Soul (2020 film)

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Soul
Soul Poster.jpeg
Disney+ release poster
Directed by
  • Pete Docter
Written by
  • Pete Docter
  • Mike Jones
  • Kemp Powers
Produced byDana Murray
Starring
  • Jamie Foxx
  • Tina Fey
  • Graham Norton
  • Rachel House
  • Alice Braga
  • Richard Ayoade
  • Phylicia Rashad
  • Donnell Rawlings
  • Questlove
  • Angela Bassett
Cinematography
  • Matt Aspbury
  • Ian Megibben
Edited byKevin Nolting
Music by
  • Trent Reznor
  • Atticus Ross
  • Jon Batiste[a]
Production
companies
  • Walt Disney Pictures
  • Pixar Animation Studios
Distributed byWalt Disney Studios Motion Pictures
Release date
  • October 11, 2020 (2020-10-11) (BFI Fest)
  • December 25, 2020 (2020-12-25) (United States)
Running time
100 minutes[1]
CountryUnited States
LanguageEnglish
Budget$150 million+[2]
Box office$121 million[3]

Soul is a 2020 American computer-animated film written and directed by Pete Docter. It stars the voices of Jamie Foxx, Tina Fey, Graham Norton, Rachel House, Alice Braga, Richard Ayoade, Phylicia Rashad, Donnell Rawlings, Questlove, and Angela Bassett. The film centers on a music teacher Joe Gardner (Foxx) seeking to reunite his soul and his body after they are accidentally separated, just before his big break as a jazz musician.

Docter conceived Soul in January 2016, working from his contemplations on the origins of human personalities and the concept of determinism. He co-wrote the screenplay with Mike Jones and Powers. The film's producers consulted various jazz musicians including Herbie Hancock and Terri Lyne Carrington, and animated its musical sequences using the sessions of musician Jon Batiste as reference. Apart from Batiste's original jazz compositions, musicians Trent Reznor and Atticus Ross also composed the film's score.

Soul premiered at the London Film Festival on October 11, 2020. It was set to be theatrically released on November 20 but was postponed due to the COVID-19 pandemic. Soul was instead then released direct-to-streaming on Disney+ on December 25, and in theaters in countries without the streaming service. It became the first feature-length film from Pixar not to be given a wide theatrical release and the first to be billed as a Disney+ Original. Soul was well-received by the media for its craftsmanship, story, characters, and musical score. Organizations like the National Board of Review and American Film Institute named the film as one of the top 10 films of 2020. Soul led the 93rd Academy Awards season with three nominations (winning two), and received numerous accolades.

Plot[]

In New York City, pianist and music teacher Joe Gardner dreams of playing jazz professionally. When he receives an offer for a full-time teaching position, his mother Libba urges him to accept it. Then Joe learns jazz legend Dorothea Williams has an opening in her quartet and auditions at a music club. Impressed with Joe's piano playing, Dorothea hires him for that night's show. As Joe heads off, his excitement distracts him, and he falls down a manhole.

Joe finds himself as a soul heading into the "Great Beyond". Unwilling to die, he tries to escape but ends up in the "Great Before", where counselors—all named Jerry—prepare unborn souls for life with the help of mentor souls. Each soul has a badge which grants passage to Earth once it is completely filled out with personality traits. Mistaken for a mentor, Joe is assigned to train 22, a cynical soul who has always lived in the Great Before and desires avoiding Earth. Discovering that Joe is in a coma at a hospital, 22 agrees to let him help find her "spark" to complete her badge and then give it to him so that he can return home. After Joe fails to find 22 a passion, they visit "the zone", a place that souls can enter when their passions create a euphoric trance, but which can also become a trap for obsessed lost souls. They meet the galleon captain Moonwind to locate Joe's body on Earth.

Joe returns to Earth but accidentally carries 22, entering their respective bodies of a therapy cat and Joe himself. They find Moonwind (at his day-job as a sign twirler), who agrees to meet them later at the jazz club to restore Joe to his body. In the meantime, 22 settles into Joe's body and enjoys small moments while interacting with Joe's peers. She holds poignant conversations with student Connie, his barber Dez, and Libba. Meanwhile, Terry, an obsessive accountant who tallies souls headed to the Great Beyond, sends him to it by arriving on Earth after he was lost, restoring the count.

