Festivali i Këngës

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Festivali i Këngës
DatesDecember
Location(s)Tirana, Albania
Years active1962–present
Organized byRadio Televizioni Shqiptar (RTSH)
Websitefestivali.rtsh.al

Festivali i Këngës (Albanian: [fɛstiˈvali i ˈkəŋɡəs]; transl. "Festival of Song") is an annual music competition in Albania organised by the national broadcaster Radio Televizioni Shqiptar (RTSH). It has been broadcasting every year since its inauguration in 1962 and it determines the country's representative for the Eurovision Song Contest (since 2003).

Various singing presentations have been used throughout its history, beginning with radio-only interpretations in the first few years, live performances, playback, remakes, and even duets featuring other singers. The winners have traditionally been selected by a jury. However, other voting methods have also been applied, such as televoting or regional juries. At times, the head juror has carried twice the voting power of other jurors.

Vaçe Zela holds the record for most victories in the competition with eleven wins followed by Tonin Tërshana with four wins and Aurela Gaçe and Manjola Nallbani with three wins respectively. The most recent winner is Ronela Hajati who won the 60th edition of the contest. She will represent Albania in the Eurovision Song Contest 2022 in Turin, Italy.

History[]

Vaçe Zela performing at the 11th edition of Festivali i Këngës in 1972.

The first edition of Festivali i Këngës took place on 21 December 1962 at the High Institute of Arts in Tirana and was won by Vaçe Zela performing the song titled "Fëmija i parë".[1][2] The festival's music was, under communism, strictly centered around light music.[3] It developed over time, starting with neutrally themed entries to becoming a tool for the governing Communist Party of Albania in promoting its ideals.

The 1972 edition was a turning point for the contest, in which dictator Enver Hoxha prosecuted the organisers of Festivali i Këngës 11 after declaring them "enemies of the public". They were accused of endangering the country with "immoral aspects" in their songs and performances. Following this development, the ruling Communist Party imposed numerous sanctions on the contest's creativity, with a strict censorship on anything deemed inappropriate by the government. This ranged from limiting the type of clothes artists could wear, to restricting their range of movement while performing. The main organisers of the show were accused of conspiring against the country and corrupting its youth.[4][5]

After the 1972 edition the contest dwelled in a period of extreme pressure and censorship. The songs were highly monitored and the topics were generally related to the country's development or the government and its main figures. This oppression continued until 1984 when the dictator died. The following year, the change in lyrics was very abrupt and censorship began to relax. and Anita Bitri quickly became the favourite new singers of songs about love, while Parashqevi Simaku, Irma Libohova and also motivated the youth with progressively more liberal political entries year after year. Rock groups such as had a considerable impact with the message of their songs and the introduction of rock music to the Albanian music scene, a genre which has endured successfully to this day and can easily be spotted even in modern FIK entries, a large part of which feature electric guitars. This was a planned liberalisation that had the silent consent of the Communist Party leadership all along, primarily as a result of their realisation that the days of Communism in Eastern Europe were coming to an end. The general public however was less aware of the imminence of such changes to the political order, making the performances have a puzzling effect that provoked both outrage and hope. Although Albania was the last country in Eastern Europe to part with communist rule in 1992, FIK entries were ringing the bells of change already by 1988.

With the fall of communism during the early 90s, Festivali i Këngës had a temporary boost in both quality and diversity. The winning songs reflected the transitional period that the country was undergoing. The 1991 winner, Ardit Gjebrea - "Jon" (Jon), and the 1992 winner, 's entry sung by , & titled "Pesha e fatit" (The weight of fate) had an immigration and freedom theme, which coincided with the state of affairs in Albania at the time. During this period, the contest was also introduced to the word God for the first time. Prior to that, religion was illegal and the word God was not allowed to be pronounced in public. The participation of Albanian singers from outside the country's borders was also an addition to the history of the festival during this decade. Before that, the country was in a period of isolation. The clothing and performances of the singers became more extravagant as time went by, with singers like Bleona Qereti, Ledina Çelo and Adelina Ismajli being among the most notable trendsetters of the new era.

