The Wild, the Innocent & the E Street Shuffle

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The Wild, the Innocent & the E Street Shuffle
TheWildTheInnocent.jpg
Studio album by
Bruce Springsteen
ReleasedNovember 5, 1973[1][2]
RecordedMay 14 – September 23, 1973[2]
Studio914 Sound Studios, Blauvelt, New York
GenreRock and roll, rhythm and blues
Length46:47
LabelColumbia
ProducerMike Appel, Jim Cretecos
Bruce Springsteen chronology
Greetings from Asbury Park, N.J.
(1973) 		The Wild, the Innocent & the E Street Shuffle
(1973) 		Born to Run
(1975)
Bruce Springsteen and the E Street Band chronology
Greetings from Asbury Park, N.J.
(1973) 		The Wild, the Innocent & the E Street Shuffle
(1973) 		Born to Run
(1975)
Singles from The Wild, the Innocent & the E Street Shuffle
  1. "4th of July, Asbury Park (Sandy)"
    Released: 1975 (Germany only)
  2. "Rosalita (Come Out Tonight)"
    Released: 1979

The Wild, the Innocent & the E Street Shuffle is the second studio album by American rock singer-songwriter Bruce Springsteen. It was recorded by Springsteen with the E Street Band at 914 Sound Studios, Blauvelt, New York, and released on November 5, 1973 by Columbia Records. It includes the song "Rosalita (Come Out Tonight)", the band's most-used set-closing song through 1985.

As with Springsteen's first album released earlier in the year, The Wild, the Innocent & the E Street Shuffle was well-received critically but had little commercial success at the time, nationally. Locally though, the album sold well, was played regularly on Northeast AOR stations and did make Springsteen a local phenomenon. Once Springsteen achieved nationwide popularity with Born to Run, several selections from this album became popular FM radio airplay and concert favorites. On November 7, 2009, Springsteen and the E Street Band played the album in its entirety for the first time during a concert at Madison Square Garden.[3]

The Wild, the Innocent & the E Street Shuffle has gone on to sell nearly 3 million albums. This was the final Springsteen album to feature original pianist David Sancious. In the 2020 updated version of Rolling Stone's 500 Greatest Albums of All Time, the album was ranked at number 345.[4]

Recording[]

Recording began on May 14, 1973, with the day spent on "Circus Song", which would be finished on June 28, and re-titled "Wild Billy's Circus Story". Two days later, "The Fever" was recorded in one take, then discarded and not included on the album. Sessions did not resume until June 22, but all backing tracks and most of the album would be recorded by the end of the week. September 23, 1973 was the final day of sessions, with final touches applied to "Kitty's Back", the last verse of "4th of July, Asbury Park (Sandy)" overdubbed with new lyrics, "Rosalita (Come Out Tonight)" and a brand new song, "Incident on 57th Street", both recorded from scratch and completed. Along with these tracks, the album would be composed of "New York City Serenade", completed August 7, and "The E Street Shuffle", recorded on June 28 in one session.[2]

Musical style[]

According to biographer Peter Ames Carlin, Springsteen had developed a "renewed passion for full-band rock 'n' roll" with The Wild, the Innocent & the E Street Shuffle.[5] Sputnikmusic critic Adam Thomas later wrote that the album departed from the folk influences of Springsteen's 1973 debut album Greetings from Asbury Park, N.J. and was instead characterized by "a grand fusion of nostalgic rock 'n' roll and soulful R&B".[6]

Artwork[]

The back photo for the album featured six members of Springsteen's backing E Street Band standing in a doorway[7] of an antique store on Sairs Ave in the West End section of Long Branch, New Jersey.[8] The building was across the street from West End Elementary School, and for years was Tommy Reed's bicycle repair shop and penny candy store; it has since been demolished and its former location is occupied by a parking lot.[8]

Release[]

There is disagreement on The Wild, the Innocent & the E Street Shuffle's release date between official sources and third-party sources, including various Springsteen biographies covering the era. Springsteen's official website[9] provides a release date of September 11, 1973; however, it is known that Springsteen was still in the studio recording for the album past this date.[10][11] Indeed, September 23 was the final recording date, and after mixing and sequencing tweaks, the album was released on November 5, 1973. However, there was very little press, no advertisements in the trade papers and no release party, possibly because of Springsteen's deteriorating relationship with Columbia Records, and the departures of John Hammond and Clive Davis, the men who had signed him as a Columbia artist. This situation would continue, and would almost result in the termination of Springsteen's contract in 1974.[12][2]

Reception[]

Retrospective professional reviews
Review scores
SourceRating
AllMusic5/5 stars[13]
Chicago Tribune3/4 stars[14]
Christgau's Record GuideA–[15]
Encyclopedia of Popular Music4/5 stars[16]
Goldmine5/5 stars[17]
MusicHound Rock4/5[18]
Q4/5 stars[19]
The Rolling Stone Album Guide5/5 stars[20]
Sputnikmusic4.5/5[6]
Tom Hull – on the WebB[21]

