36th Academy Awards

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36th Academy Awards
DateMonday, April 13, 1964
SiteSanta Monica Civic Auditorium
Santa Monica, California, U.S.
Hosted byJack Lemmon
Produced byRichard Dunlap
George Sidney
Directed byRichard Dunlap
Highlights
Best PictureTom Jones
Most awardsCleopatra and Tom Jones (4)
Most nominationsTom Jones (10)
TV in the United States
NetworkABC

The 36th Academy Awards, honoring the best in film for 1963, were held on April 13, 1964, at the Santa Monica Civic Auditorium in Santa Monica, California. They were hosted by Jack Lemmon.

Best Picture winner Tom Jones became the only film in history to garner three Best Supporting Actress nominations; it also tied the Oscar record of five unsuccessful acting nominations, set by Peyton Place at the 30th Academy Awards.

This year's winner for Best Actress category was unique. Although playing a supporting role and having a relatively small amount on the screen, Patricia Neal won the Best Actress category for her role in Hud. The movie also won for Best Supporting Actor for Melvyn Douglas and Best Cinematography – Black and White. It was the second and, to date, last film to win two acting awards without being nominated for Best Picture (the other being The Miracle Worker).

At age 71, Margaret Rutherford set a then-record as the oldest winner for Best Supporting Actress, a year after Patty Duke set a then-record as the youngest ever winner. Rutherford was also only the second Oscar winner over the age of 70 at the time of her win (the other was Edmund Gwenn), as well as becoming the last woman born in the 19th century to win.

This was the only time in Academy history that all Best Supporting Actress nominees were born outside the United States.

Sidney Poitier became the first Black actor to win Best Actor, and An Occurrence at Owl Creek Bridge was the first Oscar-winning film to have aired on network television prior to the ceremony.

Best Sound Effects was introduced this year, with It's a Mad, Mad, Mad, Mad World winning the award.

Awards[]

Sidney Poitier, Best Actor winner
Patricia Neal, Best Actress winner
Melvyn Douglas, Best Supporting Actor winner
Jimmy Van Heusen, Best Song co-winner
Sammy Cahn, Best Song co-winner
André Previn, Best Scoring of Music — Adaptation or Treatment winner
James Wong Howe, Best Cinematography, Black-and-White winner

Nominations announced on February 24, 1964. Winners are listed first and highlighted with boldface[1]

Best Picture Best Director
  • Tom JonesTony Richardson, producerdouble-dagger
    • America AmericaElia Kazan, producer
    • CleopatraWalter Wanger, producer
    • How the West Was Won ��� Bernard Smith, producer
    • Lilies of the FieldRalph Nelson, producer
  • Tony Richardson – Tom Jonesdouble-dagger
    • Federico Fellini –
    • Elia Kazan – America America
    • Otto Preminger – The Cardinal
    • Martin Ritt – Hud
Best Actor Best Actress
  • Sidney Poitier – Lilies of the Field as Homer Smithdouble-dagger
    • Albert Finney – Tom Jones as Tom Jones
    • Richard Harris – This Sporting Life as Frank Machin
    • Rex Harrison – Cleopatra as Julius Caesar
    • Paul Newman – Hud as Hud Bannon
  • Patricia Neal – Hud as Alma Browndouble-dagger
    • Leslie Caron – The L-Shaped Room as Jane Fosset
    • Shirley MacLaine – Irma la Douce as Irma la Douce
    • Rachel Roberts – This Sporting Life as Margaret Hammond
    • Natalie Wood �� Love with the Proper Stranger as Angie Rossini
Best Supporting Actor Best Supporting Actress
  • Melvyn Douglas – Hud as Homer Bannondouble-dagger
    • Nick Adams – Twilight of Honor as Ben Brown
    • Bobby Darin – Captain Newman, M.D. as Corporal Jim Tompkins, USAAF
    • Hugh Griffith – Tom Jones as Squire Western
    • John Huston – The Cardinal as Cardinal Glennon
  • Margaret Rutherford – The V.I.P.s as the Duchess of Brightondouble-dagger
    • Diane Cilento – Tom Jones as Molly Seagrim
    • Edith Evans – Tom Jones as Miss Western
    • Joyce Redman – Tom Jones as Mrs. Waters/Jenny Jones
    • Lilia Skala – Lilies of the Field as Mother Maria
Best Story and Screenplay Written Directly for the Screen Best Screenplay Based on Material from Another Medium
  • How the West Was Won – James R. Webbdouble-dagger
    •  – Federico Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi
    • America America – Elia Kazan
    • The Four Days of Naples – Screenplay by Carlo Bernari, Pasquale Festa Campanile, Massimo Franciosa, and Nanni Loy; Story by Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy, and Vasco Pratolini
    • Love with the Proper Stranger – Arnold Schulman
Best Foreign Language Film Best Documentary Feature
Best Documentary Short Subject Best Live Action Short Subject
Best Short Subject – Cartoons Best Music Score – Substantially Original
Best Scoring of Music — Adaptation or Treatment Best Song
  • "Call Me Irresponsible" from Papa's Delicate Condition – Music by Jimmy Van Heusen; Lyrics by Sammy Cahndouble-dagger
    • "Charade" from Charade – Music by Henry Mancini; Lyrics by Johnny Mercer
    • "It's a Mad Mad Mad Mad World" from It's a Mad, Mad, Mad, Mad World – Music by Ernest Gold; Lyrics by Mack David
    • "More" from Mondo Cane – Music by Riz Ortolani and Nino Oliviero; Lyrics by Norman Newell
    • "So Little Time" from 55 Days at Peking – Music by Dimitri Tiomkin; Lyrics by Paul Francis Webster
Best Sound Effects Best Sound
Best Art Direction, Black-and-White Best Art Direction, Color
  • America America – Art Direction and Set Decoration: Gene Callahandouble-dagger
Best Cinematography, Black-and-White Best Cinematography, Color
  • Cleopatra – Leon Shamroydouble-dagger
    • The Cardinal – Leon Shamroy
    • How the West Was Won – William Daniels, Milton Krasner, Charles Lang, and Joseph LaShelle
    • Irma la Douce – Joseph LaShelle
    • It's a Mad, Mad, Mad, Mad World – Ernest Laszlo
Best Costume Design, Black-and-White Best Costume Design, Color
  • Cleopatra – Irene Sharaff, Vittorio Nino Novarese, and Reniédouble-dagger
Best Film Editing Best Special Effects
  • How the West Was Won – Harold F. Kressdouble-dagger
    • Cleopatra – Dorothy Spencer
    • The Cardinal – Louis R. Loeffler
    • The Great Escape – Ferris Webster
    • It's a Mad, Mad, Mad, Mad World – Frederic Knudtson (posthumous nomination), Robert C. Jones, and Gene Fowler Jr.
  • Cleopatra – Emil Kosa Jr.double-dagger
    • The Birds – Ub Iwerks