In 1996, the stage of Festivali i Këngës welcomed newcomer Elsa Lila in a performance that deeply touched the hearts of the public with the clarity of her voice. She won the contest with "Pyes lotin" (I ask the tear) in 1996 and pulled off another victory the following year with "Larg urrejtjes" (Away from the hatred) in 1997. These songs mirrored the country's difficult reality following the collapse of the pyramid schemes, an event which wreaked havoc all throughout Albania. Despite the difficult times, Festivali i Këngës never stopped its broadcast and went ahead as scheduled during the final weeks of December, as it has done for every year since its inception.

In 1998, became the first Kosovar-Albanian singer to win the contest with the ballad "Mirësia dhe e vërteta" (Goodness and truth). The song had a humanitarian anti-war message and is often referred to locally as a song for Kosovo, relating to the 1998–1999 war.

Up until 1999, Festivali i Këngës was the biggest music event in Albania. Its popularity began to waver after the introduction of other competitions such as Top Fest and Kënga Magjike, which were more liberal with their entry and singer selections, and eventually began to produce higher ratings. However, with Albania's introduction to the Eurovision Song Contest in 2004, Festivali i Këngës quickly began producing a greater degree of national and international interest. In addition, other competitors were lost to Top Fest, a festival which started a few years later as a reality series on Top Channel leading to a Spring finale. The festival received a boost of audience when another talented newcomer touched the stage of FIK in 2003, idol winner Anjeza Shahini. She had recently won the "" (Albanian Idol) talent show a few months prior to competing in FIK and the public was highly impressed with her voice and her charming stage presence.

Eurovision Song Contest[]

Anjeza Shahini won the 42nd edition of Festivali i Këngës, placing hopeful professional singer in second place. Mariza boycotted the stage when the results were announced in a sign of disappointment. Much was at stake in this edition, as the winner would be the first ever representative of Albania in Eurovision.[6] Anjeza went on to sing at the Eurovision Song Contest 2004, landing herself in a respectable 7th place with the song "The Image Of You". Ever since, a more international interest around the festival has emerged, with Eurovision fans from Europe and beyond increasingly following the contest through live internet streams and satellite feeds. Year after year, FIK tags have trended in the top places of many European countries on Twitter during the live final show. Festivali i Këngës is usually the first national selection process jumpstarting the Eurovision Song Contest season, where countries reveal their competing entries for the show in May. Due to it commonly being held around Christmas week, Eurovision fans refer to this time period as "FIKmas".[7][8][9]

Albania's Eurovision journey has produced many memorable entries and performances by both established and recently discovered musicians, sometimes succeeding to qualify for the finals. Its best result to date has been by Kosovo-Albanian singer Rona Nishliu with the highly appraised performance of her vocally intensive song "Suus", ranking 2nd in the semi-finals and 5th in the finals of the Eurovision Song Contest.[10]

Anjeza Shahini represented Albania in the Eurovision Song Contest 2004 in Istanbul.[11][12]
Eugent Bushpepa represented Albania in the Eurovision Song Contest 2018 in Lisbon.[13][14]
Year Artist(s) Song Final Semi
Place Points Place Points
2004 Anjeza Shahini "The Image of You" 7 106 4 167
2005 Ledina Çelo "Tomorrow I Go" 16 53 Automatic qualifier
2006 Luiz Ejlli "Zjarr e ftohtë" Failed to qualify 14 58
2007 Frederik Ndoci "Hear My Plea" 17 49
2008 Olta Boka "Zemrën e lamë peng" 17 55 9 67
2009 Kejsi Tola "Carry Me in Your Dreams" 17 48 7 73
2010 Juliana Pasha "It's All About You" 16 62 6 76
2011 Aurela Gaçe "Feel the Passion" Failed to qualify 14 47
2012 Rona Nishliu "Suus" 5 146 2 146
2013 Adrian Lulgjuraj & Bledar Sejko "Identitet" Failed to qualify 15 31
2014 Hersi Matmuja "One Night's Anger" 15 22
2015 Elhaida Dani "I'm Alive" 17 34 10 62
2016 Eneda Tarifa "Fairytale" Failed to qualify 16 45
2017 Lindita "World" Failed to qualify 14 76
2018 Eugent Bushpepa "Mall" 11 184 8 162
2019 Jonida Maliqi "Ktheju tokës" 17 90 9 96
2020 Arilena Ara "Fall from the Sky" Contest cancelled due to the COVID-19 pandemic.
2021 Anxhela Peristeri "Karma" 21 57 10 112

