List of Cultural Properties of Japan - paintings (Yamagata)
This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Prefecture of Yamagata.[1]
National Cultural Properties[]
As of 1 July 2019, eight properties have been designated Important Cultural Properties (including one *National Treasure), being of national significance.[2][3][4]
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| *Scenes in and around the Capital, colours on paper with gold ground, by Kanō Eitoku 紙本金地著色洛中洛外図〈狩野永徳筆／八曲屏風〉 shihon kinji chakushoku rakuchū rakugai zu (Kanō Eitoku hitsu, rokkyoku byōbu) |
1562–74 | Yonezawa | Yonezawa City Uesugi Museum | pair of six-panel folding screens, given by Oda Nobunaga to Uesugi Kenshin in 1574; the right screen includes a depiction of the Gion Festival[5][6] |   |
each screen 3.633 metres (11 ft 11.0 in) by 1.594 metres (5 ft 2.8 in) | 37°54′27″N 140°06′24″E / 37.90759147°N 140.10665967°E | [1] |
| Amida Triad, colours on silk 絹本著色阿弥陀三尊像 kenpon chakushoku Amida sanzon zō |
1309 | Yonezawa | (上杉神社) | Goryeo Buddhist paintings; three scrolls, with Amida Nyorai in the centre flanked by Kannon and Seishi[7] |    |
each scroll 148 centimetres (4 ft 10 in) by 77 centimetres (2 ft 6 in) | 37°54′33″N 140°06′15″E / 37.909237°N 140.104072°E | [2] |
| Wang Zhaojun, colours on silk, by Hishida Shunsō 絹本著色王昭君図〈菱田春草筆／〉 kenpon chakushoku Ō Shōkun zu (Hishida Shunsō hitsu) |
1902 | Tsuruoka | (善宝寺) (kept at Chidō Museum) |
harem scene with the celebrated Han beauty[8][9] |  |
3.70 metres (12 ft 2 in) by 1.68 metres (5 ft 6 in) | 38°46′22″N 139°46′01″E / 38.772722°N 139.767036°E | [3] |
| Bishamonten, colours on silk 絹本著色毘沙門天像 kenpon chakushoku Bishamonten zō |
end of the Heian period | Yonezawa | (上杉神社) | 1 hanging scroll; the painting once hung in the Bishamon-dō of Kasugayama Castle[10] |  |
109 centimetres (3 ft 7 in) by 44.6 centimetres (1 ft 5.6 in) | 37°54′33″N 140°06′15″E / 37.909237°N 140.104072°E | [4] |
| Oku no Hosomichi, light colours on paper, by Yosa Buson 紙本淡彩奥の細道図〈与謝蕪村筆／安永八年の年記がある〉 shihon tansai Oku no Hosomichi zu (Yosa Buson hitsu) |
1779 | Yamagata | Yamagata Museum of Art | six-panel folding screen with the entire text of Matsuo Bashō's haibun[11] |  |
3.490 metres (11 ft 5.4 in) by 1.393 metres (4 ft 6.8 in) | 38°15′21″N 140°19′57″E / 38.255832°N 140.332392°E | [5] |
| Ippen, colours on paper 紙本著色遊行上人絵〈伝狩野宗秀筆／〉 shihon chakushoku Yūgyō shōnin e (den-Kanō Sōshū hitsu) |
1594 | Yamagata | Kōmyō-ji (光明寺) (kept at Nara National Museum) |
ten handscrolls traditionally attributed to (狩野宗秀)[12][13] |  |
170 metres (557 ft 9 in) by 33.6 centimetres (1 ft 1.2 in) | 34°41′01″N 135°50′12″E / 34.683573°N 135.836624°E | [6] |
| Mandala of the Two Realms, gold paint on violet paper 紫綾金泥両界曼荼羅図 shiryō kindei ryōkai mandara zu |
Heian period | Yonezawa | (上杉神社) | pair of hanging scrolls presented to the shrine by the Uesugi clan during the Meiji period; formerly kept at the family temple on Mount Kōya[14] |   |
Diamond Realm Mandala: 108 centimetres (3 ft 7 in) by 88 centimetres (2 ft 11 in); Womb Realm Mandala: 107 centimetres (3 ft 6 in) by 87.8 centimetres (2 ft 10.6 in) | 37°54′33″N 140°06′15″E / 37.909237°N 140.104072°E | [7] |
| Sacred horse, wooden panel, by 板絵著色神馬図〈郷目貞繁筆／〉 ita-e chakushoku shinme zu (Kōnome Sadoshige hitsu) |
1563 | Tendō | (若松寺) | ema formed of five wooden boards[15] |  |