As the day ends, Joe and 22 rendezvous with Moonwind to return Joe to his body. However, after Joe tells 22 that her experiences were not purposes, 22 refuses and flees to find her spark, with Joe tailing behind. As they run through a subway station, Terry traps them both and brings them back to the Great Before. 22 realizes her badge is filled out, yet Joe insists it was because of his traits, and that she has not truly found her spark. Angry, 22 throws the badge at him and disappears into the zone. A Jerry informs Joe that a spark is not a soul's purpose in life, but Joe refuses to believe this and uses 22's badge to return to Earth.

The night's show becomes successful, but Joe is upset at his unchanged life even after fulfilling his dream. Looking at objects that 22 collected while in his body, and recalling the moments they had enjoyed together, he sees that these experiences have given 22 her spark. By playing piano, he enters the zone with the intent to return her badge but discovers that she has become a lost soul. He chases her down, showing her a maple seed she had collected to remind her time spending on Earth. They realize that a spark is not a soul's purpose, but indicates an intention to live. Joe's actions restore 22 to normal, returning her badge and escorting her out of the Great Before for her journey to Earth.

As Joe prepares to enter the Great Beyond, a Jerry stops him and offers another chance at life in gratitude for finally inspiring 22 to live. Joe returns to his body on Earth and starts the next day committed to enjoying his entire life.

Voice cast[]

Headshot of Jamie Foxx
Headshot of Tina Fey
Jamie Foxx (left) in 2013 and Tina Fey in 2014. They voiced Joe Gardner and 22, respectively.
  • Jamie Foxx as Joe Gardner, a passionate jazz pianist and music teacher whose soul gets separated from his body after an open manhole accident,[4] and Gardner's soul, who enters the body of a cat.
  • Tina Fey as 22, a soul with a dim view of life, trapped in the Great Before,[4] who later inhabits Gardner's body.
  • Graham Norton as Moonwind, a spiritual sign twirler.[5]
  • Rachel House as Terry, a soul counter in the Great Beyond.[6]
  • Alice Braga, Richard Ayoade, Wes Studi, Fortune Feimster, and Zenobia Shroff as the five soul counselors in the Great Before who are all named Jerry.
  • Phylicia Rashad as Libba Gardner, Joe's mother, who works as a seamstress.[7][8]
  • Donnell Rawlings as Dez, Joe's barber.[5]
  • Questlove as Lamont "Curley" Baker, a drummer in Dorothea Williams' band and a former student of Joe's.[7]
  • Angela Bassett as Dorothea Williams, a respected jazz musician and saxophone player.[9]

Additionally, Daveed Diggs plays Paul, Joe's neighborhood frenemy;[4][7] Cora Champommier plays Connie, one of Joe's middle school band students; Margo Hall and Rhodessa Jones play Melba and Lulu, Libba's co-workers;[6] June Squibb plays Gerel, a soul who meets Joe before going to the Great Beyond;[5] and Esther Chae plays Miho, a bassist in Williams' band.[10] Cody Chesnutt provides his vocals, from his song "Parting Ways", as a street singer with a guitar.[11]

Sakina Jaffrey, Calum Grant, Laura Mooney, Peggy Flood, Ochuwa Oghie, Jeannie Tirado, and Cathy Cavadini provide the voices of Doctor, Hedge Fund Manager, Therapy Cat Lady, Marge, Dancerstar, Principal Arroyo, and Dreamerwind.[6]

Production[]

Development[]

Headshot of Pete Docter
Director Pete Docter in 2015

The development of Soul began in January 2016, when director Pete Docter sought new creative directions during the announcement of the 88th Academy Awards.[12][13] Docter pondered the origins of human personalities as well as the concept of determinism. In his first meeting with co-writer Jones, Docter pitched an idea "set in a place beyond space and time, where souls are given their personalities".[14] Despite being appointed chief creative officer at Pixar after John Lasseter's departure, Docter planned to complete his film.[15]

Writing[]

Pixar chose to portray the film's main character as a musician because they wanted an appealing profession for the audience, and settled that after trying for a scientist, which did not feel "so naturally pure". Docter described Soul as "an exploration of" things which focused on it.[16]