Trivia[]

[citation needed]

  • In the early editions of Festivali i Këngës, each song would be interpreted two or three times by different singers. However, only one of the versions sung would be declared the winner.
  • In 1980, it has been rumoured that the government intervened in the selection of the winner, giving the victory to "Shoqet tona ilegale" (Our illegal friends) by Vaçe Zela instead of "Njerëzit e agimeve" (People of the mornings) by Alida Hisku. While the first is a song honouring undercover friendships among partisans during the time of the national liberation of Albania from Nazi forces, the latter makes strong references to intellectual awakening and enlightenment ideas, as evidenced by its lyrics: "The generations have long dreamed of an awakening like this, with the sun in their hearts, with the light in their eyes, among mornings of fire, new generations grow, they plant like the wheat, new days to come"; concepts deemed strongly in contrast with the philosophy of Enver Hoxha's dictatorship.
  • In 1987, it was said that Kozma Dushi with the song "Lot me ty o djalë" (Hey boy we cry with you) was set to be declared the winner, however minutes before the jury made their decision, the wife of the country's ruler, Nexhmije Hoxha, declared that she did not want that song to win, so another song was chosen to win.
  • In 1994, became the youngest singer to compete in the festival at the age of 12, in a duet with and their song "Telefonatë zemrash" (Phone call of hearts).
  • In 1995, the song "E Doni Dashurinë" (Do you want love) by & Ledina Çelo was reported to be the most applauded song in Festivali i Këngës history to date, a total applause time of 7 minutes and 11 seconds.
  • In 1997, had a wardrobe malfunction on stage when her dress fell off, revealing her breast. The cameras managed to avoid the incident, however the audience received a full view of the incident.
  • In 1998 the first Kosovar-Albanian singer, with the song "Mirësia dhe e vërteta" (Goodness and truth), was declared the winner.
  • In 1999, the song "Apokalipsi" (The Apocalypse) by Irma & was initially declared the winner instead of Aurela Gaçe's "S'jam tribu" (I'm not a tribute) due to a miscalculation in jury votes.
  • In 2016, hologram technology was used to bring back a performance by Vaçe Zela as a tribute, almost three years after the iconic singer's death.

Controversies[]