182.5 centimetres (5 ft 11.9 in) by 163 centimetres (5 ft 4 in) | 38°21′46″N 140°25′08″E / 38.362859°N 140.418878°E | [8] |
Prefectural Cultural Properties[]
As of 2 November 2018, seventy-seven properties have been designated at a prefectural level.[4][16]
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| Shellfish-gathering at Shinagawa Gotenyama Distant View of Nori-gathering at Okuyama near Nihon light colours on silk, by Andō Hiroshige 絹本淡彩 御殿山品川汐干狩図 日本海晏寺奥山海苔取遠望図 安藤広重筆 kenpon tansai Gotenyama Shinagawa shiohi gari zu Nihon Kaianji Okuyama nori-tori enbō zu (Andō Hiroshige hitsu) |
C19 | Tendō | private | pair of scrolls |   |
90.4 centimetres (2 ft 11.6 in) by 30.1 centimetres (11.9 in) | 38°21′02″N 140°19′02″E / 38.350555°N 140.317253°E | [9] |
| Tsukuda-jima Sumiyoshi in Tōkyō Arashiyama in Kyōto Beach by the Light of the Rising Moon at Naniwa Sumiyoshi light colours on silk, by Andō Hiroshige 絹本淡彩 東都佃島住よし図 京都嵐山図 浪花住吉月出見の浜図 安藤広重筆 kenpon tansai Tō-to Tsukuda-jima Sumiyoshi zu Kyōto Arashiyama zu Naniwa Sumiyoshi tsuki de mi no hama zu (Andō Hiroshige hitsu) |
C19 | Yamagata | Jikōmyō-in (慈光明院) | three scrolls |    |
92.0 centimetres (3 ft 0.2 in) by 28.9 centimetres (11.4 in) | 38°15′16″N 140°20′16″E / 38.254353°N 140.337868°E | [10] |
| Landscape, light colours on silk, by Yo Shakuya 絹本淡彩山水図 余夙夜筆 kenpon tansai sansui zu Yo Shakuya hitsu |
1796 | Sakata | Homma Museum of Art |  |
114.0 centimetres (3 ft 8.9 in) by 35.0 centimetres (1 ft 1.8 in) | 38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [11] | |
| Aizen Myōō, colours on silk 絹本著色愛染明王像 kenpon chakushoku Aizen Myōō zō |
late Kamakura period | Sagae | Hōzō-in (宝蔵院) |  |
82.9 centimetres (2 ft 8.6 in) by 48.2 centimetres (1 ft 7.0 in) | 38°24′39″N 140°15′05″E / 38.410828°N 140.251487°E | [12] | |
| Farewell to Sonehara Rokei, ink on paper, by 紙本墨画曽根原魯卿叙別図 福原五岳筆 shihon bokuga Sonehara Rokei jobetsu zu Fukuhara Gogaku hitsu |
C18 | Sakata | Homma Museum of Art |  |
75.8 centimetres (2 ft 5.8 in) by 27.2 centimetres (10.7 in) | 38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [13] | |
| Twin moons, ink on paper, by Shōkadō Shōjō 紙本墨画対月図 松花堂昭乗筆 江月賛 shihon bokuga taigetsu no zu Shōkadō Shōjō hitsu Kōgestu san |
early C17 | Yamagata | private | seated monk with comments or san (賛) by (江月宗玩); inscription reads 黒月則隠白月則現江月叟書之 |  |
111.0 centimetres (3 ft 7.7 in) by 26.0 centimetres (10.2 in) | 38°15′21″N 140°20′13″E / 38.255891°N 140.337049°E | [14] |
| Landscape with people, flowers, and fruit, light colours on paper, six-fold screen, by Ike no Taiga 紙本墨画淡彩山水人物花果図 池大雅筆 六曲屏風 shihon bokuga tansai sansui jinbutsu kaka zu Ike no Taiga hitsu rokkyoku byōbu |
1771 | Sagae | private |  |
351 centimetres (11 ft 6 in) by 147 centimetres (4 ft 10 in) | 38°22′47″N 140°16′52″E / 38.379589°N 140.280991°E | [15] | |
| Daruma, ink on paper 紙本墨画達磨図 無款 shihon bokuga Daruma zu mukan |
Muromachi period | Kahoku | private |  |
66.0 centimetres (2 ft 2.0 in) by 29.0 centimetres (11.4 in) | 38°25′29″N 140°18′55″E / 38.424647°N 140.315194°E | [16] | |
| Swallow in flight, ink on paper, by 紙本墨画飛燕図 康西堂筆 shihon bokuga hien zu Kō Saidō hitsu |
C15 | Sakata | private |  |
42.6 centimetres (1 ft 4.8 in) by 31.2 centimetres (1 ft 0.3 in) | 38°55′05″N 139°50′41″E / 38.918159°N 139.844724°E | [17] | |
