Esquelbecq

Esquelbecq

Ekelsbeke
Esquelbecq Ekelsbeke
Commune
	St Folcwin church in Esquelbecq
	Coat of arms
	show Location of Esquelbecq
	Esquelbecq Show map of FranceShow map of Hauts-de-FranceShow all
	Coordinates: 50°53′11″N 2°25′55″E / 50.8864°N 2.4319°ECoordinates: 50°53′11″N 2°25′55″E / 50.8864°N 2.4319°E
Country	France
Region	Hauts-de-France
Department	Nord
Arrondissement	Dunkirk
Canton	Wormhout
Intercommunality	Communauté de communes des Hauts de Flandre
Government
• Mayor (2020–2026)	Didier Roussel
Area 1	12.7 km2 (4.9 sq mi)
Population (Jan. 2018)	2,110
• Density	170/km2 (430/sq mi)
Time zone	UTC+01:00 (CET)
• Summer (DST)	UTC+02:00 (CEST)
INSEE/Postal code	59210 /59470
Elevation	11–29 m (36–95 ft) ; (avg. 21 m or 69 ft)
	1 French Land Register data, which excludes lakes, ponds, glaciers > 1 km2 (0.386 sq mi or 247 acres) and river estuaries.

Esquelbecq (from West Flemish: Ekelsbeke) is a commune in the Nord department in northern France.

Its southern limit with Ledringhem is chemin de Rubrouck.

Heraldry[]

	The arms of Esquelbecq are blazoned : Or, a chevron azure between 3 mullets of 5 gules.
motto: vaincre ou mourir (win or die)

History[]

In 1436, Wautier de Ghistelles was seigneur d'Ekelsbeke et de Ledringhem (Lord of Esquelbecq and Ledringhem) and governor of La Madeleine hospital in Bierne.^[2]

The Wormhoudt massacre was perpetrated near Esquelbecq on 80 British and French prisoners of war by Waffen-SS members at the time of the Dunkirk evacuation in 1940.

Church and organ[]

The church on the village square is dedicated to Folcwin, who died at Esquelbecq in 855 CE.^[3] It is a hall church of the hallekerk type characteristic of the region, with three naves of equal length, width, and height. The interior and roof were destroyed by a fire in 1976, but the external appearance is still substantially as it was in 1610, with an attractive lozenge pattern in the brickwork.^[4]

The present church organ, by (who also built an organ for the Elgar Concert Hall at the University of Birmingham), was built after the fire. It is modelled on the designs prevalent in Flanders in the 17th century and is "mesotonic" – tuned so that pieces from that era can be played in meantone temperament.^[5]