  • In 1963, was the first singer to be prosecuted by the Communist Dictatorship, ahead of many to come throughout the history of the festival. This was due to his interpretation and mispronunciation of a word in the song "Djaloshi dhe shiu" (The boy and the rain).
  • In 1964, head of the jury Llazar Siliqi decided that no first place will be awarded, due to the low quality of the songs. Instead, "Dritaren kërkoj" by Vaçe Zela was awarded second place, and two other songs awarded third place.
  • In 1972, Enver Hoxha deemed the organisers of Festivali i Këngës 11 "Enemies of The People", a name given to all the subjects who he considered a danger to the country. Unluckily, many of them were prosecuted after being accused of endangering the country's mentality by introducing an immoral aspect to the show, and plotting against the government by influencing the Albanian youth at the time. RTSH general director at the time , together with the festival's director and singer were sentenced and would remain imprisoned for sixteen years until 1989, while many of the others involved were banned from working in television and/or were deported to remote Albanian cities.[4][5] The claims were out of context and these punishments were used as an example and a statement for future organisers. There is a whole book dedicated to this event: (The 11th Festival), written by Skifter Këlliçi.
  • In 1999, Irma & left the Palace of Congresses early, thinking that their song "" (The Apocalypse) would not win. The song was initially declared as the winner, although a miscalculation in the jury votes announced the following day by head juror Vaçe Zela, revealed that Aurela Gaçe's "" (I'm not a tribute) had won instead.
  • In 2003, singer , who was eager to represent Albania for the first time in the Eurovision Song Contest, left the venue in sign of protest when it was announced that her entry "" (Over a bridge) had ranked 2nd. She lost to Anjeza Shahini's "Imazhi Yt" (The Image of You).
  • In 2004, the producers of the song "Nesër shkoj" filed a lawsuit against Ledina Çelo because she had signed contracts with a phone company without previously consulting them. She was also accused of not attending the conferences set up the producers and that she had not rehearsed the song enough. The suit was dropped within the week that it was filed.
  • In 2006, was so disappointed from her 5th placing with the song "Eja zemër" that she burst out in tears, while her mother faced off the festival's 7 member jury with allegations of corruption and incompetence.
  • In 2007, dropped out of the competition, claiming that he was asked for a large amount of money in exchange of a victory by an anonymous caller. He also claimed that the first three positions were already decided by the organisers prior to the event. The jury and the festival administration replied in a press statement that it was Blero who had asked for the first prize by sending an SMS which stated that he would withdraw if his victory was not guaranteed.
  • Also in 2007, accused the festival authorities that they had sabotaged her song. Her voice was not heard at all in the hall, instead the public only heard the orchestra and the playback. This was confirmed by the general director of the festival . Nallbani declared that she would no longer participate in this event and called certain organisers mafiosos.
  • The 2007 edition also provoked a huge public reaction and massive press attention after the song "" (Life needs love) by Flaka Krelani and placed second, prompting corruption accusations about the jury, namely Gjergj Xhuvani and Alban Skënderaj. These two judges did not give any points to this song, while four judges awarded it maximum points and awarded it the second highest points. General Director in a press interview called the two judges "gangsters and racists" after their boycott of the song from the Kosovo Albanian singers. , composer of the song and artistic director of FIK, submitted a request to the RTSH council for the jury's votes to be disqualified. The council however turned down this request after 2 hours of debate.
  • In 2013, an alleged change in the contractual agreement between the festival and Kosovo model , the previously assigned female host for FIK 52, led to Diellza withdrawing from her hosting duties just days before the live show. She stated that the original terms of her contract included the costs of lodging and other amenities for her personal assistant, however the modified version did not include such expenses, citing a suspicious lack of funds in the festival's budget following a change of directors. The festival responded to the controversy by airing a satirical ad featuring male host Enkel Demi appearing upset at the news of Diellza's withdrawal, and three replacement female hosts, model , Miss Albania 2011 Xhesika Berberi, and actress . The girls cheer him up by saying that they would be more than willing to co-host the show with him and that they can't wait for the rehearsals to begin. In response, Diellza utilized some prominent newspapers in Albania to state that it would be impossible to replace her, as well as to clarify that she would not be willing to compromise her values over one show. She said that if enough notice had been given to her about the changes in the contract, she could easily book 10,000 hotel rooms for her assistant through her large base of connections. She expressed respect for the festival's history however, despite her disagreements with the current staff. Meanwhile, Enkel appeared to have a humorous take on Diellza's high standards, saying that his diet had been affected by her presence, referring to her demands for lean meats covered in lemon juice.