| Fuke Zenji, ink on paper, by 紙本墨画普化禅師像 瀬田掃部筆 雲居禅師賛 shihon bokuga Fuke Zenji zō Seta Kamon hitsu Unkyo Zenji san |
C16/17 | Sakata | private | with comments or san (賛) by (雲居希膺) (1582-1659) |  |
75.7 centimetres (2 ft 5.8 in) by 21.3 centimetres (8.4 in) | 38°55′05″N 139°50′41″E / 38.918159°N 139.844724°E | [18] |
| Grapes and squirrel, ink on paper, by Miyamoto Musashi 紙本墨画葡萄栗鼠図 宮本武蔵筆 shihon bokuga budō risu zu Miyamoto Musashiō hitsu |
C17 | Tendō | Dewazakura Museum of Art |  |
126.5 centimetres (4 ft 1.8 in) by 46.5 centimetres (1 ft 6.3 in) | 38°20′59″N 140°22′15″E / 38.349599°N 140.370727°E | [19] | |
| Landscape in the beiten style, ink on paper, by Okada Hankō 紙本墨画米点山水図 岡田半江筆 shihon bokuga beiten sansui zu Okada Hankō hitsu |
1830 | Yamagata | Yamagata Museum of Art |  |
134.8 centimetres (4 ft 5.1 in) by 38.2 centimetres (1 ft 3.0 in) | 38°15′21″N 140°19′57″E / 38.255832°N 140.332392°E | [20] | |
| Landscape in the beihō style, ink on paper, by Okada Hankō 紙本墨画米法山水図 岡田半江筆 shihon bokuga beihō sansui zu Okada Hankō hitsu |
early C19 | Sakata | Homma Museum of Art |  |
227.0 centimetres (7 ft 5.4 in) by 46.8 centimetres (1 ft 6.4 in) | 38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [21] | |
| Hōnen, ink on paper, by 紙本墨画法然上人像 冷泉為恭筆 shihon bokuga Hōnen shōnin-zō Reizei Tamachika hitsu |
mid-C19 | Ōishida | private |  |
92.3 centimetres (3 ft 0.3 in) by 29.5 centimetres (11.6 in) | 38°35′38″N 140°22′22″E / 38.593797°N 140.372658°E | [22] | |
| Pasturing cattle, ink on paper 紙本墨画牧牛図 無款 shihon bokuga bokugyū-zu mukan |
C14 | Sakata | private | thought to be of Yuan origin |  |
50.0 centimetres (1 ft 7.7 in) by 29.5 centimetres (11.6 in) | 38°54′23″N 139°50′07″E / 38.906288°N 139.835261°E | [23] |
| Bamboo, ink on paper, by Yanagisawa Kien 紙本墨画墨竹図 柳里恭筆 shihon bokuga bokuchiku-zu Ryūrikō hitsu |
C18 | Sakata | private |  |
111.5 centimetres (3 ft 7.9 in) by 27.0 centimetres (10.6 in) | 38°54′22″N 139°50′30″E / 38.906129°N 139.841709°E | [24] | |
| Daruma, ink on paper, by Kaihō Yūshō 紙本墨画面壁達磨図 海北友松筆 shihon bokuga menpeki Daruma-zu Kaihō Yūshō hitsu |
C16/17 | Sakata | private (kept at Homma Museum of Art) |
 |
104.0 centimetres (3 ft 4.9 in) by 39.0 centimetres (1 ft 3.4 in) | 38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [25] | |
| Goose among reeds, ink on paper by 紙本墨画芦雁図 郷目貞繁筆 shihon bokuga rogan-zu Kōnome Sadashige hitsu |
mid-C16 | Kahoku | private |  |
58.2 centimetres (1 ft 10.9 in) by 44.5 centimetres (1 ft 5.5 in) | 38°23′41″N 140°18′35″E / 38.394852°N 140.309637°E | [26] | |
| Views of Yamagata City, oil painting by Takahashi Yuichi 油彩山形市街図 高橋由一筆 yusai Yamagata-shi gai-zu (Takahashi Yuichi hitsu) |
1885 | Yamagata | Yamagata Prefecture (kept at Yamagata Museum of Art) |
in 1881 and 1884 Takahashi Yuichi was commissioned by Mishima Michitsune to paint scenes of public works in Yamagata Prefecture; in the centre is the Yamagata Prefecture Office of 1877, on the right a school and the police headquarters, and on the left a museum[17] |  |
151.1 centimetres (4 ft 11.5 in) by 104.4 centimetres (3 ft 5.1 in) | 38°15′21″N 140°19′57″E / 38.255832°N 140.332392°E | [27] |
Municipal Cultural Properties[]
Properties designated at a municipal level include:
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| Jizō with the Ten Kings of Hell 地蔵十王図 Jizō jūō zu |