Docter and Jones worked on the development of the main character for about two years.[14] According to Docter, once they settled on the main character being a jazz musician, the filmmakers chose to make it African-American one due to the race tied to jazz history.[17][18] Powers originally joined as co-writer early in development to help write the character of Joe, and was initially given a 12-week contract, which was then extended.[14] He was subsequently promoted to co-director after his extensive contributions to the film, making him Pixar's first African-American co-director.[18] Powers based several elements of Joe on his personal life, as the character's story shared several elements with Powers' own, but also wanted him to "transcend [his] own experience" in order to make the character more accessible.[17] Powers also placed additional emphasis on authentically depicting the black community as well as Joe's relationships with them.[19] In order to portray accurately African-American culture within the film, Pixar created an internal culture trust composed of black Pixar employees, and hired several consultants, among whom were musicians Herbie Hancock, Terri Lyne Carrington, Quincy Jones, and Jon Batiste; educator Johnnetta Cole; and stars Questlove and Diggs. The filmmakers worked closely with them through the film's development.[17][19]

The idea for the therapy cat and Joe landing inside its body came from Jones. Docter and Powers appreciated the idea, as it offered the filmmakers a much needed way for Joe to "be able to look at his own life from a different perspective" and appreciate it.[20]

According to Murray, the filmmakers were undecided on the ending of the film before the last screening. Some versions of the ending had Joe actually passing on to the Great Beyond, while other ones had him returning to Earth a year later, or staying in the Great Before as a mentor. Several brief scenes showing 22's life on Earth after her new birth, including one of her reuniting with Joe in New York, were storyboarded. Docter considered it very strong for the audiences' decision and ultimately discarded these scenes.[20]

Casting[]

Docter said Jamie Foxx was perfect for Joe, citing his comedy skills and musician background.[21] He emphasized the role's passion for music relatable, stating that early in his career drew inspiration from Lionel Richie; nonetheless, comedy was preferred at first.[22] Foxx related the film's "bittersweet [feeling] of losing someone but gaining a vision of joy", following the death of his sister in October 2020 at the age of 36.[23][24] Tina Fey, in addition to voicing 22, also contributed to the screenplay, having helped to write her character's lines.[16] She considered the film, in the context of the COVID-19 pandemic, a "helpful reminder that [life] isn't defined by achievement or attainment".[23]

Pixar mainstay John Ratzenberger was also reported by some media to be a part of the cast.[25] However, one reviewer who screened the film later stated that Ratzenberger's name is absent from the film's credits and all official cast listings, and the reviewer did not recognize his voice at any point during the film.[26] Docter had reportedly said that Ratzenberger makes a "cameo" in the film,[27] despite not being credited in the main cast or additional voices. Co-director Kemp Powers later confirmed that Ratzenberger's appearance was not a voice role as per usual, but instead a tribute as a non-speaking background character in the film that was animated in his likeness, making Soul the first Pixar film not to feature his credit, and the first to have him make an appearance outside of voice roles.[28]

Animation[]

Soul is Pixar's first film to feature an African-American protagonist.[29] Pixar was mindful of the history of racist imagery in animation, and set out to create characters who were recognizably black while avoiding the stereotypes in old cartoons. Acknowledging this effort, Docter stated the film's animation had a "long and painful history of caricatured racist design tropes" that mocked African-Americans.[14] According to Powers, the animators used lighting as a way to highlight the ethnic diversity in the living world.[30] Pixar sought to capture the fine details of these black characters, including the textures of black hair and the way light plays on various tones of black skin.[14] Cinematographer Bradford Young worked as a lighting consultant on the film.[30]

Animators used footage of several music performers, including Batiste, performing as reference for the film's musical sequences.[30] By capturing MIDI data from the sessions, animators were able to retrace the exact key being played on the piano with each note and create the performances authentically.[30][31] According to Docter, the animators assigned to specific musical instruments often either had experience playing them or a great appreciation for them.[31]