The Wild, the Innocent & the E Street Shuffle sold poorly when it was first released in 1973 but received acclaim from critics.[6] Rolling Stone magazine's Ken Emerson said that its lengthy, vividly written songs make for a more challenging and romantic album than Greetings from Asbury Park, N.J., but still retain that album's ebullient music because of Springsteen and the E Street Band's masterful playing.[22] In a less enthusiastic review for Creem, Robert Christgau wrote that it does not cohere as a whole, although its livelier songs make it "the kind of album that will be fun to go back to" if Springsteen improves upon it.[23] According to him in Christgau's Record Guide: Rock Albums of the Seventies (1981), Springsteen eschewed the limiting folk conventions of his first album for a vibrant, quirky style of rock and roll that balances his celebrations of wild youth with a mature embrace of city life: "This guy may not be God yet, but he has his sleeveless undershirt in the ring."[15]

The Wild, the Innocent and the E Street Shuffle made its first appearance on the British albums chart on June 15, 1985. In the wake of Springsteen's Born in the U.S.A. Tour arriving in Britain, the record hit number 33 and remained in the Top 100 for 12 weeks.[24] The Rolling Stone Album Guide (1992) later called the album a "masterpiece", "cinematic in its sweep" and densely poetic with "vignettes of urban dreams and adolescent restlessness".[20] Goldmine magazine's Rush Evans said it was not only a five-star album but also Springsteen's "most overlooked album ... to those who know its seven richly vivid songs, it is recognized as an innovative masterpiece."[17] Reviewing it for AllMusic, William Ruhlmann felt the record epitomized Springsteen's romanticized songwriting and diversity as a composer, making it his best work and "one of the greatest albums in the history of rock & roll".[13] In 2003, Rolling Stone ranked the record at number 132 on the magazine's list of the 500 greatest albums of all time,[25] and 133 in a 2012 revised list.[26] Writing in Hot Press, Pat Carty declared "if I want to beam like an idiot and remember why I fell in love with music in the first place, this is the Springsteen record I put on".[27] Chicago Tribune critic Greg Kot was less enthusiastic and remarked only on how the record was highlighted by the beautiful three-song suite that ended it.[14]

Rejected songs[]

On November 4 and 5, 1997, eight tracks not included on The Wild, the Innocent and the E Street Shuffle were mixed and evaluated for inclusion on the Tracks box set, to be released in 1998. They included "Zero and Blind Terry", "Thundercrack", "Seaside Bar Song", "Santa Ana", "Bishop Danced", "Evacuation of the West" aka "No More Kings In Texas", "Phantoms" and "Fire on the Wing". The first five, which included a live version of "Bishop Danced", recorded on January 31, 1973, at Max's Kansas City, New York City, were included; "Phantoms", "Fire on the Wing" and "No More Kings/Evacuation" remain officially unreleased.[28]

"The Fever", recorded in a single take on May 16, 1973, was also rejected and disliked by Springsteen. His manager at the time, Mike Appel, without informing Springsteen or Columbia Records, sent a cassette of the song to approximately forty disc jockeys across the US, including Ed Sciaky in Philadelphia, Kid Leo in Cleveland, and other DJs in Boston, New York, Houston, and Dallas. The song was then included on an endless stream of bootlegs, and was well-known to Springsteen fans as one of his best songs. When it failed to appear on Tracks, along with "The Promise", another highly regarded unreleased song, a backlash occurred among fans on the Internet. In response, a second release, 18 Tracks, was hastily assembled and released on April 13, 1999, with both songs included.[29][30]

Track listing[]

All tracks are written by Bruce Springsteen.

Side one
No.TitleLength
1."The E Street Shuffle"4:31
2."4th of July, Asbury Park (Sandy)"5:36
3."Kitty's Back"7:09
4."Wild Billy's Circus Story"4:47
Side two
No.TitleLength
1."Incident on 57th Street"7:45
2."Rosalita (Come Out Tonight)"7:04
3."New York City Serenade"9:55
Total length:46:47

Personnel[]

Technical

References[]