C14 | Sagae | Kezō-in (華蔵院) | Goryeo Buddhist painting |  |
115.2 centimetres (3 ft 9.4 in) by 59.1 centimetres (1 ft 11.3 in) | 38°24′37″N 140°15′07″E / 38.410289°N 140.252023°E | [28] |
| Mount Fuji, byōbu, by Takeuchi Seihō 竹内棲鳳筆 冨士図 六曲屏風 Takeuchi Seihō hitsu Fuji zu rokkyoku byōbu |
late C19 | Sakata | Homma Museum of Art | pair of six-fold screens |   |
38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [29] | |
| Peonies, by 高橋草坪筆 牡丹図 Takahashi Sōhei hitsu botan zu |
C19 | Sakata | private |  |
[30] | |||
| Copperplate Landscapes, by Shiba Kōkan 司馬江漢筆 銅版風景図 Shiba Kōkan hitsu dōban fūkei zu |
Edo period | Sakata | Homma Museum of Art | seven prints |  |
38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [31] | |
| American Ship, by 本間北曜筆 アメリカ船図 Honma Hokuyō hitsu Amerika-fune zu |
1853 | Sakata | Homma Museum of Art | from Perry's first visit |  |
38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [32] | |
| Four Asleep, by Nagasawa Rosetsu 長沢芦雪筆 四睡図 Nagasawa Rosetsu hitsu shi-sui zu |
C18 | Sakata | Homma Museum of Art | the four sleeping figures are Hanshan, Shide, Fenggan, and a tiger[18] |  |
38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [33] | |
| Figures of Foreigners, emakimono, by 小原慶山筆 異人形容図巻 Ohara Keizan hitsu Ijin keiyō zu maki |
C18 | Sakata | Homma Museum of Art |  |
38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [34] | ||
| Tao Yuanming, by Maruyama Ōkyo 円山応挙筆 五柳先生図 Maruyama Ōkyo hitsu Goryū Sensei zu |
C18 | Sakata | [35] | |||||
| Mañjuśrī in the Clouds, by Kanō Tsunenobu 狩野常信筆 雲中文殊之図 Kanō Tsunenobu hitsu kumo naka Monju no zu |
early Edo period | Sakata | [36] | |||||
| Broom, by Yosa Buson 與謝蕪村筆 箒図 Yosa Buson hitsu hōki zu |
C18 | Sakata | [37] | |||||
| Hotei, by Itō Jakuchū 伊藤若冲筆 布袋図 Itō Jakuchū hitsu Hotei zu |
C18 | Sakata | Homma Museum of Art |  |
38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [38] | ||
| Fierce Tiger, by Ganku 岸駒筆 猛虎図 Ganku hitsu mōko zu |
Edo period | Sakata | Homma Museum of Art |  |
38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [39] | ||
| Fishing-Folk, by Watanabe Kazan 渡辺崋山筆 漁民図 画賛 Watanabe Kazan hitsu Gyomin zu gasan |
C19 | Sakata | [40] | |||||
| Revenge of the Loyal Samurai of Akō, by 安田雷洲筆 赤穂義士復讐図 Yasuda Raishū hitsu Akō gishi fukushū zu |
C19 | Sakata | Homma Museum of Art | iconography borrowed from the Adoration of the Shepherds[19] |  |
38°55′24″N 139°50′32″E / 38.923293°N 139.842117°E | [41] | |
| Sakata Sannō Festival, byōbu, by Igarashi Unrei 五十嵐雲嶺筆 酒田山王例祭図 六曲屏風 Igarashi Unrei hitsu Sakata Sannō reisai rokkyoku byōbu |
1851 | Sakata | private | pair of six-fold screens (detail pictured) |  |
[42] | ||
| Salted Salmon, by Ikeda Kametarō 池田亀太郎筆 塩鮭図 Ikeda Kametarō hitsu shiozake zu |
C19/20 | Sakata | Sakata City Museum of Art | cf. Takahashi Yuichi |  |
38°53′35″N 139°48′57″E / 38.893183°N 139.815897°E | [43] | |
| Distant View of , by Tanaka Seikyo 松山城遠望図 田中静居筆 Matsuyama-jō enbō zu Tanaka Seikyo hitsu |
C19 | Sakata |  |
[44] |
| show Cultural Properties of Japan - paintings |
|---|
See also[]
- Cultural Properties of Japan
- List of National Treasures of Japan (paintings)
- Japanese painting
- List of Historic Sites of Japan (Yamagata)
References[]
- ^ "Cultural Properties for Future Generations". Agency for Cultural Affairs. Retrieved 18 August 2019.