  • In 2014, the festival's organizers ran into some high-profile problems when it came to successfully booking their guest singer for their interval act. After Conchita Wurst's refusal earlier in December due to a busy schedule, Alexander Rybak, who initially accepted FIK's offer to perform, also pulled out at the last minute after his composed entry in the Belarusian national final failed to secure a victory. He stated that the combination of this disappointment, along with some misunderstandings with FIK's authorities, forced him to make this unusual cancellation. Reaction by fans was mixed, as some decried unprofessionalism, while others appeared more empathetic. FIK organizers ultimately relied on jury members and Rona Nishliu to fill in for Rybak, as Dashi improvised on the guitar, while Nishliu paid tribute to Vaçe Zela, who had died earlier in February. It was also rumored that the opening act of the grand final, consisting of a well-liked violin reprise of past FIK entries, was the organisers' ironic response to Rybak's last-minute cancellation.
  • In 2015, 's song "Era" (The wind), composed by and written by Pandi Laço, was disqualified by the festival's directors, despite being included in the initial list of competing entries. Hila expressed his discontent when interviewed on the TV show , contesting the board's decision to disqualify his song simply because its lyrics were written by the host of FIK 54 Pandi Laço. Meanwhile, singer Edea Demaliaj dropped out of the competition after finding herself without a song. Her replacement was , whose entry had not qualified during the internal pre-selection stage.
  • Also in 2015, Eneda Tarifa's victory reignited allegations of bias and corruption by the jury and the festival's organizers, as media and critics attributed Tarifa's win to her close friendship and joint business venture with FIK's current artistic director Elton Deda, rather than on her merit versus the competition. The jury's integrity had previously been questioned when 22 entries, rather than the planned 18, were qualified for the grand final, raising suspicions that certain singers had passed on to the final based on name recognition rather than song quality. Adding more to the scrutiny was the fact that, instead of revealing the full set of votes from every juror, the festival regressed to its old practice of mentioning only the top ranked songs in the final, circumventing any individual responsibility for potentially compromised jurors in the process. The controversial victory of Eneda Tarifa brought to the forefront an old spat that the singer had once had with Albanian LGBT rights defender Kristi Pinderi, when he had publicly challenged Tarifa's moral standards after she had lashed out against Conchita Wurst's triumph in Eurovision 2014. At the time, Tarifa had initially complained that music itself had been eclipsed by Conchita's win, but in a subsequent statement she elaborated that the Eurovision Song Contest was not spreading the correct set of values to its European audience, and that certain LGBT groups were lobbying for attention and exposure in this contest. Her fragmented reaction, along with her concerns on how to explain “Conchita” to her family, were dismissed by Pinderi as embellished homophobia on her part. In a heated media exchange, he challenged Tarifa's intellect along with her diploma in Social Works, while recalling an old interview as a journalist for his previous employer where he was left with the impression that “she was either not very smart, or she did not know how to properly articulate smart things”.
  • In 2016, there was controversy over the festival's decision not to follow through with the announced 60% jury and 40% public voting ratio during the final. Instead, the public vote counted only for 1/13th of the final result. Under a 60/40 split, Lindita would have tied with at 120 points, requiring tie-breaking procedures to determine the winner. It is worth noting that Lindita received votes from 11 jurors compared to Limani's 7, and received top scores from 5 jurors compared to Limani's 1. In addition, Lindita won the jury vote by scoring twice as much as Limani (80 points v. 40 points), while Limani won the public vote by scoring twice as much as Lindita (10 points v. 5 points). A 60/40 ratio would have required that the public vote be worth 8 times the vote of 1 member from the 12-member jury.
  • Also in 2016, Ledina Çelo's see-through dress on the first semi final made waves throughout the Albanian media as criticism ensued due to the family-oriented nature of the festival's audience. Her hosting abilities were also heavily criticised. Journalist , known for her pointed humor, lamented the situation by commenting that Çelo must have read the script “through her ass”.
  • In 2017, singer Kastro Zizo claimed that his song was politically censored by RTSH due to its lyrics. RTSH stated that the decision was made by the preselection jury, which could qualify only 22 out of the 70 entries that were submitted, leaving no space for politics to play a role. After posting the lyrics in full, Kastro maintained that the lyrics were penalized for portraying the increase in migration that has come as a result of the policies of the current government, blaming RTSH bureaucrats for the occurrence. Former prime minister Sali Berisha also expressed his views, comparing the jury's decision to Hoxha's censorship over the festival during the 1970s. A few days later, singer made a similar complaint, stating that he was shocked to learn that his migration-themed entry did not pass preselection. Since Musabelliu also works for an opposition party, his disqualification from the FIK semi finals quickly became politicised as well.