  1. ^ White, Ryan (2016). Bruce Springsteen Album by Album. London, UK: Palazzo Editions Ltd. p. 140. Retrieved 7 December 2019.
  2. ^ Jump up to: a b c d Heylin, Clinton (2012). Springsteen Song by Song A Critical Look. New York, New York: Penguin Group (USA) Inc. pp. 14–20. Retrieved 7 December 2019.
  3. ^ "Bruce Springsteen to perform entire albums at Madison Square Garden shows". nj.com. 3 November 2009. Retrieved 11 April 2012.
  4. ^ Rolling Stone (2020-09-22). "The 500 Greatest Albums of All Time". Rolling Stone. Retrieved 2020-10-13.
  5. ^ Carlin, Peter Ames (2012). Bruce. Simon & Schuster. p. 163. ISBN 1471112357. Retrieved July 6, 2014.
  6. ^ Jump up to: a b c Thomas, Adam (March 4, 2009). "Review: Bruce Springsteen – The Wild, the Innocent, and the E Street Shuffle". Sputnikmusic. Retrieved July 6, 2014.
  7. ^ "E Street should lead directly to the Rock Hall of Fame". Goldmine. 19 May 2011. Retrieved 15 April 2012.
  8. ^ Jump up to: a b Goldstein, Stan (15 May 2009). "Bruce Springsteen Rocked Here". nj.com. Retrieved 13 April 2012.
  9. ^ The Official Bruce Springsteen Website (1973-09-11). "The Wild, the Innocent, and the E Street Shuffle – The Official Bruce Springsteen Website". Brucespringsteen.net. Retrieved 2014-01-25.
  10. ^ Carlin, Peter Ames (2012). Bruce. Simon & Schuster. p. 162. ISBN 1471112357. Retrieved May 12, 2018. Recording sessions for Bruce's second album began at the 914 Sound Studios in mid-May. Given how crucial touring was to the group's week-to-week income, the sessions were squeezed into dayslong increments through late September.
  11. ^ Dolan, Marc (June 4, 2012). Bruce Springsteen and the Promise of Rock 'n' Roll. Norton. p. 93. ISBN 978-0393345841. It had taken four months, six separate rounds of recording, to get to this point, and still in the second week of September Springsteen’s second album was only half ready.
  12. ^ Dolan, Marc (2013). BRUCE SPRINGSTEEN and the PROMISE of ROCK ’N’ ROLL. New York: W. W. Norton & Company, Inc. pp. 73–89. Retrieved 7 December 2019.
  13. ^ Jump up to: a b Ruhlmann, William. "The Wild, the Innocent & the E Street Shuffle – Bruce Springsteen". AllMusic. Retrieved July 6, 2014.
  14. ^ Jump up to: a b Kot, Greg (August 23, 1992). "The Recorded History of Springsteen". Chicago Tribune. Retrieved July 8, 2013.
  15. ^ Jump up to: a b Christgau, Robert (1981). "Bruce Springsteen: The Wild, the Innocent and the E Street Shuffle". Christgau's Record Guide: Rock Albums of the '70s. Da Capo Press. p. 366. ISBN 0306804093. Retrieved July 6, 2014 – via robertchristgau.com.
  16. ^ Larkin, Colin (2011). "Bruce Springsteen". Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 0857125958.
  17. ^ Jump up to: a b Evans, Rush (June 21, 2011). "True 5-star albums: Bruce Springsteen's 'The Wild, The Innocent and The E Street Shuffle'". Goldmine. Retrieved July 6, 2014.
  18. ^ Graff, Gary (1996). "Bruce Springsteen". In Graff, Gary (ed.). MusicHound Rock: The Essential Album Guide. Detroit: Visible Ink Press. ISBN 0787610372.
  19. ^ Williams, Richard (December 1989). "All or Nothing: The Springsteen back catalogue". Q. p. 149.
  20. ^ Jump up to: a b DeCurtis, Anthony; Henke, James; George-Warren, Holly, eds. (1992). The Rolling Stone Album Guide (3rd ed.). Random House. p. 663. ISBN 0679737294.
  21. ^ Hull, Tom (October 29, 2016). "Streamnotes (October 2016)". Tom Hull – on the Web. Retrieved July 2, 2020.
  22. ^ Emerson, Ken (January 31, 1974). "The Wild, the Innocent the E Street Shuffle". Rolling Stone. New York. Retrieved July 6, 2014.
  23. ^ Christgau, Robert (April 1974). "The Christgau Consumer Guide". Creem. Retrieved July 6, 2014.
  24. ^ The Guinness Book of British Hit Albums, 1996
  25. ^ Levy, Joe; Steven Van Zandt (2006) [2005]. "132 | The Wild, the Innocent and the E Street Shuffle – Bruce Springsteen". Rolling Stone's 500 Greatest Albums of All Time (3rd ed.). London: Turnaround. ISBN 1-932958-61-4. OCLC 70672814. Retrieved 14 April 2006.
  26. ^ "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time". Rolling Stone. 2012. Retrieved September 18, 2019.
  27. ^ Carty, Pat (September 23, 2020). "My Favourite Things: Bruce Springsteen and The E Street Shuffle". Hot Press. Retrieved September 28, 2020.
  28. ^ White, Ryan (2016). Bruce Springsteen Album by Album. London, UK: Palazzo Editions Ltd. pp. 174–179. Retrieved 7 December 2019.
  29. ^ Heylin, Clinton (2012). E STREET SHUFFLE The Glory Days of Bruce Springsteen & the E Street Band. London, UK: Constable & Robinson Ltd. pp. 62–73. Retrieved 7 December 2019.
  30. ^ Dolan, Marc (2013). BRUCE SPRINGSTEEN and the PROMISE of ROCK ’N’ ROLL. New York, NY: W. W. Norton & Company, Inc. pp. 72–89. Retrieved 7 December 2019.

External links[]

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