 Daikon nijūgo-nen shukuten |
9 March 1894 | (長谷川昇) (1886–1973) |
June 1927 | a performance of traditional dances in the Imperial Palace | (not public domain until 2043) | Kazoku Kaikan |
| 58 | The Battle of Pyongyang 日清役平壌戦 Nisshin-eki Pyon'yan-sen |
15 September 1894 | Kanayama Heizō (1883–1964) |
December 1933 | the Mixed Ninth Brigade, under General Ōshima Yoshimasa, in action, during the First Sino-Japanese War |  |
Kobe City |
| 59 | The Battle of the Yellow Sea 日清役黄海海戦 Nisshin'eki Kō-kai kaisen |
17 September 1894 | (太田喜二郎) (1883–1951) |
July 1934 | the Japanese fleet, under Admiral Itō Sukeyuki, engages the Chinese |  |
Kabushiki gaisha (大阪商船株式会社) |
| 60 | The Emperor at Imperial Headquarters 広島大本営軍務親裁 Hiroshima daihon'ei gunmu shinsai |
1894–5 | Minami Kunzō (1883–1950) |
July 1928 | the Emperor as Supreme Commander is briefed by Vice-Chief of the General Staff Kawakami Sōroku at headquarters in Hiroshima |  |
Marquis Asano Nagakoto |
| 61 | The Empress Visiting Wounded Soldiers 広島予備病院行啓 Hiroshima yobi byōin gyōkei |
22 March 1895 | Ishii Hakutei (1882–1958) |
December 1929 | Empress Shōken visits the Army Auxiliary Hospital in Hiroshima |  |
Japanese Association of Medical Sciences, Japan Medical Association |
| 62 | Peace Conference at Shimonoseki 下関講和談判 Shimonoseki kōwa danpan |
17 April 1895 | (永地秀太) (1873–1942) |
the signing of the treaty |  |
Shimonoseki City | |
| 63 | Restoration of Peace in Taiwan 台湾鎮定 Taiwan chintei |
11 June 1895 | (石川寅治) (1875–1964) |
April 1928 | Prince Kitashirakawa Yoshihisa enters Taipei |  |
Government-General of Taiwan |
| 64 | The Emperor at Yasukuni Shrine 靖国神社行幸 Yasukuni Jinja gyōkō |
17 December 1895 | (清水良雄) (1891–1954) |
July 1929 | the Emperor ascends the stairs to honour those who fell in the First Sino-Japanese War |  |
(第一銀行) |
| 65 | Shintenfu Hall 振天府 Shintenfu |
March 1897 | Kawamura Kiyoo (1852–1934) |
October 1931 | the hall was built in the grounds of the Imperial Palace to house items relating to the war, including photographs of all the officers and the names of all the dead |  |
Prince Tokugawa Iesato |
| 66 | The Anglo-Japanese Treaty of Alliance 日英同盟 Nichiei dōmei |
12 February 1902 | Yamamoto Kanae (1882–1946) |
October 1932 | Prime Minister Katsura Tarō reads the Treaty to the House of Peers |  |
Bank of Korea |
| 67 | The Empress at a Red Cross Meeting 赤十字社総会行啓 Akajūji-sha sōkai gyōkei |
21 October 1902 | (湯浅一郎) (1869–1931) |
July 1929 | Empress Shōken addresses the 11th General Meeting of the Japanese Red Cross Society in Ueno Park |  |
Japanese Red Cross Society |
| 68 | Declaration of War with Russia 対露宣戦布告御前会議 tai-Ro sensen fukoku gozen kaigi |
4 February 1904 | (吉田苞) (1883–1953) |
March 1934 | the Emperor, Prime Minister Katsura Tarō, elder statesman Itō Hirobumi, and others agree to the declaration of war with Russia at a Gozen Kaigi |  |
Prince (松方巌) |
| 69 | The Surrender of Port Arthur 日露役旅順開城 Nichiro-eki ryojun kaijō |
5 January 1905 | (荒井陸男) (1885–1972) |
October 1928 | General Anatoly Stessel presents his horse to General Nogi Maresuke in the village where the surrender was signed three days earlier | (not public domain until 2042) | Kwantung Government (関東庁) |
| 70 | The Battle of Mukden 日露役奉天戦 Nochiro-eki Hōten-sen |
15 March 1905 | Kanokogi Takeshirō (1874–1941) |
October 1926 | General Ōyama Iwao and his staff enter the South Gate of Mukden, after the city fell on the 10th |  |
South Machuria Railway Company |
| 71 | The Battle of the Japan Sea 日露役日本海海戦 Nichiro-eki Nihon-kai kaisen |
27 May 1905 | Nakamura Fusetsu (1866–1943) |
October 1928 | Admiral Tōgō Heihachirō's flagship, the Mikasa, leads the Japanese fleet into action at the Battle of Tsushima |  |
Nippon Yusen Kabushiki gaisha |
| 72 | The Portsmouth Peace Conference ポーツマス講和談判 Pōtsumasu kōwa danpan |
5 September 1905 | (白滝幾之助) (1873–1960) |
November 1931 | Komura Jutarō, Sergei Witte, and others sign the Treaty, bringing to an end the Russo-Japanese War |  |
Yokohama Specie Bank |
| 73 | The Triumphal Grand Naval Review 凱旋観艦式 Gaisen kankan shiki |
23 October 1905 | (東城鉦太郎) (1865–1929) |
May 1929 | the Emperor aboard the Asama reviews the Combined Fleet in Yokohama Bay on 23 October 1905, with Commander-in-Chief Tōgō Heihachirō to his left and the future Taishō Emperor to his right, flanked in turn by Navy Minister Yamamoto Gonnohyōe and Chief of the Navy General Staff Itō Sukeyuki; over 160 vessels took part in the 1905 Triumphal Grand Review that celebrated the navy's contribution to victory in the Russo-Japanese War |  |