Winners[]

A complete list of the winning entries performed at Festivali i Këngës since its inauguration in 1962.

Year Edition Artists
winning version (w)
Song Composers
music (m) / lyrics (l)
1962 Festivali i Këngës 1 Vaçe Zela (w), Qemal Kërtusha "Fëmija i parë" Abdulla Grimci (m) / Dionis Bubani (l)
1963 Festivali i Këngës 2 Nikoleta Shoshi (w), Rita Vako "Flakë e borë" Tish Daija (m) / Llazar Siliqi (l)
1964 Festivali i Këngës 3 Vaçe Zela (w), Nikolin Gjergji "Sot jam 20 vjeç" 1 Llazar Morcka (m) / Dionis Bubani (l)
Vaçe Zela (w), "Dritaren kërkoj" Tonin Harapi (m) / Llazar Siliqi (l)
1965 Festivali i Këngës 4 (w), "Të dua o det" Tonin Harapi (m) / (l)
1966 Festivali i Këngës 5 Vaçe Zela (w), Ramiz Kovaçi "Shqiponja e lirë" (m) / Ismail Kadare (l)
1967 Festivali i Këngës 6 Vaçe Zela (w), Gaqo Çako "Këngë për Shkurte Vatën" (m) / (l)
1968 Festivali i Këngës 7 Vaçe Zela (w), Ramiz Kovaçi "Mësuesit hero" Limoz Dizdari (m) / Dritero Agolli (l)
1969 Festivali i Këngës 8 David Tukiçi (w), "Dhuratë për ditëlindje" Nikolla Zoraqi (m) / Fatos Arapi (l)
1970 Festivali i Këngës 9 Vaçe Zela (w), Liljana Kondakçi "Mesnatë" (m) / Fatos Arapi (l)
Gaqo Çako (w), "Shtëpia ku lindi partia" 2 Nikolla Zoraqi (m) / (l)
1971 Festivali i Këngës 10 (w), "Kënga e nënës" (m) / (l)
1972 Festivali i Këngës 11 "Erdhi pranvera" (m) / Fatos Arapi (l)
1973 Festivali i Këngës 12 Vaçe Zela (w), "Gjurmët e arta" (m) / (l)
1974 Festivali i Këngës 13 Alida Hisku (w), , "Vajzat e fshatit tim" (m) / (l)
1975 Festivali i Këngës 14 Alida Hisku (w), "Buka e duarve tona" (m) / Xhevahir Spahiu (l)
1976 Festivali i Këngës 15 Vaçe Zela (w), Avni Mula "Nënë moj do pres gërshetin" Avni Mula (m) / Hysni Milloshi (l)
1977 Festivali i Këngës 16 Vaçe Zela (w), "Gonxhe në pemën e lirisë" Limoz Dizdari (m) / Robert Shvarc and (l)
1978 Festivali i Këngës 17 Gaqo Çako (w), and Liljana Kondakçi "Këputa një gjethe dafine" Limoz Dizdari (m) / Xhevahir Spahiu (l)
1979 Festivali i Këngës 18 and Liljana Kondakçi (w), "Festë ka sot Shqipëria" (m) / (l)
1980 Festivali i Këngës 19 Vaçe Zela (w), "Shoqet tona ilegale" (m) / (l)
1981 Festivali i Këngës 20 (w), Liljana Kondakçi "Krenari e brezave" Feim Ibrahimi (m) / (l)
1982 Festivali i Këngës 21 (w), " Avni Mula (m) / Hysni Milloshi (l)
1983 Festivali i Këngës 22 (w), Liljana Kondakçi "Vajzë moj, lule moj" (m) / (l)
1984 Festivali i Këngës 23 and (w), "Çel si gonxhe dashuria" (m) / (l)
1985 Festivali i Këngës 24 Parashqevi Simaku "Në moshën e rinisë" (m) / (l)
1986 Festivali i Këngës 25 "Dy gëzime në një ditë" David Tukiçi (m) / (l)
1987 Festivali i Këngës 26 Irma Libohova and "Nuk e harroj" Agim Krajka (m) / (l)
1988 Festivali i Këngës 27 Parashqevi Simaku "E duam lumturinë" Pirro Çako (m) / (l)
1989 Festivali i Këngës 28 Frederik Ndoci, Manjola Nallbani and "Toka e diellit" (m) / Xhevahir Spahiu (l)
1990 Festivali i Këngës 29 Anita Bitri "Askush s'do ta besojë" (m) / (l)
1991 Festivali i Këngës 30 Ardit Gjebrea "Jon" Ardit Gjebrea (m) / and (l)
1992 Festivali i Këngës 31 , Manjola Nallbani and "Pesha e fatit" (m) / (l)
1993 Festivali i Këngës 32 Manjola Nallbani "Kur e humba një dashuri" (m) / (l)
1994 Festivali i Këngës 33 "Të sotmen jeto" (m) / (l)
1995 Festivali i Këngës 34 Ardit Gjebrea "Eja" Ardit Gjebrea (m) / Xhevahir Spahiu (l)
1996 Festivali i Këngës 35 Elsa Lila "Pyes lotin" (m) / (l)
1997 Festivali i Këngës 36 Elsa Lila "Larg urrejtjes" (m) / (l)
1998 Festivali i Këngës 37 "Mirësia dhe e vërteta" (m) / (l)
1999 Festivali i Këngës 38 Aurela Gaçe "S'jam tribu" (m) / (l)
2000 Festivali i Këngës 39 Rovena Dilo "Ante i tokës sime" Ardit Gjebrea (m) / (l)
2001 Festivali i Këngës 40 Aurela Gaçe "Jetoj" (m) / (l)
2002 Festivali i Këngës 41 "Brënda vetes më merr" (m) / Pandi Laço (l)
Eurovision Song Contest (2003–present)
2003 Festivali i Këngës 42 Anjeza Shahini "Imazhi yt" (m) / (l)
2004 Festivali i Këngës 43 Ledina Çelo "Nesër shkoj" (m) / Pandi Laço (l)
2005 Festivali i Këngës 44 Luiz Ejlli "Zjarr e ftohtë" (m) / Dr. Flori (l)
2006 Festivali i Këngës 45 Frederik and [15] "Balada e gurit" Adrian Hila (m) / Pandi Laço (l)
2007 Festivali i Këngës 46 Olta Boka[16] "Zemrën e lamë peng" Adrian Hila (m) / Pandi Laço (l)
2008 Festivali i Këngës 47 Kejsi Tola[17] "Më merr në ëndërr" (m) / (l)
2009 Festivali i Këngës 48 Juliana Pasha[18] "Nuk mundem pa ty" Ardit Gjebrea (m) / Pirro Çako (l)
2010 Festivali i Këngës 49 Aurela Gaçe[19] "Kënga ime" (m) / (l)
2011 Festivali i Këngës 50 Rona Nishliu[20] "Suus" Florent Boshnjaku (m) / Rona Nishliu (l)
2012 Festivali i Këngës 51 Adrian Lulgjuraj and Bledar Sejko[21] "Identitet" Bledar Sejko (m) / Eda Sejko (l)
2013 Festivali i Këngës 52 Hersjana Matmuja[22] "Zemërimi i një nate" Genti Lako (m) / Jorgo Papingji (l)
2014 Festivali i Këngës 53 Elhaida Dani[23] "Diell" Aldo Shllaku (m) / Viola Trebicka and (l)
2015 Festivali i Këngës 54 Eneda Tarifa[24] "Përrallë" Olsa Toqi (m&l)
2016 Festivali i Këngës 55 Lindita Halimi[25] "Botë" Klodian Qafoku (m) / Gerald Xhari (l)
2017 Festivali i Këngës 56 Eugent Bushpepa[26] "Mall" Eugent Bushpepa (m&l)
2018 Festivali i Këngës 57 Jonida Maliqi[27] "Ktheju tokës" Eriona Rushiti (m&l)
2019 Festivali i Këngës 58 Arilena Ara "Shaj" Darko Dimitrov (m) / Lindon Berisha (l)
2020 Festivali i Këngës 59 Anxhela Peristeri "Karma" Kledi Bahiti (m) / Olti Curri (l)
2021 Festivali i Këngës 60 Ronela Hajati "Sekret" Marko Polo (m) / Ronela Hajati (l)