The souls were animated by the filmmakers in a "vaporous", "ethereal", and "non-physical" way, based on their designs in definitions about those for various religious and cultural representatives.[16] They differentiated souls from ghosts by adjusting their color palette accordingly.[32] Animating the souls' designs were a challenge by Docter, since the animators had their most substantial work.[16] According to Murray, several artists helped create the souls' designs by giving their suggestions and opinions on how they should look.[33] The designs were also inspired by early drawings made by Docter. Animators created two designs for the souls in the film: one for the new souls in "The Great Before" (described as "very cute, very appealing, with simple, rounded shapes" by animation supervisor Jude Brownbill) and one for mentor souls (feature distinctive characteristics since they have been on Earth).[34]

The design of soul counselors ("Jerrys") originated from line drawings made by story artist Aphton Corbin; another artist then created wire sculptures of them, upon which the final design was based.[32] Together with the design of "Terry", they were seen by critics as a reference to Osvaldo Cavandoli's 1971 Italian animated series La Linea.[35][36][37]

For the Great Before, the filmmakers did not want it to be based in any specific culture given its nature of universality. They sought inspiration from the architecture of 1930s–1960s world's fairs, making a "sense of awe and importance".[38] According to Docter, the aim of the design was to "make a grand statement about learning and knowledge."[39] The personality pavilions were designed to be "abstract-looking shapes" as a literal interpretation of the abstract ideas they represent.[38] For the Great Beyond, the filmmakers went a direct take on the concept of "going toward the light", which they believed that the audience understood it.[32] The Astral Plane sequence took months to create, despite having its short duration.[40]

Music[]

American musicians Trent Reznor and Atticus Ross of Nine Inch Nails composed an ambient score for the metaphysical segments of the film, while Batiste composed a number of original jazz songs for the New York City-based segments of the film.[41][42] Batiste sought to create what he referred to as "user-friendly jazz", which felt "authentic" but could still be appreciated by a general audience.[17][43] Reznor and Ross were brought in on the recommendation of sound designer Ren Klyce, who had worked extensively with the duo in David Fincher films.[44]

The score and the original songs from Soul were released in two separate vinyl-exclusive albums, while also both being compiled onto a digital album.[45][46] "It's All Right", the end credits song performed by Batiste, was originally recorded by The Impressions. A second cover of the song, a duet between Batiste and British soul singer Celeste, is not included in the film's soundtrack, but was released as a non-album single alongside the three albums.[47][48]

Release[]

Theatrical and streaming[]

Soul premiered on October 11, 2020, at the BFI London Film Festival.[49][50] The film was originally scheduled for theatrical release in the United States on June 19,[51] but due to the COVID-19 pandemic, it was pushed back to November 20.[52] Variety reported that Disney considered canceling the film's theatrical release and replacing it with a premiere of the film on Disney+ following the box-office failure of Onward, though a Disney insider disputed the claim.[53][54] The film's theatrical release was later canceled in favor of Disney+ premiere on December 25.[55]

Soul had a traditional theatrical release in countries without Disney+ where theaters have re-opened.[56] This included China,[57] the Philippines (in areas under MGCQ),[58] Malaysia, Taiwan, Thailand, Singapore, among others.[59] Unlike Mulan, Soul was not released as a Disney+ Premier Access release, and was free to all subscribers.[55] The film was included in their lineups of the 2020 Cannes Film Festival[60] and the Rome Film Festival; it opened on October 15.[61]

In theaters, Soul was intended to be accompanied by SparkShorts short film Burrow, but it premiered on Disney+ instead.[62] A prequel short to Soul was released in 2021, titled 22 vs. Earth. It focuses on 22 leading a rebellion against her superiors.[63]

Home media[]

Walt Disney Studios Home Entertainment released Soul on Ultra HD Blu-ray, Blu-ray, DVD, and digital download on March 23, 2021. Physical copies contain behind-the-scenes featurettes, audio commentary, and deleted scenes.[64]

Reception[]

Box office[]

In its opening weekend, Soul grossed $7.6 million from ten countries, including $5.5 million from China.[65] By February 2021, the film had become the highest-grossing Pixar release ever in Russia ($18.3 million), Ukraine ($1.9 million), and Saudi Arabia ($5.9 million). Its largest markets at that point were China ($57.9 million), Russia, South Korea ($14.8 million), Taiwan ($6.4 million), and Saudi Arabia.[66]