- ^ 国宝・重要文化財 [Number of National Treasures and Important Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 July 2019. Retrieved 18 August 2019.
- ^ "Database of National Cultural Properties: 国宝・重要文化財（美術品）(絵画 山形県)" (in Japanese). Agency for Cultural Affairs. Archived from the original on 22 July 2019. Retrieved 18 August 2019.
- ^ Jump up to: a b 山形県内の指定文化財 [Cultural Properties in Yamagata Prefecture] (in Japanese). Yamagata Prefecture. 2 November 2018. Retrieved 18 August 2019.
- ^ "【国宝】紙本金地著色洛中洛外図 狩野永徳筆 六曲屏風" [Views in and around Kyoto, colours on paper, by Kanō Eitoku (NT)]. Yamagata Prefecture. Retrieved 8 October 2013.
- ^ "rakuchuu rakugai-zu". Japanese Architecture and Art Net Users System. 8 October 2013.
- ^ "絹本著色阿弥陀三尊像" [Amida Triad, colours on silk]. Yamagata Prefecture. Retrieved 8 October 2013.
- ^ "絹本著色王昭君図 菱田春草筆" [Wang Zhaojun, colours on silk, by Hishida Shunsō]. Yamagata Prefecture. Retrieved 8 October 2013.
- ^ 王昭君図 [Wang Zhaojun] (in Japanese). Agency for Cultural Affairs. Retrieved 8 October 2013.
- ^ "絹本著色毘沙門天像" [Bishamonten, colours on silk]. Yamagata Prefecture. Retrieved 8 October 2013.
- ^ "紙本淡彩奥の細道図 与謝蕪村筆" [Oku no Hosomichi, byōbu by Yosa Buson]. Yamagata Prefecture. Retrieved 8 October 2013.
- ^ "紙本著色遊行上人絵" [Ippen, colours on paper]. Yamagata Prefecture. Retrieved 8 October 2013.
- ^ 没後４００年記念 国重文・絵巻全１０巻公開−−山形・歴史館 ／山形 [10 ICP scrolls on display]. Mainichi Shimbun (in Japanese). 17 September 2013. Archived from the original on 10 June 2015. Retrieved 8 October 2013.
- ^ "紫綾金泥両界曼荼羅図" [Mandala of the Two Realms]. Yamagata Prefecture. Retrieved 8 October 2013.
- ^ "板絵著色神馬図 郷目貞繁筆" [Sacred horse, ita-e, by Konome Sadoshige]. Yamagata Prefecture. Retrieved 8 October 2013.
- ^ 都道府県別指定等文化財件数（都道府県分） [Number of Prefectural Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 May 2018. Retrieved 18 August 2019.
- ^ "出品目録" [Catalogue]. Mie Prefecture. Retrieved 8 October 2013.
- ^ 長沢芦雪筆 四睡図 [Four Asleep by Nagasawa Rosetsu]. Homma Museum of Art. Retrieved 18 August 2019.
- ^ 安田雷洲筆 赤穂義士報讐図 [Reward for the Loyal Samurai of Akō by Yasuda Raishū]. Homma Museum of Art. Retrieved 18 August 2019.
External links[]
- (in Japanese) Cultural Properties in Yamagata Prefecture
Categories:
- Japanese paintings
- Culture in Yamagata Prefecture
- Lists of Cultural Properties of Japan