Recurring winners[]

As of 2019, Vaçe Zela holds the record for the highest number of wins having won the contest eleven times followed by Tonin Tërshana with four wins, Aurela Gaçe and Manjola Nallbani with three wins respectively.

Artist Victories Years
Vaçe Zela 11 1962, 1964(x2), 1966, 1967, 1968
1970, 1973, 1976, 1977, 1980
Tonin Tërshana 4 1965, 1971, 1972, 1983
Manjola Nallbani 3 1989, 1992, 1993
Aurela Gaçe 3 1999, 2001, 2010
Gaqo Çako 2 1970, 1978
Alida Hisku 2 1974, 1975
Nertila Koka 2 1984, 1986
Parashqevi Simaku 2 1985, 1988
Frederik Ndoci 2 1989, 2006
Ardit Gjebrea 2 1991, 1995
Mira Konçi 2 1994, 2002
Elsa Lila 2 1996, 1997

Notes[]

  1. ^ In 1964, the song "Margjelo" by Klotilda Shantoja and Nikolin Gjergji won the competition, however, this entry was disqualified after it was discovered that it had been heard by the public prior to the official dates of the festival. The default winner then became the second ranked entry "Dritaren kërkoj" by Vaçe Zela although RTSH also awarded a symbolic first prize to Vaçe Zela's "Sot jam 20 vjeç" at a later time. In 1970, two songs were awarded the first place; "Mesnatë" by Vaçe Zela and "Shtëpia ku lindi partia" by Gaqo Çako.
  2. Elhaida Dani won Festivali i Këngës 53 with the song "Diell" and was planning on performing an English-language version of the song at the Eurovision Song Contest 2015. However, in February 2015 it was announced that the song's songwriters decided to withdraw the song, and Dani would perform a different song titled "I'm Alive" in the contest.

