Victor Sjöström

This article may be expanded with text translated from the corresponding article in Swedish. (July 2016) Click [show] for important translation instructions. View a machine-translated version of the Swedish article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 826 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Swedish Wikipedia article at [[:sv:Victor Sjöström]]; see its history for attribution. You should also add the template {{Translated|sv|Victor Sjöström}} to the talk page. For more guidance, see Wikipedia:Translation.

Victor Sjöström
Born	Victor David Sjöström (1879-09-20)20 September 1879 Årjäng,[1] Värmlands län, United Kingdoms of Sweden and Norway
Died	3 January 1960(1960-01-03) (aged 80) Stockholm, Stockholms län, Sweden
Spouse(s)	Alexandra Stjagoff (1900–1912) Lili Bech (1914–1916)  [sv] (m. 1922; died 1945)
Parent(s)	Olof Adolf Sjöström (1841–1896)
Awards	NBR Award for Best Actor 1958 Wild Strawberries

Victor David Sjöström (Swedish: [ˈvɪ̌kːtɔr ˈɧø̂ːstrœm] (listen); 20 September 1879 – 3 January 1960), also known in the United States as Victor Seastrom, was a pioneering Swedish film director, screenwriter, and actor. He began his career in Sweden, before moving to Hollywood in 1924. Sjöström worked primarily in the silent era; his best known films include The Phantom Carriage (1921), He Who Gets Slapped (1924), and The Wind (1928). Sjöström was Sweden's most prominent director in the "Golden Age of Silent Film" in Europe. Later in life, he played the leading role in Ingmar Bergman's Wild Strawberries (1957).^[2]

Biography[]

Born in Årjäng/Silbodal, in the Värmland region of Sweden, he was only a year old when his father, Olof Adolf Sjöström, moved the family to Brooklyn, New York. His mother died in 1886, he was seven years old. Sjöström returned to Sweden where he lived with relatives in Stockholm, beginning his acting career at 17 as a member of a touring theater company.

Drawn from the stage to the fledgling motion picture industry, he made his first film in 1912 under the direction of Mauritz Stiller. Between 1912 and 1923, he directed another forty-one films in Sweden, some of which are now lost. Those surviving include The Sons of Ingmar (1919), Karin, Daughter of Ingmar (1920) and The Phantom Carriage (1921), all based on stories by the Nobel Prize–winning novelist Selma Lagerlöf. Many of his films from the period are marked by subtle character portrayal, fine storytelling and evocative settings in which the Swedish landscape often plays a key psychological role. The naturalistic quality of his films was enhanced by his (then revolutionary) preference for on-location filming, especially in rural and village settings.^{[citation needed]} He is also known as a pioneer of continuity editing in narrative filmmaking.^[3]

In 1923, Sjöström accepted an offer from Louis B. Mayer to work in the United States. In Sweden, he had acted in his own films as well as in those for others, but in Hollywood he devoted himself solely to directing. Using an anglicized name, Victor Seastrom, he made the drama film Name the Man (1924) based on the Hall Caine novel, The Master of Man. He directed stars of the day such as Greta Garbo, John Gilbert, Lillian Gish, Lon Chaney, and Norma Shearer in another eight films in America before his first talkie in 1930. His 1926 film The Scarlet Letter, starring Lillian Gish as the adulterous Hester Prynne, allows Hester a certain voluptuousness; when she leaves the bare rooms of the town for a date with her lover in the verdant woods, she defiantly pulls off her scarlet letter A, takes off her cap as well, and we see her beautiful, rich head of hair.

Uncomfortable with the modifications needed to direct sound films, Victor Sjöström returned to Sweden where he directed two more films before his final directing effort, an English-language drama filmed in the United Kingdom Under the Red Robe (1937). Over the following fifteen years, Sjöström returned to acting in the theatre, performed a variety of leading roles in more than a dozen films and was a company director of Svensk Film Industri. Aged 78, he gave his final acting performance, probably his best remembered, as the elderly professor Isak Borg in Ingmar Bergman's film Wild Strawberries (1957).

Personal life[]

Sjöström was married three times. His daughter was actress Guje Lagerwall (1918-2019).

Victor Sjöström died in Stockholm at the age of 80, and he was interred in the Norra begravningsplatsen (Northern cemetery).

Filmography[]

Director[]

Actor[]

References[]

External links[]

• Victor Sjöström at IMDb
• Victor Sjöström at the Swedish Film Database
• Victor Sjöström at Virtual History
• "Victor Sjostrom and Mauritz Stiller" UC Santa Barbara Research Paper (2005) by Maximilian Schmige