Irving G. Thalberg Memorial Award[]

  • Sam Spiegel

Presenters and performers[]

Presenters[]

  • Julie Andrews (Presenter: Best Foreign Language Film)
  • Anne Bancroft (Presenter: Best Actor)
  • Anne Baxter and Fred MacMurray (Presenter: Art Direction Awards)
  • Ed Begley (Presenter: Best Supporting Actress)
  • Rita Hayworth (Presenter: Best Director)
  • Sammy Davis Jr. (Presenter: Music Awards)
  • Angie Dickinson (Presenter: Best Special Effects)
  • Patty Duke (Presenter: Best Supporting Actor)
  • Shirley Jones (Presenter: Best Song)
  • Shirley MacLaine (Presenter: Short Subjects Awards)
  • Steve McQueen (Presenter: Sound Awards)
  • Gregory Peck (Presenter: Best Actress)
  • Sidney Poitier (Presenter: Best Film Editing)
  • Donna Reed (Presenter: Costume Design Awards)
  • Debbie Reynolds (Presenter: Documentary Awards)
  • Edward G. Robinson (Presenter: Writing Awards)
  • Frank Sinatra (Presenter: Best Picture)
  • James Stewart (Presenter: Cinematography Awards)
  • Tuesday Weld (Presenter: Best Sound Effects)

Performers[]

Multiple nominations and awards[]

Sidney Poitier winning Best Actor[]

Sidney Poitier's performance in Lilies of the Field as Homer Smith earned him an award for Best Actor in a Leading Role.[2] This marked the first time a Black male won a competitive Oscar (Poitier is Bahamian-American).[3] This win came five years after his nomination for Best Actor in the 1958's The Defiant Ones.[2]

Another African-American male would not win Best Actor until 2001 when Denzel Washington won for his portrayal of Alonzo Harris in Training Day.[2]

Sammy Davis Jr. envelope error[]

During the awards ceremony, Sammy Davis, Jr. was accidentally given the wrong winner's envelope, and when he was supposed to announce the award for Best Music Score for an Adaptation or Treatment, he announced that the winner was John Addison for Tom Jones, which was the winner for Best Music Score - Substantially Original. Davis acknowledged his mistake, was handed the correct envelope for the category a few seconds later, and read the correct winner's name.

See also[]

References[]

  1. ^ "The 36th Academy Awards (1964) Nominees and Winners". oscars.org. Archived from the original on May 2, 2015. Retrieved May 4, 2015.
  2. ^ Jump up to: a b c "The Winners". The Academy Awards. Archived from the original on January 10, 2013. Retrieved May 5, 2014.
  3. ^ "The Winner". The Academy Awards. Archived from the original on January 10, 2013. Retrieved May 5, 2014.
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