References[]

  1. ^ Vatra e kulturës (in Albanian). Shtëpija Qëndrore e Krijimtarisë Popullore, 1962. pp. 11–12.
  2. ^ Marash Hajati (1998). Dera e prapme e shtypit: kujtime (in Albanian). Logoreci, 1998. p. 159. ISBN 9789992760307.
  3. ^ Nicholas Tochka (1 November 2016). Audible States: Socialist Politics and Popular Music in Albania. Oxford University Press. pp. 227–. ISBN 978-0-19-046783-8.
  4. ^ a b "Të gjithë të ndëshkuarit e Festivalit të 11-të.(All the prosecuted after the 11th festival)". Transcribed article by Skifter Këlliçi (in Albanian). Retrieved 1 July 2011.
  5. ^ a b "Ja "kokat e prera" në art e kulturë, pas Festivalit të 11-të". Transcribed article by Skifter Këlliçi (in Albanian). Retrieved 1 July 2011.
  6. ^ "All about Albania". eurovision.tv. Eurovision.tv. Anjeza Shahini carried her nations debut hopes, and ended up delivering a very respectable 7th place in the Final.
  7. ^ Luis Fuster (5 December 2018). "It's FiKmas time! RTSH reveals running order of Festivali i Këngës 2018". wiwibloggs.com. Wiwibloggs.
  8. ^ "Festivali i Këngës 58 artists revealed". escxtra.com.
  9. ^ Martin Faulkner (23 December 2018). "Albania kicks off the 2019 season with "Ktheju tokës"". escgo.com.
  10. ^ "Countries: Albania at Eurovision.tv". eurovision.tv. European Broadcasting Union. Retrieved 17 December 2019. The Albanian national broadcaster Radio Televizioni Shqiptar (RTSH) uses the long-standing Albanian song contest, Festivali i Këngës, to select the Albanian Eurovision Song Contest entry.
  11. ^ "Festivali 42 i Këngës në Radio". festivali.rtsh.al (in Albanian). Radio Televizioni Shqiptar. Retrieved 17 December 2019.
  12. ^ "Istanbul 2004: Participants–Anjeza Shahini". eurovision.tv. European Broadcasting Union. Retrieved 17 December 2019.
  13. ^ "Eugent Bushpepa me "Mall" shpallet fitues i Fest '56". rtsh.al (in Albanian). Radio Televizioni Shqiptar. 24 December 2017. Retrieved 17 December 2019.
  14. ^ "Lisbon 2018: Participants–Eugent Bushpepa". eurovision.tv. European Broadcasting Union. Retrieved 17 December 2019.
  15. ^ "Festivali 45 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  16. ^ "Festivali 46 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  17. ^ "Festivali 47 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  18. ^ "Festivali 48 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  19. ^ "Festivali 49 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  20. ^ "Festivali 50 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  21. ^ "Festivali 51 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  22. ^ "Festivali 52 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  23. ^ "Festivali 53 i Këngës në Radio". festivali.rtsh.al (in Albanian). Festivali i Këngës. Retrieved 17 December 2019.
  24. ^ "Eneida Tarifa fituese e Fest 54". rtsh.al (in Albanian). Radio Televizioni Shqiptar. 28 December 2015. Retrieved 17 December 2019.
  25. ^ "Lindita Halimi fiton Fest '55". rtsh.al (in Albanian). Radio Televizioni Shqiptar. 24 December 2016. Retrieved 17 December 2019.
  26. ^ "Eugent Bushpepa me "Mall" shpallet fitues i Fest '56". rtsh.al (in Albanian). Radio Televizioni Shqiptar. 24 December 2017. Retrieved 17 December 2019.
  27. ^ "Jonida Maliqi fiton Fest '57". rtsh.al (in Albanian). Radio Televizioni Shqiptar. 22 December 2018. Retrieved 17 December 2019.
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