Terms of Endearment

Terms of Endearment
Theatrical release poster
Directed by	James L. Brooks
Screenplay by	James L. Brooks
Based on	Terms of Endearment by Larry McMurtry
Produced by	James L. Brooks
Starring	Debra Winger Shirley MacLaine Jack Nicholson Danny DeVito Jeff Daniels John Lithgow
Cinematography	Andrzej Bartkowiak
Edited by	Richard Marks
Music by	Michael Gore
Distributed by	Paramount Pictures
Release date	November 23, 1983 (1983-11-23) (US: limited) December 9, 1983 (1983-12-09) (US: wide)
Running time	132 minutes[1]
Country	United States
Language	English
Budget	$8 million
Box office	$165 million[2]

Terms of Endearment is a 1983 American family comedy-drama film directed, written, and produced by James L. Brooks, adapted from Larry McMurtry's 1975 novel of the same name. It stars Debra Winger, Shirley MacLaine, Jack Nicholson, Danny DeVito, Jeff Daniels, and John Lithgow. The film covers 30 years of the relationship between Aurora Greenway (MacLaine) and her daughter Emma (Winger).

Terms of Endearment was theatrically released in limited theatres on November 23, 1983 and to a wider release on December 9 by Paramount Pictures. The film received critical acclaim and was a major commercial success, grossing $165 million at the box office, becoming the second-highest-grossing film of 1983. The film received a leading eleven nominations at the 56th Academy Awards, and won five (more than any other film nominated that year): Best Picture, Best Director, Best Actress (for MacLaine), Best Adapted Screenplay, and Best Supporting Actor (for Nicholson). A sequel, The Evening Star, was released in 1996.

Plot[]

Widowed Aurora Greenway (Shirley MacLaine) keeps several suitors at arm's length in Houston, focusing instead on her close, but controlling, relationship with daughter Emma (Debra Winger). Anxious to escape her mother, Emma marries callow young college professor Flap Horton (Jeff Daniels) over her mother's objections, moves away, and has three children. Despite their frequent spats and difficulty getting along, Emma and Aurora have a very close tie between them, and keep in touch by telephone.

Emma and Flap soon run into financial and marital difficulties. Emma has trouble managing the children and household, and she and Flap both have affairs. Emma relies increasingly on her mother for emotional support. Meanwhile, the lonely Aurora overcomes her repression, and begins a whirlwind romance with her next-door neighbor, retired astronaut Garrett Breedlove (Jack Nicholson).

The Horton family moves from Houston to Des Moines and eventually to Nebraska, apparently for Flap's college teaching career, but mostly so he can be near his girlfriend. Emma is diagnosed with cancer, which becomes terminal. Aurora stays by Emma's side through her treatment and hospitalization, even while dealing with her own pain after Garrett suddenly ends their relationship. The dying Emma shows her love for her mother by entrusting her children to Aurora's care. After Emma's death, Garrett reappears in the family's life, and begins to bond with Emma's young children.

Cast[]

Production[]

Brooks wrote the supporting role of Garrett Breedlove for Burt Reynolds, who turned down the role because of a verbal commitment he had made to appear in Stroker Ace. "There are no awards in Hollywood for being an idiot", Reynolds later said of the decision.^[3] Harrison Ford and Paul Newman also turned down the role.^[4][5]

The exterior shots of Aurora Greenway's home were filmed at 3060 Locke Lane, Houston, Texas. The exterior shots of locations intended to be in Des Moines, Iowa and Kearney, Nebraska were instead filmed in Lincoln, Nebraska. Many scenes were filmed on, or near, the campus of the University of Nebraska-Lincoln.^[6] While filming in Lincoln, the state capital, Winger met then-governor of Nebraska Bob Kerrey; the two wound up dating for two years.^[7]

MacLaine and Winger reportedly did not get along with each other during production.^{[8][9][10][11]} MacLaine confirmed in an interview that "it was a very tough shoot ... Chaotic...(Jim) likes working with tension on the set."^[12]

On working with Nicholson, MacLaine said, "Working with Jack Nicholson was crazy",^[13] but that his spontaneity may have contributed to her performance.^[14] She also said,

We're like old smoothies working together. You know the old smoothies they used to show whenever you went to the Ice Follies. They would have this elderly man and woman – who at that time were 40 – and they had a little bit too much weight around the waist and were moving a little slower. But they danced so elegantly and so in synch with each other that the audience just laid back and sort of sighed. That's the way it is working with Jack. We both know what the other is going to do. And we don't socialize, or anything. It's an amazing chemistry – a wonderful, wonderful feeling.^[11]

MacLaine also confirmed in an interview with USA Today that Nicholson improvised when he put his hand down her dress in the beach scene.^[15]

Reception[]

Box office[]

Terms of Endearment was commercially successful. On its opening weekend, it grossed $3.4 million, ranking number two at the US box office, until its second weekend, when it grossed $3.1 million, ranking number one at the box office. Three weekends later, it arrived number one again, with $9,000,000, having wide release. For four weekends, it remained number one at the box office, until slipping to number two on its tenth weekend. On the film's 11th weekend, it arrived number one (for the sixth and final time), grossing $3,000,000. For the last weekends of the film, it later dwindled downward.^[16] The film grossed $108,423,489 in the United States and Canada and $165 million worldwide.^[17][2]

Critical reception[]

The film received critical acclaim at the time of its release. On Rotten Tomatoes, the film has a 78% approval rating based on 54 reviews, with a weighted average of 7.5/10. The site's consensus reads: "A classic tearjerker, Terms of Endearment isn't shy about reaching for the heartstrings – but is so well-acted and smartly scripted that it's almost impossible to resist."^[18] Metacritic reports a score of 79/100 based on reviews from 10 critics, indicating "Generally favorable reviews".^[19] Roger Ebert gave the film a four-out-of-four star rating, calling it "a wonderful film" and stating, "There isn't a thing that I would change, and I was exhilarated by the freedom it gives itself to move from the high comedy of Nicholson's best moments to the acting of Debra Winger in the closing scenes."^[20] Gene Siskel, who gave the film a highly enthusiastic review, correctly predicted upon its release that it would go on to win the Academy Award for Best Picture of 1983. In his movie guide, Leonard Maltin awarded the film a rare four-star rating, calling it a "Wonderful mix of humor and heartache", and concluded the film was "Consistently offbeat and unpredictable, with exceptional performances by all three stars".^[21]

Awards and nominations[]

American Film Institute (nominations):

• AFI's 100 Years...100 Movies
• AFI's 100 Years...100 Laughs
• AFI's 100 Years...100 Movie Quotes:
  • Aurora: "Would you like to come in?" Garrett: "I'd rather stick needles in my eyes."
• AFI's 100 Years...100 Movies (10th Anniversary Edition)

Sequel[]

A sequel to the film, The Evening Star (1996), in which MacLaine and Nicholson reprised their roles, was a critical and commercial failure.

Notes[]

References[]

External links[]

Wikiquote has quotations related to: Terms of Endearment

• Terms of Endearment at IMDb
• Terms of Endearment at Rotten Tomatoes
• Terms of Endearment at Box Office Mojo