Ministry of the Navy |
| 74 | The Triumphal Grand Army Review 凱旋観兵式 Gaisen kanbei shiki |
30 April 1906 | (小林万吾) (1870–1947) |
December 1931 | the Emperor reviews the troops at the Aoyama Parade Grounds (東京青山練兵場), with Ōyama Iwao riding behind |  |
Ministry of the Army |
| 75 | Demarcation of the Sakhalin Frontier 樺太国境画定 Karafuto kokkyō kakutei |
June 1906 | (安田稔) (1881–1965) |
December 1932 | Japanese and Russian representatives designate the boundary marker on the 50th parallel, after the Treaty of Portsmouth |  |
Nippon Oil Kabushiki gaisha |
| 76 | The Chrysanthemum Garden Party 観菊会 Kangikukai |
19 November 1909 | (中沢弘光) (1874–1964) |
May 1931 | the Emperor and Empress attend the party at the Akasaka Palace for the first time |  |
Marquis (徳川頼貞) |
| 77 | The Union of Korea and Japan 日韓合邦 Nikkan gappō |
22 August 1910 | (辻永) (1884–1974) |
October 1927 | depicted is the Namdaemun at the time of annexation | (not public domain until 2044) | The Provinces of Korea |
| 78 | The Emperor at Tokyo Imperial University 東京帝国大学行幸 Tōkyō Teikoku Daigaku gyōkō |
10 July 1912 | Fujishima Takeji (1867–1943) |
April 1936 | the arrival of the Emperor for the graduation ceremonies |  |
Marquis Maeda Toshinari |
| 79 | The Emperor's Final Illness 不豫 Fuyo |
July 1912 | (田辺至) (1886–1968) |
March 1927 | as the Emperor's condition worsened, people gather outside the Tokyo Imperial Palace to pray for his recovery | (not public domain until 2038) | Tōkyō Prefecture |
| 80 | The Imperial Funeral 大葬 Taisō |
14 September 1912 | Wada Sanzō (1883–1967) |
July 1933 | after a ceremony at the Aoyama Funeral Pavilion (青山葬場殿) in Tōkyō on 13 September, the Emperor's coffin was taken by train to Kyōto, before being conveyed to Fushimi Momoyama no Misasagi (伏見桃山陵) |  |
Meiji Jingū Commemorative Association (明治神宮奉賛会) |
Related plans and period photographs[]
1901 image of the Galerie des Batailles at the Palace of Versailles; , artist of painting #45, included an image in a report in which he cited Napoleon's "triumphal appropriation" of mural painting for nation-building purposes[5]
1929 image of the Galerie des Rubens at the Louvre; Terasaki Takeo similarly included an image in his report, preferring this room for its spacing between the paintings and the way they are emphasized by the less ornate envelope[5]
Interior of the Meiji Memorial Picture Gallery in 1927, from the Tokyo Nichi Nichi Shimbun, with many of the paintings yet to be completed and installed
Interior, in a 1932 Meiji Jingū publication
Interior, in a 1937 Meiji Jingū publication
Kobayashi Masatsugu's winning design for the Meiji Memorial Picture Gallery; front
Rear
Front and rear elevations
Cross sections
Ground floor plan
Basement plan
Detail of ornamentation
2007 image of the central entrance as realized, showing rustication of the lower courses, dentilation, glyphs, engaged pilasters in the wings, and stained glass windows
1948 aerial photograph of Meiji Jingū Gaien and its environs, with the Gallery just above the centre, and the gingko avenue
Plan of main floor, as realized (this and the following eleven images are from the December 1926 issue of The Koji Gaho, a former journal of the Japan Society of Civil Engineers)[13]
Plan of the lower floor, as realized
Side view, showing clearly the rustication of the lower courses
Rear view, with a memorial tree in place of the structure proposed
Front entrance, with bronze doors
Stained glass windows, near the entrance
Central hall, with marble cladding and a marble and mosaic tile floor
View of the dome, above the central hall
Gallery view
The rest room
The lower rest room
The "Switching Room"
Unimplemented 1935 proposal for the central hall, by Itō Kōun, artist of painting #08
See also[]
- Historiographical Institute of the University of Tokyo
- List of Important Cultural Properties of Japan (Taishō period: structures)
- List of museums in Tokyo
- Meiji no Mori Minō Quasi-National Park
- Meiji no Mori Takao Quasi-National Park
Notes[]
References[]
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Wikimedia Commons has media related to Meiji Memorial Picture Gallery. |
- ^ Jump up to: a b c d e f g h i j k l 聖徳記念絵画館とは [About the Meiji Memorial Picture Gallery] (in Japanese). Meiji Jingū Gaien. Retrieved 1 September 2020.