Streaming viewership[]

Following the release of Soul on Disney+, research firm Screen Engine reported that 13 percent of viewers watched the film, and it over-indexed among parents, particularly mothers. The company also said that Soul was among the most-watched straight-to-streaming titles of the year, behind Hamilton and Wonder Woman 1984.[67] On December 21–27, 2020, the film gathered 1.669 billion minutes of watch time making it the number 1 streaming title that week.[68] Nielsen reported that Wonder Woman 1984, with 2.252 billion minutes of streaming on HBO Max, had surpassed Soul, with 1.7 billion minutes on Disney+, in streaming numbers on Christmas weekend.[69] Samba TV later reported that 2.4 million households streamed the film over its opening weekend.[70]

Critical response[]

Soul received "highly positive" reviews, describing as one of Pixar's finest and "most ambitiously existential" films.[71][72] On the review aggregator website Rotten Tomatoes, Soul holds an approval rating of 95% based on 342 reviews, with an average rating of 8.3/10. Its critical consensus reads, "A film as beautiful to contemplate as it is to behold, Soul proves Pixar's power to deliver outstanding all-ages entertainment remains undimmed."[73] Metacritic, which uses a weighted average, assigned Soul a score of 83 out of 100 based on 55 critics, indicating "universal acclaim".[74]

Several journalists praised Soul for its craftsmanship,[75][76] which they saw as an exercise of Docter's expertise,[77][78] as the film was considered a return of Pixar's form by some critics.[79][80] Leslie Felperin (The Hollywood Reporter) and Jason Solomons (TheWrap) described the film as its peak, with Solomons characterized its "colorful visuals and gentle wisdom".[6][81] A. O. Scott of The New York Times expressed its "combination of skill, feeling and inspiration".[82]

The story, characters, and music were sources of praise. Kaleem Aftab of IndieWire felt the narrative "[veered] off in many unexpected directions, so that even the inevitable end point feels just right."[83] USA Today's Brian Truitt commended the performances of Foxx and Fey since they had their humor.[84] For Time Out Dubai, Whelan Barzey emphasized Joe's generations as more linked in the film.[85] Felperin and Peter Travers (ABC News) praised the musical score, calling it as "sublime".[6][86] Truitt and Travers credited Batiste, Reznor, and Ross for their music merits.[84][86]

Reviews were not uniformly positive. Adonis Fryer of the Ohio student newspaper The Post Athens concluded that "beautiful animation, strong voice acting, charming writing and easy-to-digest existential philosophy make Soul a compelling watch but does not make up for Disney's inability to truly center a black hero with agency."[87] The same sentiment was shared by Kirsten Acuna from the Insider. She felt that "the studio had taken a few steps backward" in their racial sensitivity as Soul used the same trope of "turning Black characters into creatures".[88] Molly Freeman of Screen Rant acknowledged the film's "message about the meaning of life and finding purpose, but it's messy and only made muddier by the questions the movie sets up then fails to answer. The result is Soul loses much of its emotional impact, with the third act playing out more like a rush to the finish line of the story without giving as much weight to the themes and emotional throughline of the film."[89] Charles Pulliam-Moore of Gizmodo wrote that "Soul comes across less like an earnest and casual celebration of everyday Blackness, and more like a twee depiction of it that’s meant for white audiences’ consumption."[90]

In 2021, Soul was listed as one of the best animated films of all time in Parade and Complex.[91][92]

Accolades[]

Soul led the 93rd Academy Awards season with three nominations (including Best Sound). The film received two Oscars: Best Animated Feature and Best Original Score.[93][94] From ten nominations earned at the 48th Annie Awards, the film won seven awards (including Directing in an Animated Feature Production for Docter and Powers, Music in a Feature Production, and Best Animated Feature).[95] At the 78th Golden Globe Awards, it won Best Animated Feature Film and Best Original Score.[96] [97] Among the film's nominations include one Critics' Choice Award (won)[98] [99] and three British Academy Film Awards (winning two).[100] It was named one of the ten best films of 2020 by the National Board of Review (which won Best Animated Film) and the American Film Institute.[101][102]

Notes[]

  1. ^ Jazz compositions and arrangements only.

References[]

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