- ^ Jump up to: a b 聖徳記念絵画館 [Meiji Memorial Picture Gallery] (in Japanese). Meiji Jingū Gaien. Retrieved 31 August 2020.
- ^ Jump up to: a b c d e 聖徳記念絵画館 [Meiji Memorial Picture Gallery] (in Japanese). Agency for Cultural Affairs. Retrieved 31 August 2020.
- ^ Jump up to: a b c d e f g 2008年度ご報告 [2008 Annual Report] (PDF). Taisei Corporation. p. 12. Retrieved 1 September 2020.
- ^ Jump up to: a b c d e f g h i j k l m n o Imaizumi Yoshiko (2011). "The Making of a Mnemonic Space: Meiji Shrine Memorial Art Gallery 1912–1936". Japan Review. International Research Center for Japanese Studies. 23: 143–176.
- ^ Jump up to: a b c d e Meiji Jingū Gaien, ed. (2001). 聖徳記念絵画館壁画 [Explanatory Notes on pictures in Memorial Picture Gallery, Meiji Jingū] (in Japanese).
- ^ 紙本著色後鳥羽天皇像〈伝藤原信実筆／〉 [Portrait of Emperor Go-Toba, colour on paper, attributed to Fujiwara Nobuzane] (in Japanese). Agency for Cultural Affairs. Retrieved 20 August 2020.
- ^ Jump up to: a b c d e f g h i Keene, Donald (1999). "Portraits of the Emperor Meiji". Impressions. Japanese Art Society of America. 21: 16–29.
- ^ Jump up to: a b c d e f Yoshie Hirokazu (2017). Quotidian Monarchy: The Portrait of the Emperor in Everyday Life in Japan, 1889–1948 (Thesis). Harvard University. pp. 12 ff.
- ^ Nish, Ian, ed. (2013). Collected Writings of Richard Storry. Routledge. p. 347. ISBN 978-1-903350-11-9.
- ^ Shiota Masahiro 塩田昌弘 (2006). 聖徳記念絵画館についての一考察 [A Study of Meiji Memorial Picture Gallery]. Otemae Journal of Socio-Cultural Studies (in Japanese). Otemae University. 6: 73–109.
- ^ Jump up to: a b c d "Meiji Memorial Picture Gallery". Meiji Jingū Gaien. Retrieved 2 September 2020.
- ^ Jump up to: a b Kobayashi Masaichi 小林政一 (1926). 聖徳記念絵画館工事に就て [On the Construction of the Meiji Memorial Picture Gallery]. The Koji Gaho 土木建築工事画報 (in Japanese). Japan Society of Civil Engineers. 2 (12): 5–14.
- ^ Jump up to: a b 平成23年(2011年)6月20日 国の重要文化財に指定 [Designated an Important Cultural Property at the National Level (2011-06-20)] (PDF) (in Japanese). Meiji Jingū Gaien. Retrieved 1 September 2020.
- ^ Chung Nyon 鄭ニョン (2015). 明治聖徳記念絵画館壁画考 [Thoughts on the "Wall Paintings" of Meiji Memorial Picture Gallery]. The Komaba Journal of Area Studies (in Japanese). University of Tokyo. 18: 72–94. doi:10.15083/00035609.
External links[]
- (in English) Meiji Memorial Picture Gallery
- (in Japanese) The paintings arranged by month (Meiji Jingū Gaien)
- (in Japanese) Gallery timeline (Meiji Jingū Gaien)
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